Setting Up the Lair

SKU: HL.49018365

ISBN 9790220132407. UPC: 884088601270. 8.25x11.75x0.241 inches. English - French - German.

Recently awarded a British Composer Award, Ryan Wigglesworth's orchestral song cycle 'Augenlieder' is now available as a study score. Setting poems by Robert Browning, Egon Schiele, Arthur Rimbaud and John Berryman, Augenlieder or Eye Songs was described as 'glittering with skill' by Geoff Brown in the Times. Masterfully orchestrated and with beautiful vocal writing, Wigglesworth is a composer to watch out for in the future.

Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premiered by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Times describes Ryan Wigglesworth as having a 'bright ear for glinting textures, [a] flair for taut motivic interplay [and] his conjuror's ability to cast a spell. This is a strong new work.' The Sonnet depicts a five month love affair and is set alongside a little known poem by Egon Schiele Visionen and poems by Robert Browning and Arthur Rimbaud.

SKU: CF.YPS249F

ISBN 9781491161883. UPC: 680160920563.

By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern’s Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild’s goal was to capture the spirit and ambiance of Persia’s music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.

SKU: XC.HJE2202FS

12 x 9 inches.

This beautifully arranged version of the classic Silent Night features unique and colorful harmony to accompany the carol in a refreshing new setting. The ensemble is featured throughout...no improvisation is required. The cascading lines in the brass close out the chart with a dramatic flair.

SKU: XC.HJE2202

12 x 9 inches.

This beautifully arranged version of the classic Silent Night features unique and colorful harmony to accompany the carol in a refreshing new setting. The ensemble is featured throughout...no improvisation is required. The cascading lines in the brass close out the chart with a dramatic flair.

SKU: CF.YPS249

ISBN 9781491161326. UPC: 680160919918.

By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern’s Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his “Twelve Persian Folk Songs” published by Novello and Company, London, 1904. Fairchild’s goal was to capture the spirit and ambiance of Persia’s music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.

SKU: CF.YPS214F

ISBN 9781491153017. UPC: 680160910519.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

SKU: CF.YPS214

ISBN 9781491152331. UPC: 680160909834. Key: Bb major.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

SKU: MN.80-695

UPC: 688670806957. Latin.

Philip Stopford's new Mass setting for assembly, cantor, SATB voices and organ was commissioned for St. Luke the Evangelist Church in Richmond Heights, Missouri, to commemorate the parish's Centennial. It is a complete setting: Penitential Act (four options), Gloria (through composed), Sprinkling Rite, Gospel Acclamations (Alleluia and Lenten acclamations), Universal Prayer, Eucharistic Acclamations and Lamb of God. Latin settings of the Gloria, Sanctus, and Agnus Dei are also included. While Mr. Stopford's compositional style has the broad sweep of English church music, his flair for melody keeps it accessible for assembly. Movements such as the Holy, Holy are set creatively and will remain fresh after years of singing. Parts for brass quintet and timpani on the major movements add to a festive rendition.

SKU: AP.44977S

UPC: 038081518930. English.

Here is a very clever South of the Border setting of a familiar tune, making this festive holiday favorite even more fun for your beginners to play on their first concert. The Latin beat gives this setting a distinctive flair while allowing your percussionists to shine. (1:15).

SKU: HL.1134815

ISBN 9781705183045. UPC: 196288112907. 6.75x10.5x0.029 inches.

3-part voices will love singing this original tune that gives a nod to the great sea shanties we love to sing. The setting is full of gusto as we “Heave ho! Away!” So, whether you're a wannabe sailor or just a lover of the sea, this is the perfect up-tempo choice for your general concert or themed event. Optional flute included for added sea-worthy flair.