SKU: HP.2954
UPC: 763628129545.
Based on hymns by Freeman Lewis & Daniel Teasley. Commissioned for the 2020 Handbell Musicians of America Area 5 Spring Festival in Louisville, Kentucky, this piece starts open and stately before launching with rhythmic energy into a Bluegrass-infused toe-tapper. It brilliantly pairs the Freeman Lewis hymn tune BOURBON (I Take My Refuge in the Lord) with a Daniel Teasley hymn of similar assurance. Marts, mallets, plucks, ring-touches and more are sure to excite your concert audiences and congregations alike; and the optional band (fiddle, tambourine, bass, and guitar/mandolin/banjo) may be added in any combination for extra charm!.
SKU: HL.303524
UPC: 888680968571. 5.0x5.0x0.198 inches. Sara Teasdale/Audrey Snyder.
American poet Sara Teasdale's Refuge provided the perfect opportunity for arranger Audrey Snyder to explore the value of consonance and dissonance in a choir for young singers. Suspensions and Anticipations are pervasive throughout, with a simply beautiful piano accompaniment!
SKU: CR.984353
ISBN 9780758668912. 7 X 10.25 inches.
Composed for Concordia University Chicago's celebration of the 500th anniversary of the Reformation, this setting for two-part voices and piano is characterized by soaring vocal lines and idiomatic piano writing. With text that is fresh and expressive, this anthem is appropriate not only for Reformation, but throughout the Church Year.
God is our refuge and strength! God is our refuge and strength, a present help in trouble.
We will not fear though the earth gives way, though the mountains be moved to the sea. There is a river whose streams make glad the city of God. God is in her midst; she shall not be moved.
'Be still and know I am God. I am exalted among the nations, I am exalted in the earth!'
Come behold the works of the Lord, the desolations He brings on the earth. The Lord of hosts is with us; the God of Jacob is our fortress!
SKU: GI.G-9959
UPC: 785147995906. English. Text by Sara Teasdale.
For three-part mixed or three-part equal voices this setting of Sara Teasdale’s poem, “Refuge” includes an intriguing introduction that organically repeats the word “refuge” in a number of languages. The angst of Teasdale’s poetry is reflected in the driving accompaniment and shifting meters. Adding a variety of percussion instruments to this work will enhance the overall performance. .
SKU: OU.9780193552272
ISBN 9780193552272. 10 x 7 inches.
For SSAA and piano Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit's sake'. Quartel's musical structure complements the narrative, opening and closing with music marked 'resilient and strong', with a 'warm and hopeful' central section.
SKU: HP.C6385
UPC: 763628163853. Joseph Martin.
Psalm based text Based on Psalm 62, this crisp and invigorating anthem declares God as our redeemer and rock in whom we shall seek refuge and not be moved. The optional trumpet part adds a touch of stateliness and is included in the choral score.
SKU: AU.9781506495262
ISBN 9781506495262. 7 x 10.25 inches.
Zebulon Highben makes Psalm 46 come to life with musical text-painting that supports the dramatic shifts in mood within the psalm. A lyrical unison line sings of the trials of the world and then shifts to dynamic choral exclamations of “nations in uproar. The constancy of God as our refuge is represented in a reoccurring antiphon which can include the assembly. Ideal for Reformation Sunday and during Lent.
SKU: HL.14009740
6.75x9.75x0.021 inches.
Version for Bass Solo, SATB Choir and Organ.
SKU: XC.HRMG2375
UPC: 785147111153.
You Are My Refuge is a stunningly expressive 3-minute work that was commissioned for high school choir programs forced to cancel concerts due to the Coronavirus outbreak. Inspiring and reflective, the rich harmonies capture a sense of both poignancy and hope.
SKU: CA.4032690
ISBN 9790007111366. Language: all languages.
Score available separately - see item CA.4032600.
SKU: HP.2954P
UPC: 763628229542.
SKU: JK.00468
Psalm 46:1-4, 7.
Arranged for mixed chorus (SATB) and organ, but can be adapted for piano. Based on scriptural text from Psalm 46:1-4, 7: God is our refuge and strength, a very present help in trouble. Highest soprano note: F.Composer: Robert P. Manookin Lyricist: Scriptural text from Psalm 46:1-4, 7 Difficulty: Medium / medium acc. Performance time: 4:20Reference: Psalm 46:1-4, 7.
SKU: HL.540141
UPC: 196288075813. 6.75x10.5x0.029 inches.
Refugee King (Away from the Manger) highlights one of the most forgotten aspects of the story of Jesus' birth - the flight to Egypt to avoid the edict of Herod. In the light of the realities of refugees in today's world, the provocative lyrics remind us that Jesus was also a refugee. Astring and percussion orchestration is available to further express this arrangement.
SKU: AU.9781506456881
ISBN 9781506456881. 7x10.25 inches.
God calls us to care for refugees, and it is in showing charity and love that God is found in our midst. Campbell's anthem is a powerful call to show God's love for all, with opportunity to practice expressive singing.
SKU: CF.CM9717
ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.
The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.” It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.” On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.
SKU: PR.114422350
UPC: 680160684687. 9 x 12 inches.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
SKU: PR.114419970
UPC: 680160684670. 9 x 12 inches.
SKU: PR.114422330
ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.Fla menco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G.Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.
