Matériel : Partition
8 grands-note arrangements de chansons populaires de cette comédie musicale vivaces préférées, y compris Climb Ev'ry Mountain - Do-Re-Mi - Edelweiss - The Lonely Goatherd - My Favorite Things - Sixteen Going on Seventeen - So Long, Farewell - The Sound of Music. / Piano / 40 pages / Partition
SKU: BT.DHP-1145521-401
ISBN 9789043136112. 9x12 inches. International.
STAG E and SCREEN FAVORITES is an exciting selection of best-loved themes from popular musicals, from sing-along classics such as THE SOUND OF MUSIC and MY FAVOURITE THINGS to toe-tapping hits like CIRCLE OF LIFE and YOU´VE GOT A FRIEND IN ME. Asure-fire showcase to get those fingers moving!Deze spannende selectie van de meest geliefde themas uit populaire musicals, als The Sound of Music en My Favourite Things tot swingende hits als Circle of Life en Youve got a Friend in Me, zet je vingers in beweging. STAGE and SCREEN FAVORITES enthält eine mitrei�ende Auswahl an Lieblingsmelodien in besonders leicht spielbaren Arrangements, die auch schon für Anfänger geeignet sind. Wagen Sie sich an Musicalklassiker zum Mitsingen wie THE SOUND OF MUSIC und MYFAVOURITE THINGS bis zu Hits, bei denen jeder mitwippen muss wie CIRCLE OF LIFE und YOU´VE GOT A FRIEND IN ME. Dank der enthaltenen Begleitung für Lehrer oder Fortgeschrittene wird es noch voller klingen und noch mehr Spa� machen. So bringen Siegarantiert nicht nur Ihre Finger in Bewegung!STAGE and SCREEN FAVOURITES offre une sélection passionnante de thèmes extraits de comédies musicales connues et appréciées de tous, de chansons célèbres telles queTHE SOUND OF MUSIC (La Mélodie du bonheur) et MY FAVOURITE THINGS (Mes joiesquotidiennes) ou encore de rythmes endiablés taper du pied gr ce CIRCLE OF LIFE (L´Histoire de la vie) et YOU´VE GOT A FRIEND IN ME (Je suis ton ami). Une méthode infaillible pour faire bouger ses doigts !Unemozionante selezione di temi tratti da noti musical e canzoni famose. Un metodo infallibile per esercitarsi e muovere le dita sulla tastiera divertendosi!
SKU: BR.EB-8031
ISBN 9790004174340. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesserknown compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. When the aspiring pianist has dealt successfully with the works of Frederic Chopin for the first time, he will have left the elementary level of instruction behind. The following selection of easy pieces also requires security of technique and capability of musical expression in order to enable the florid sound of Chopin's piano music to unfold. As much as works like the Prelude in D flat major or the Walz in A minor may tempt one to premature endeavours, a study of Chopin's music should not be attempted too early. In the following five Preludes, the two Valses and the Nocturne in G minor (six Mazurkas have been published in a separate folio), the editor has made a selection of pieces, which can be mastered by the pupil (with the exception of opus 28/15 and opus 28/20), even if a limited facility and finger stretch is present. Because of the finger stretch required for some chords, a different distribution of the hands has been indicated or simplifications have been suggested. An introduction to the Tempo rubato, taking style into consideration, is a task lying within teacher's responsibility. Indications for pedal use were added by the editor. Heinz Walter, Salzburg, Fall 1979.
SKU: AP.41225S
UPC: 038081478876. English.
A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in MakeMusic Cloud.