Matériel : Conducteur et Parties séparées
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SKU: HL.44007413
UPC: 884088251819. 9x12 inches.
Opening with the exciting Also Sprach Zarathustra theme, The Masters Take the Airwaves explores melodies of the great composers which have also found a home in modern popular music. The casual radio listener might be surprised just how often pop music has borrowed themes from the classics. Melodies from Bach, Chopin, Beethoven, and Richard Strauss combine to make an arrangement you are sure to enjoy. Great music is great music, wherever you find it!
SKU: HL.35032489
ISBN 9781540038784. UPC: 888680890575. 6.75x10.5 inches.
In 1964 a group called The Newbeats released their first and most popular hit with its opening two-chord riff and lead falsetto singing being its most notable features. Here it is as a fun 2-part and 3-part mixed novelty number for your program hearkening back to the 1960s and the novelty craze that hit the radio airwaves.
SKU: HL.35032492
ISBN 9781540038814. UPC: 888680890605. 5.0x5.0x0.142 inches.
SKU: HL.50600898
ISBN 9790080149331. 10.25x14.25x0.41 inches. Mate Bella.
The title of the piece refers to Lethe, one of the rivers of Hades, known from Greek mythology. The meaning of the world is 'oblivion'; the dead souls were drinking from it in order to forget about their earthly life, whose memories might have poisoned their eternal life. According to tradition, river Lethe also the symbol of time as a dynamically moving, flowing, changing entity. Mate Bella's composition follows this ancent symbolic structure, the flow of this mythical river and its waves in the acoustic space created by the music. The composer prescribes an unusual arrangement of the string orchestra, reminiscent of the polychoral technique of composition of the early Baroque, with larger and smaller groups of performers. To the right and left of the podium sit string quintets (two violins, a viola, a cello and a double bass), while the center is held by a larger string ensemble (eight violins, two violas and two cellos). The musical materials for the quintets are somewhat solistic, but the parts diverge and reunite repeatedly, while becoming shorter or eventually fading out into oblivion. The workings of these resemble the waves of a river, followed by ever smaller ripples and whirls of the surface.The piece was commissioned by the Musica Viva concert series of the Bavarian Radio Symphony Orchestra. (Janos Malina).
SKU: HL.50601170
8.25x11.75x0.14 inches.
Gubaidulina 's choir work “Hommage à Marina Tsvetayeva,†composed in the year 1984, was premiered by the Swedish Radio Choir on 27 November 1989 in Stockholm. Movements: 1. Beneath the Waves 2. The Horse 3. All Splendour of the Trumpets 4. Interlude 5. The Garden.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.
SKU: HL.14030970
ISBN 9788759805725.
Work for Chamber dating from 1988. The composer writes: MINNEWATER means 'love water'/'love lake', but when I began to compose the work, this direct meaning of the title was not very important to me. Rather the word itself had a magical sound. Later on, however, it occurred to me that the piece was full of mumbling swells and swarming cascades, and the sensation of water is perhaps most perceptible towards the end where lots of falling water movements are felt behind the emphasized rhythmic surface. Falls that moreover, quite literally at the end, sinks into the water. MINNEWATER has a subtitle: THOUSANDS OF CANONS, which directly refers to a compostion technique where all layers and elements in the music constantly are imitated; possibly waves imitating each other? The mudded and impalpable beginning of the work takes its starting point in one of my earlier pieces, the sextett LES TUCHINS (in fact the first 5 or 6 pages of the two pieces are quite identical but in MINNEWATER it is all 'blown up' to a larger ensemble). Quite soon, however, the thread to LES TUCHINS is cut off and it goes its own way; From the mumbling in the start - through swarming trills and pointilistic staccato movements - to a long section where the trumpet appears as a soloist and in a way conducts the movements of the remaining ensemble right to the rhythmic final section of the piece. MINNEWATER was commissioned by the Danish Radio for the German Ensemble Modern.
SKU: AP.29857
UPC: 038081348629. English.
We all just wanna . . . have a great rock tune to engage our students and bring rehearsal to life. Look no further! This blockbuster hit from Nickelback's All the Right Reasons album will churn with energy. Right off the airwaves, Rockstar is solidly scored for developing bands or as a quick-and-easy encore treat for your more advanced ensemble. It's sure to invigorate your audiences as well. Hey! Hey! I wanna be a Rockstar!
SKU: AP.29865S
UPC: 038081357300. English.
Katy Perry has proven herself to be a pop rock sensation with her album One of the Boys. Her third hit single, Hot n' Cold is presented here for your developing ensemble. Right from the airwaves to your band room, this one has an infectious driving pulse.
