Super Hero Blues

La série de livres de Budget continue, cette fois, offrant plus de 60 thèmes de film classique arrangés pour Piano facile et à un prix incroyable ! Profitez des thèmes et mélodies que vous connaissez et l'amour de partout dans le monde du cinéma, de l'obsédante la liste de Schindler à l'âme doux du Stand By Me et le showstopping viennent quel mai de Moulin Rouge. Emballé avec des morceaux pleins de merveilleux souvenirs les plus grands films, cette édition de la série de livres de Budget représente valeur superbe. / Piano/Vocal/Guitare (PVG) / 304 pages / Partition

Une superbe sélection pour les saxophonistes (sax alto). 128 morceaux / Saxophone

The original supergroup the first British Guitar hero and some of the most memorable heavy Blues tunes of the sixties. Cream formed from the members' mutual love of each other's playing styles and bridged a three-way gapbetween Blues Jazz and Psychedelic Rock. This celebratory folio boasts eleven of their best songs from across the band's short but vital career including the evergreen White Room the hazy Tales Of Brave Ulyseesand the sleazy Blues of Willie Dixon's Spoonful.

Approche unique de Craig Wagner fingerstyle guitar comprend des quantités égales de jazz, funk, blues, rock, pop, bluegrass et les arômes de pays. Il transforme la guitare en un ensemble musical combo avec aventureuses techniques incorporant tapping à deux mains, polyrythmie, walking basse, banjo rouleaux, cordes exotiques et le déplacement des voix intérieure. Sa forte est la composition et l'agencement. Dans cette vidéo leçon, il présente effrayantes remaniement des normes jazz caravane et Cherokee, Herbie Hancock Chameleon et Superstition de Stevie Wonder. C'est une leçon de DVD très difficile, conçue pour le guitariste fingerstyle avancé. Techniques avancées enseignement comprennent: 2 main Tapping Walking Bass polyrythmie Latin rythmes arpèges Chord théorie

Folksongs from Japanese Immigrant Workers in Hawai'i-Voices From The Canefields is a collection of folk songs from Japanese immigrant workers in Hawai'i. Folk songs are short stories from the souls of common people. Some like Mexican corridos or Scottish ballads reworked in the Appalachias are stories of tragic or heroic episodes. Others like the African American blues reach from a difficult present back into slavery and forward into a troubled future. Japanese workers in Hawaii's plantations created their own versions in form more akin to their traditional tanka or haiku poetry. These holehole bushi describe the experiences of one particular group caught in the global movements of capital empire and labor during the late nineteenth and early twentieth centuries. In Voices From The Canefields author Franklin Odo situates over two hundred of these songs in translation in a hitherto largely unexplored historical context. Japanese laborers quickly comprised the majority of Hawaiian sugar plantation workers after their large-scale importation as contract workers in 1885. Their folk songs provide good examples of the intersection between local work/life and the global connection which the workers clearly perceived after arriving. While many are songs of lamentation others reflect a rapid adaptation to a new society in which other ethnic groups were arranged in untidy hierarchical order - the origins of a unique multicultural social order dominated by an oligarchy of white planters. Odo also recognizes the influence of the immigrants' rapidly modernizing homeland societies through his exploration of the 'cultural baggage' brought by immigrants and some of their dangerous notions of cultural superiority. Japanese immigrants were thus simultaneously the targets of intense racial and class vitriol even as they took comfort in the expanding Japanese empire. Engagingly written and drawing on a multitude of sources including family histories newspapers oral histories the expressed

- Record Label: Sony
- Catalog#: 88697 720092
- Country Of Release: NLD
- Year Of Release: 2010
- Notes: 25 Original Albums In Noble Box