Voir toutes les partitions de Alfred Schnittke
SKU: BT.EMBZ8189
English-German.
Franz Liszt was barely 20 years old when he first read Dante s Divine Comedy, but it left a lasting impression on him throughout his entire life that only a truly impactful creation can have on the human soul. This is what inspired the Dante Sonata which Liszt premiered in Vienna in 1837. Stemming from this, he created a revised version entitled Apres une lecture du Dante, Fantasia quasi Sonata which appeared in 1856 within the second cycle of his Années de pelerinage (Years of Pilgrimage).In the appendix of the present edition, the work s earlier version entitled Paralipomenes a la Divina Commedia, Fantaisie symphonique is also included. It has survived in the handwritingof Liszt s secretary, Gaetanio Belloni, and it contains autograph notes by Liszts. This revised (2016) edition contains not only musical scores of excellent quality, but also a detailed foreword in English and German as well as critical notes in English.
SKU: FL.FX071434-3
A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this third movement, you should contrast the registers as if they are separate instruments responding to each other. Your bass quasi funebre should be ample and sonorous, though without acidity, whilst for your treble you should look for a very gentle flute sound, distant and without vibrato.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.
SKU: HL.14004334
ISBN 9788759806678. English.
Bibalo's Sonata Quasi Una Fantasia for Accordion.
SKU: HL.48183458
UPC: 888680865634. 9.0x12.0x0.091 inches.
Jacques Charpentier: Quasi una Sonata (Violin & Piano).
SKU: HL.49018232
ISBN 9790543503601. 9.0x12.0x0.074 inches.
This sonata is composed for Orff instrumentarium with the intention of offering the sonata form in a lively way.The allegro follows the classical sonata form: an exposition of the two themes, a development with the technic of question-answer and a re-exposition rich in instrumental colours.The andante, a minuet of quiet and elegant character, contrasts the more flowing and bright trio.The vivace, in rondo form, offers a symmetry between the merry refrain, coming again four times, and the verses.