Matériel : Partition + CD
SKU: BR.BV-445
ISBN 9783765104459. 8.5 x 11.5 inches. German / English.
This compendium of experimental playing techniques for brass instruments has been written for composers as well as for interpreters. Exploring new areas of technique always means crossing boundaries, since conventional solutions and recipes of standard instrumental methods are seldom satisfactory and can even be counterproductive. The usual judgement of 'right' and 'wrong' ways to produce a tone interferes with the productivity and creativity necessary to go off the beaten path to make new musical and playing experiences possible. During this process, the rapport between composer and interpreter is invaluable, as well as seeing each other's role in the process. (Malte Burba & Paul Hubner) Here, from the perspective of the interpreter, essential aspects of sound creation, noise combinations, tonal-space expansion, transformations in terms of mechanics and playing techniques, fragility and nonlinearity, etc., are competently analyzed in an exemplary way. It is as if at the moment of its genesis the interior sound space is enlarged, transported to the outside and explained. Ultimately, this fascinating book is proof that the exploration of the brass instruments with their endless possibilities of sound and noise modeling is far from being complete. (Adriana Holszky).
SKU: AP.38677
UPC: 038081436951. English.
This chart offers your drummer a chance to play with sticks and brushes. At an easy 132 BPM tempo, there is plenty of ensemble, written-out solos provided for tenor 1 and trumpet 2, and trumpet 1 range is to written G on top of the staff. The drum solos are written-out but your drummer can embellish if desired. This swing-style drum feature pays tribute to Basie and Neal Hefti.
SKU: ST.CN12P
ISBN 9790220224690.
Amon g the UK's most noted choral composers and conductors, Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion, following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple harmonised setting in a flexible verbal rhythm reflecting the measure of the words, this is a heartfelt plea for spiritual release uttered in a quietly elegiac tone, in which the serenity of the entreaty rather than its pathos is to the fore.