SKU: HL.48182024
UPC: 888680846992. 9.0x12.0x0.086 inches.
G.F.Handel's (1685-1759) Sonata in B flat is well-known to the Oboe repertoire. Therefore, when French clarinetist, Emile Stievenard arranged the popular piece for the Clarinet, it was very well-received. The Sonata in B flat is made up of four movements; Adagio, Allegro, Adagio and Allegro. Handel's Sonata in B flat was first published in 1707-10 for Oboe. Stievenard's editions ensure that the Clarinet part contains the articulation, performance directions, phrasing and breath marks necessary to the instrument. For all clarinetists, this arrangement of the popular Sonata in B flat is essential..
G.F.Handel' s (1685-1759) Sonata in B flat is well-known to the Oboe repertoire. Therefore, when French clarinetist, Emile Stievenard arranged the popular piece for the Clarinet, it was very well-received. The Sonata in B flat is made up of four movements; Adagio, Allegro, Adagio and Allegro. Handel's Sonata in B flat was first published in 1707-10 for Oboe. Stievenard's editions ensure that the Clarinet part contains the articulation, performance directions, phrasing and breath marks necessary to the instrument. For all clarinetists, this arrangement of the popular Sonata in B flat is essential..
SKU: SU.46200010
Clarinet, Violin & Piano Duration: 25 ' Composed: 1984 Published by: Verdehr Trio This publication contains two separate worksMedieval Suite composed by James NiblockTrio in B-flat transcribed by James Niblock Medieval Suite uses material from a variety of thirteenth through fifteenth-century sources. The second movement is a fantasy for clarinet solo based on a Gregorian Chant melody from the Liber Usualis. Trio in Bb Major, K358 is a transcription on one of four piano sonatas that Mozart composed for four hands. The objective of this transcription was to capture, as accurately as possible, Mozart’s intent had he scored this sonata of the trio. Michigan State University Press.
SKU: HL.49019040
ISBN 9790001168793. 9.25x12.0x0.134 inches.
From 19th-century tradition, we know numerous examples of clarinet sonatas which were transcribed for viola. In the present edition Killmayer's piece, originally written for viola and piano, is arranged for clarinet and piano. The romantic, sentimental spirit in the musical language typical of Killmayer is a valuable addition to the repertoire of each clarinettist.
