Scales and Finger Exercises - Upper Elementary to Lower Intermediate Piano

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

Have Fun Playing The Cello. Par KOEPPEN GABRIEL. The Koeppen Cello Method consists of 3 progressive method books, each with a supplementary tune book, and lays the foundation for a solid technical and musical training. Structured in an easy and understandable way and full of fun rhythmic exercises and popular styles, it is aimed at young people and adults. All books are accompanied by a CD which will help motivate and inspire. / Méthode / Méthode / Violoncelle

Mastering the Middle Register of the Clarinet. Crossing the break can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided into two parts: Part I contents: the clarinet overtone series - how new note names attach to previously learned fingerings - how to incorporate 'right hand down' as a developmental technique - one octave scales across the break - first melodies in the clarion register that teach basic musical concepts needed for advanced performance. Part II contents: studies from Rhythmical Articulation by Pasquale Bona, selected and edited for clarinet to prepare students for upper level performance.Rhythmical Articulation was originally written to assist singers with rhythmical and pitch accuracy. Range: The range is appropriate for developing clarinetists (low B to B just above the treble staff). Third-line B natural is often referred to as the break because it is the note where the register key is added to produce the middle register. These studies and exercises center around third-line B natural and provide a means to develop smooth connections between the lower and middle registers of the clarinet. Technique: The studies have been adapted for clarinet to cover nine key signatures. Appropriate articulations, dynamics, and expressive markings have been added to reflect common practice in the classical style. Advanced rhythms and time signatures are introduced with moderate tempos. Musical terms have been added to identify phrases and suggest expression. The Break also includes an introduction to the altissimo register. / Niveau : 2 / Etudes et exercices / Méthode / Clarinette