SKU: KU.EKB-9A
ISBN 9790206204593. Key: D major.
Symphonie Concertante in D Major - Violin, Viola, Piano - Karl (also known as Carl and Charles) Stamitz was bapized Karel Stamic on May 8th, 1745, in Mannheim, Germany. He played in the famous Mannheim orchestra from 1762 until 1770, when he moved to Paris and became known as a violinist and served as court composer to the Duc de Noailles. In 1779 or 1780 he moved to The Hague, where he worked as a violist at the court of William V, of Orange. The last years of his life were spent in Jena, Germany, where he was Kapellmeister and a teacher at the University. Stamitz died in Jena on November 9th, 1801.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.48187720
Wolfgang Amadeus Mozart: Sinfonia concertante KV364 in E flat major (PH117) (Orchestra).
SKU: HL.49007301
ISBN 9790001078610. 9.0x12.0x0.297 inches.
The circumstances of the origin of Sinfonia concertante in Eb major (KV 297 b) are disputed; it was probably created in Paris in April 1778 for four famous solo instrumentalists of the Mannheim Court Chapel. In his arrangement, Werner Egk included and extended the concertante aspect: In 1981, a few weeks before his death, he arranged the work for two oboes, clarinets, horns, bassoons each and double-bass so that now a solo quartet is opposed to a tutti quartet. For wind ensembles, this piece is a valuable addition to their repertoire, for Mozart lovers it is a charming view from an unfamiliar perspective.
SKU: KU.OCT-10096
Key: C major.
Symphonie Concertante No.2 - Full Score.
SKU: BR.EB-8736
ISBN 9790004181232. 9 x 12 inches.
One could say that Michael Kuhn's cadenzas to Mozart's beloved Double Concerto K. 299 went directly from the concert stage to the publisher, and from the publisher back to performers. Commissioned by the Concentus Musicus Wien, they were recorded on CD in 1998 under the direction of Nikolaus Harnoncourt. Although the musicians played on original instruments (transverse flute and single-action pedal harp), the cadenzas can be executed just as effectively on modern instruments. For his work, Kuhn took as his guideline the original cadenzas Mozart wrote for his Sinfonia concertante K. 364 and his Concerto for two pianos and orchestra K. 365, which date from about the same time. Kuhn's new edition should be seen as an alternative to Carl Reinecke's popular cadenzas (EB 6859), which continue to be available from Breitkopf & Hartel.Kuhn's new edition should be seen as an alternative to the popular cadenzas 3 Cadenzas for Mozart's Concerto in C major K. 299 (297c) by Carl Reinecke.
SKU: KU.OCT-10274_VL2
ISBN 9790206204555. Key: D major.
SKU: KU.OCT-10308
Key: D major.
Version for solo winds with piano reduction, see GM 2009.Full score.
SKU: KU.OCT-10274_VCKB
ISBN 9790206204579. Key: D major.
SKU: KU.OCT-10274_HST
ISBN 9790206204586. Key: D major.
SKU: KU.OCT-10274_VA
ISBN 9790206204562. Key: D major.
SKU: KU.OCT-10274_VL1
ISBN 9790206204548. Key: D major.
SKU: KU.OCT-10124
Key: F major.
SKU: HL.50086420
UPC: 884088105457. 5.25x7.5x2.241 inches.
SKU: BO.B.3338
English comments: I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival (in Sant Feliu de Guixols).This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles: Davallament, for soprano and piano; Quinteto de la sala de Levante, for clarinet and string quartet; Palau d'hivern, for soprano, clarinet and string quartet; and Concertino Geminis for solo violin and 15 string instruments.Having written large-scale works, I have now gone back to writing chamber music.
We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write.
In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption.It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi.
Comentarios del Espanol: Acabe de escribir el Doble Concierto de la Porta Ferrada a principios del ano 2004. Nace como un encargo del Festival Internacional de Musica de la Porta Ferrada (Sant Feliu de Guixols).Este doble concierto, para violin, violonchelo y un conjunto de camara, abre un periodo en el que las obras que trabajo son todas para pequenos conjuntos: Davallament, para soprano y piano; Quinteto de la sala de Levante, para clarinete y cuarteto de cuerda; Palau d'hivern, para soprano, clarinete y cuarteto de cuerda; Concertino Geminis para violin solista y 15 instrumentos de cuerda.Despues de haber escrito obras de gran formato, ahora vuelvo a la musica de camara.
Podemos ver como la forma concertante, a lo largo de toda mi produccion, es omnipresente en casi todas las epocas precedentes. No he encontrado una respuesta satisfactoria al porque de elegir tan a menudo el dialogo entre un solista y un grupo instrumental. Como aproximacion, diria que con un instrumento solista parece ser que mi musica tenga que fluir mas facilmente y que pueda trabajar con mas comodidad. El hecho de tener un personaje principal en el discurso de la partitura me ayuda mucho a desarrollar la idea que tengo sobre la obra que quiero escribir.
En este caso se trata de dos solistas de cuerda, el violin y el violonchelo, que, como es natural, toman un papel primordial sin que, sin embargo, lleguen a alcanzar una parte virtuosistica. La obra, formalmente, se basa en tres partes que se tocan sin interrupcion.
El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi.
