Rhythmic Patterns of Contemporary Music

SKU: GI.G-238841

ISBN 9781617270345. UPC: 888680700553.

This advanced snare drum method introduces the revolutionary changes in compositional techniques brought about during the 20th century. The book is divided into 6 sections, each dealing with a specific rhythmic device. Within each section, studies are graduated according to difficulty and provide solo etudes suitable for recitals, auditions or examinations. All of the rhythmic techniques contained in this work may be found in the standard repertoire of the 20th century.

SKU: MB.99933M

ISBN 9780786693184. UPC: 786693185. 8.75 x 11.75 inches.

First Lessons Bass is intended to introduce beginning students to the fundamental concepts of playing the electric bass. The material covered in this book is approximately the material covered in the first 8 lessons of private bass instruction. This book makes use of the 3-finger left hand position commonly found in double bass technique. The emphasis on left hand technique allows the student to develop a consistent fingering approach to the fingerboard, reduces unnecessary strain on the left hand, and makes the bass more accessible to younger students or students with small hands. After the left hand technique has been established, the book introduces the student to important elements of bass line construction including blues patterns, the root-fifth relationship, and common rhythmic patterns. Includes access to online audio and video.

â?¢ Introduction for beginning students to the fundamental concepts of playing the electric bass.
â?¢ Book is approximately the material covered in the first 8 lessons of private bass instruction.
â?¢ Makes use of the 3-finger left hand position commonly found in double bass technique.
â?¢ Offers student important elements of bass line construction: blues patterns, root-fifth relationship, and common rhythmic patterns.
â?¢ Includes access to online audio and video.

SKU: CY.CC2921

Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges.
Below is a brief instruction to the performer from the composer.
The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that crescendo and diminuendo relate to acceleration or deceleration as indicated. There are odd little notes, like secretive in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture!
The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.

SKU: FG.55011-793-8

ISBN 9790550117938.

Petr i Keskitalo’s playful The Tunnel at the End of the Light is a commission by the Lieksa Brass Festival for its International Tuba Competition in 2023. The work employs quirky rhythms and changing meters, while exploring the upper and lower register of the tuba. Lyrical passages quickly change into driving rhythmic patterns, as if a hysterical tuba-player were hitting the walls of a tunnel. The tunnel that starts where the light ends.

This product is a folder with loose pages (sized B4).

SKU: MB.97884

ISBN 9780786652808. UPC: 796279075428. 8.75 x 11.75 inches. By Bret Willmott.

Many polyrhythms and polymeters simultaneous combinations of more than one rhythmic pattern exist in todays music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.

SKU: FG.55011-875-1

Lotta Wennäkoski's Pige (2021-2022) for string quartet was commissioned to be paired with the Death and the Maiden quartet by Franz Schubert (pige is Danish for girl). The composer tells:

The first movement Vorüber, ach, vorüber! is based on the first half of Schubert’s lied lying behind his The Death and the Maiden quartet. The maiden’s song in the beginning of the lied has not found its way to his string quartet, so I wanted to use this material in mine. The second move-ment Daktylus borrows its idea from the haunting pulse of Schubert’s chant of Death. Something fierce and something soundless can be heard here - along with other variants on the dactyl rhythm. For example, I’ve written a lyrically flowing melody based on the same rhythmic pattern (long-short-short).
Schubert’s quartet is wonderful music and of course a cornerstone of the repertoire, and the death and the maiden is a strong, tempting and gloomy motif in art history. On the other hand, I just couldn’t help seeing the motif also as a - somewhat passé - image of an old male desiring the ulti-mately young female body. The third movement thus turns its gaze to the girl herself. Pigen og scrapbogen, The Girl and the Scrapbook, is joyful textural music - compiled of fragments and freely handled quotations that might spring to mind when thinking of a vital girl’s life.


This product includes the full score and the set of parts.

Movements:< br>1. Vorüber, ach, vorüber!
2. Daktylus
3. Pigen og scrapbogen (das Mädchen und das Scrapbuch)

The first movement can also be performed separately as a prologue to The Death and the Maiden string quartet by Franz Schubert.

SKU: CL.011-3807-00

Energy, intensity, and a flash of contemporary compositional technique all combine to make FIREFLASH a powerful choice for concert and festival use for developing bands. Memorable melodic material and a driving rhythmic pattern create the excitement and effect. Solid scoring makes this accessible to most concert bands. A truly outstanding addition to the young band repertoire!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CL.011-3807-01

Energy, intensity, and a flash of contemporary compositional technique all combine to make FIREFLASH a powerful choice for concert and festival use for developing bands. Memorable melodic material and a driving rhythmic pattern create the excitement and effect. Solid scoring makes this accessible to most concert bands. A truly outstanding addition to the young band repertoire!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.