Succes Rock And Pop - Volume 1

SKU: HL.265664

ISBN 9781540022349. UPC: 888680732233. 9.0x12.0x0.552 inches.

This second volume follows up on the success of the original volume of solos transcribed exactly from recordings by the Bird with 60 more of Parker's best. Songs include: Bird Feathers • Bird of Paradise • Body and Soul • Cherokee (Indian Love Song) • Cool Blues • Crazeology • Drifting on a Reed • Embraceable You • Groovin' High • I'll Remember April • Love for Sale • My Old Flame • A Night in Tunisia • On a Slow Boat to China • Quasimodo • 'Round Midnight • Salt Peanuts • Sweet Georgia Brown • Tiny's Tempo • What Is This Thing Called Love? • and more. Includes preface by book transcriber Charles “Doc” Stewart.

SKU: HL.14010004

ISBN 9781844499878.

A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the first of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again.

SKU: HL.14010005

ISBN 9781844499885.

A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the second of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again.

SKU: HL.3710361

SKU: BT.MI0382

Italian.

Questâ €™opera si rivolge principalmente ai chitarristi principianti o poco sperimentati che hanno voglia di divertirsi da subito suonando con la chitarra elettrica e/o acustica alcuni grandi successi della musica pop, rock e folk, di ieri e di oggi. Racchiude in effetti 25 brani completi in versione semplificata per renderli accessibili a tutti. Per facilitare lo studio, le canzoni sono state suddivise in più parti (intro, strofa, ritornello, ecc.). All’inizio converr affrontare separatamente ogni parte per poterle poi concatenare secondo l’ordine indicato. Inoltre, le partiture, con pentagramma ed intavolatura, utilizzano solo accordi semplici ma che rispettano naturalmentela tonalit originale. Oltre al piacere di suonare le diverse parti di chitarra di questi brani, sar proprio il loro assemblaggio che vi sar proficuo, sia dal punto di vista della resistenza che della concentrazione. Sul disco dati allegato al metodo, troverete diversi file audio e video. I video (mp4) presentano tramite l’immagine le diverse parti di chitarra da suonare, mentre le registrazioni audio (mp3) propongono le basi musicali corrispondenti, a velocit normale, poi ridotta. Potrete in questo modo suonare le canzoni in vere condizioni musicali! In breve, sarete rapidamente in grado di impressionare chi vi sta intorno!

SKU: HL.3710362

SKU: BT.MUSAM1001286

ISBN 9781849386425.

The matching folio for the third Glee album, featuring 20 songs, including those from the deluxe edition, in arrangements for Piano and Voice with Guitar chord boxes.

As with the other albums, a wide cross-section ofmusicalgenres is featured, from the cover of alt. rock hit Gives You Hell by the All-American Rejects, to the heart-wrenching musical classic from Les Miserables, I Dreamed a Dream, and everything in-between,includingtwo Lady Gaga numbers, Poker Face and Bad Romance!

GLEE , de Amerikaanse High School hit, wordt ook uitgezonden op de Nederlandse televisie en is een enorm succes. Vanaf 14 september 2010 is deze serie te zien bij RTL 5 en de kijkcijfers hebben zich na de eerste paar uitzendingen verdubbeld.Glee bevat humor, spanning, cheerleeders, footballspelers en flink wat tienerdrama, maar onderscheidt zich sterk van andere soortgelijke programma's door de bijzondere muziek in de serie. Er worden namelijk nummers vanbekende artiesten gezongen, die in een nieuw hip jasje gestoken zijn. Glee is hierdoor hard op weg om de grootste hype van dit seizoen te worden!Leverbaar:G lee Songbook: Season 1, Volume 1 Glee Songbook: Season 1, Volume 2 GleeSongbook: Season 1, Volume 3

SKU: BT.DHP-0971070-400

ISBN 9789043102490. English-German-French-Dut ch.

This exciting book with CD accompaniment featuring real musicians, covering many styles of light music including swing, country, rumba, slow rock, disco, mambo, cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

More Swop is bedoeld voor diegenen die niet genoeg kunnen krijgen van SWOP - en bevat twaalf stukken in muziekstijlen als jazz, pop, blues en latin. Een waardevolle aanvulling binnen deze succesvolle serie van Fons van Gorp.Zoals alle SWOP-boeken: met een door een live-band ingespeelde cd en een afzonderlijk verkrijgbaar begeleidingsboek voor keyboard/piano, inclusief de akkoorden voor gitaar en basgitaar.

More Swop - das sind mehr Stücke im Jazz, Pop-, Blues und Latin-Stil aus der Feder von Fons van Gorp. Mit den in diesem Spielbuch versammelten vierzehn Stücken können mäßig fortgeschrittene Instrumentalisten ausgezeichnet üben und ohne viel Theorie an Spielweise und Artikulation arbeiten. Dabei werden sie von einer echten Band auf der beiliegenden CD begleitet; für Auftritte gibt es ein Buch mit Begleitungen für Klavier und Keyboard samt Akkordnotationen für Gitarre.

C’ est l’amalgame des mots swing et pop qui a donné son nom ce style musical dynamique et tonifiant : le Swop. Cette savante équation fonctionne aussi bien dans le jazz et le blues que dans le rock ou la musique pop. Chaque volume de cette collection contient dix pièces toniques. Répéter se dit désormais ‘swopper'.

L’unione delle parole Swing e Pop ha dato il nome a questo stile musicale dinamico e tonificante: lo Swop. Questa equazione funziona altrettanto bene nel jazz e nel blues, nel rock e nella musica pop. Per scoprire, migliorare e perfezionare questo nuovo genere musicale, la collezione Swop si articola in sette raccolte distinte. Da Very Easy Swop a Work Swop (per creare un vero gruppo), lasciatevi guidare dall’accompagnamen to musicale affidato ad un gruppo di professionisti.

SKU: PR.164002120

UPC: 680160037582.

Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings.   When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements.   The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence.   The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep.   The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes.   Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.

SKU: PR.16400212S

UPC: 680160037605.

Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings.   When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements.   The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence.   The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep.   The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes.   Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.

SKU: BT.DHP-1125298-400

9x12 inches. Italian.

Real Time Drums - Metodo base per batteria (Volume 2), ad opera di Arjen Oosterhout a lungo insegnante di percussioni, è il seguito del metodo di successo Real Time Drums - Metodo base per batteria (Volume 1). Concepito nello stesso stile, con un approccio particolarmente pratico, il secondo volume presenta nove capitoli che introducono nuovi schemi delle percussioni, ritmi e stili come il rock e il funk, i paradiddle, ed esercizi per la batteria. Oltre agli esercizi e alle spiegazioni, l'allievo trover informazioni relative all'interpretazione, indicazioni per le variazioni e i fill, come anche un importante incoraggiamento all'improvvisazione. I due CDinclusi propongono due incisioni per ogni esercizio: una traccia d'ascolto e una play-along, per facilitare la pratica immediata di ciò che si è appreso.

SKU: BT.VOLMB128

ISBN 9788863881264. Italian.

SING!, testo (versione italiana) accompagnato da 1 DVD e 4 CD (versione originale inglese), è il Metodo Vocal Power, rivolto sia a voce maschile che femminile, di Elisabeth Howard, riconosciuto e apprezzato in tutto il mondo da studenti e grandi artisti. Fra questi ultimi, anche i membri del mitico gruppo dei Police. Stewart Copeland ha detto: «Ho sempre pensato che cantare fosse in realt più facile di ciò che sembri, e Elisabeth Howard l’ha dimostrato!» In effetti, si tratta di un metodo efficace e originale, che insegna in modo semplice anche la tecnica più difficile, indirizzando lo studente passo dopo passo in un percorso di graduale miglioramento. Molti studenti che hanno seguito questo programma di educazione vocale hanno poi avuto grande successo professionale, popolando vari spettacoli a Broadway. Contiene, in allegato, 1 DVD e 4 CD (versione originale inglese), ognuno dedicato a un tema particolare: Tecnica vocale (imparare a respirare in maniera rilassata, imparare a sostenere senza sforzo, migliorare la qualit vocale, imparare i quattro colori vocali, imparare a controllare il vibrato, aumentare la propria estensione vocale, voce di testa, voce di petto, il mix, unione dei registri, potenza e proiezione, dinamiche per l’espressione artistica) Stili di canto (pop, rock, country, blues, R&B, Broadway, il fraseggio, l’improvvisazione, lo stile personale) “Super vocals” (effetti speciali, controllo del volume, stile personale, improvvisazione, falsetto maschile, dal rock alla classica) Ginnastica vocale (30 minuti di ginnastica giornaliera per voce maschile e femminile, riscaldamento da eseguire in casa o in auto).

SKU: BT.VOLMB261

ISBN 9788863882551. Italian.

È il secondo di una serie di testi che propongono un approccio semplice e pragmatico all'improvvisazione. Pur essendo l'attenzione focalizzata sul linguaggio jazzistico, le tecniche proposte sono applicabili a molti stili musicali e a tutti gli strumenti, dalla chitarra rock, al sassofono jazz, alle tastiere fusion. Il metodo prospettato in questo volume offre un percorso creativo per incorporare melodie pentatoniche nei tuoi assoli. Le successioni armoniche su cui esercitarsi sono scritte per strumenti in C, in B e in E. Il CD allegato è stato ideato per essere utilizzato in combinazione con il testo. Contiene 18 tracce play-along (basi musicali con successioni armoniche su cui esercitarsi o veri e propri brani), suonate da Renato Chicco al pianoforte, Dave Santoro al contrabbasso e Adam Nussbaum alla batteria, e 8 tracce dimostrative suonate dall'autore stesso al sassofono tenore.

SKU: HL.49019857

ISBN 9783795746896. German. Christa Estenfeld-Kropp.

In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'Die schonsten Spirituals & Gospels' ['The Most Beautiful Spirituals & Gospels']. All melodies are very easy arrangements for beginners and can be played at various occasions, at home, at school or in an ensemble. Optionally, the arrangements can be played with an additional second part.Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He's got the whole world in his hands, Nobody knows the trouble I've seen, Swing low and many more.

SKU: HL.49044692

ISBN 9783795748678. 7.5x11.0x0.186 inches. German. Christa Estenfeld-Kropp.

In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'The Most Beautiful Spirituals & Gospels'. All melodies are very easy arrangements for beginners and can be played at various occasions at home, at the music school, at primary school or in an ensemble. Optionally, the arrangements can be played with an additional second part.Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He's got the whole world in his hands, Nobody knows the trouble I've seen, Swing low and many more.