Classical Guitar Pedagogy

Media Type : Book Level : Multiple Levels Musical Genre : Classic Series : Anthony Glise Urtext Number of pages : 282 This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the why rather than the how the classical guitarist does things a certain way. In the author's words, Classical Guitar Pedagogy is the study of how to teach guitarists to teach. This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.

This second volume of graded repertoire for guitar continues the goal of providing students a stylistically comprehensive collection of attractive and inspiring music which also meets the pedagogic needs of teachers. While someof this music is very well known much of it is not to be found in similar repertoire collections.Includes Foreword and Didactic Index: Easy music by Aguado Ali Bach Calvi Carcassi Carolan Carulli Cutting Dowland Fuhrman Garcia Giuliani Houghton Hudson Koshkin Kuffner Mertz Murcia Nava Rak Ribayez Seth Shand Sor Tesar Visée Yates York and Zenamon.

Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known pedagogical works for piano teachers of the twentieth century, second only perhaps to the same composer’s “Mikrokosmos”. It was based firmly on the huge number of folk songs he collected, recorded and studied with his colleague Zoltán Kodály. At the time, Bartók was offering something very new to piano teachers and their students. Siegfried Steinkogler became acquainted with “For Children” at the beginning of his guitar studies and, from them, learnt a great deal about melody and harmonisation. He has chosen 38 of the original 79 pieces to offer in arrangements for the guitar. They are presented with helpful fingerings, technical solutions and aids to familiarize the younger students with common notations. For beginners, ten of the pieces are played exclusively in the first position before a gently increasing level of difficulty helps the player broaden their skills. In these arrangements, Bartók’s ingenious teaching pieces will be as invaluable to guitarists as they have been to your pianists for over one hundred years./ Répertoire / 2 Guitares

Par THOMAS MACE. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation - moderate to advanced. / Niveau : Intermédiaire / Recueil / Guitare

Par STANLEY YATES. This new series of graded repertoire for guitar has been put together with the aim of providing students with the most attractive, stylistically comprehensive, and inspiring music available, while at the same time realistically meeting the pedagogical needs of teachers. Students and teachers will therefore find in these volumes some of the most representative and attractive music of the major repertoire areas of the instrument, both historical and contemporary, carefully selected, graded and edited for pedagogical use. While some of this music is very well known, much of it is not to be found in similar collections. This volume includes easy music by Aguado, Carcassi, Carolan, Carulli, Domeniconi, Giuliani, Hudson, Koshkin, Manjón, Martz, Morlaye, Nava, Rameau, Rak, Ribayez, Shand, Sor, Tesar, Winner, Yates, York, and Zenamon. / Niveau : Débutant / Classic - Solos / Recueil / Guitare Classique

Description Written by Charango masters Horacio Duran and Italo Pedrotti, this Charango Method is the first to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and Guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.