Matériel : Teacher Editions|Book and DVD|Accompaniment CD|DVD|Textbook|Book and CD
SKU: HL.49041959
ISBN 9783795751012. 8.25x11.75x0.705 inches. German.
In jedem Stil, egal ob Rock, Heavy Metal, Blues oder Jazz, gibt es Standardgrooves, die jeder Musiker beherrschen sollte - und genau dies wird in diesem Band gezeigt. Man lernt, wie man mit seinen Bandkollegen gemeinsam an Timing, Zusammenspiel und Groove arbeiten kann. Die Autoren stellen mit Bandworkshop Rock & Heavy Metal ein neues Lehrbuch vor, das sich nicht nur an Solisten wendet, sondern jede Menge an Tipps fur die Arbeit in der Rhythm Section gibt. In der langjahrigen Arbeit im Studio und auf der Buhne machten die Autoren die Beobachtung, dass der Erfolg einer Band grosstenteils von deren Rhythm Section abhangt. Die besten Songs und die schonsten Texte nutzen nichts, wenn das Zusammenspiel in der Band nicht stimmt, das Timing wackelt, die Arrangements zu dicht sind oder die Band nicht groovt.
SKU: CY.CC3028
ISBN 9790530110034. 8.5 x 11 in inches.
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the 'band' (for this version, read: trombones) and intricate saxophone lines which are challenging but very rewardingly playable. David Fletcher has done a magnificent job of translating the richness of Thad's voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
SKU: AP.1-ADV14508
UPC: 805095145083. English.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Sunburst * Comrade Conrad * Windows * Pensativa * When I See You * Joshua.
SKU: AP.1-ADV14504
ISBN 9783892210184. UPC: 805095145045. English.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks a featuring rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Day & Nite (David Liebman) * Blue 'n Green (Miles Davis) * Softly as in a Morning Sunrise (S. Romberg/O. Hammerstein) * Ralph's Piano Waltz (John Abercrombie) * Pablo's Story (David Liebman) * Pendulum (Richard Beirach).
SKU: AP.1-ADV14505
ISBN 9783892210238. UPC: 805095145052. English.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Spain * Friends * Litha * The Loop * Straight Up and Down * La Fiesta.
SKU: AP.1-ADV14506
ISBN 9783892211662. UPC: 805095145069. English.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Bye-Ya (Thelonious Monk) * Con Alma (Dizzy Gillespie) * Elegy (Bill Dobbins) * Hallucinations (Bud Powell) * Goodbye, Pork Pie Hat (Dizzy Gillespie) * Webb City (Bud Powell).
SKU: AP.1-ADV14507
ISBN 9783892210399. UPC: 805095145076. English. Transcr. John Abercrombie.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: I Hear a Rhapsody * Stella By Starlight * Labour Day * Paramour * Three East * Timeless.
SKU: AP.1-ADV14502
ISBN 9783892210160. UPC: 805095145021. English.
This unique jazz improvisation method features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Blue Monk (Thelonious Monk) * Minor Incident (Bill Dobbins) * All Blues (Miles Davis) * Alto Blues (Bobby Watson) * Blues for Barry (Bill Dobbins) * Blues for Bud (Bill Dobbins).
SKU: AP.1-ADV14601
ISBN 9783892210474. UPC: 805095146011. English.
This comprehensive book & CD set can help drummers and bassists gain valuable playing experience in jazz, funk, and Latin jazz styles. The CD features 16 play-along tracks with parts and playing suggestions for each tune. Jazz classics by John Coltrane, Miles Davis, Herbie Hancock, and Sonny Rollins are included along with funk tunes by Pee Wee Ellis, Russell Ferrante, and others. The book explains in detail how to play in bands and how to practice effectively. Reading topics include jazz history, chart reading, feel, song form, and musician's vocabulary. The rhythm section includes Berklee faculty bassists Bruce Gertz, Oscar Stagnaro, Bruno Raberg, and Anthony Vitti. Soloists are Billy Pierce, Hal Crook, Ken Cervenka, and Walter Beasley. Educators may also benefit by referring students to the carefully notated rhythmic feels.
SKU: HL.391273
ISBN 9781705156841. UPC: 196288028796. 9.0x12.0x0.404 inches.
Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around ??Groove Workshops? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. Product Details: ? 175 pages total ? 73 videos and over 150 mp3 audio files ? Charts, transcriptions and road maps (and how to create your own) ? Interviews with all the musicians on the drummer's role in the band.
