Pro Vocal Volume 31 Mens Edition Hip-hop Hits Voce + Cd - Voice

SKU: BR.SON-435

ISBN 9790004803134. 9 x 12 inches.

Works for male chorus or mens voices a cappella run through Mendelssohns oeuvre like a fine red thread. Whoever is only familiar with the six Lieder op. 50, which were printed during the composers lifetime, will be surprised that the Mendelssohn Work Catalogue lists altogether 38 such pieces written between 1820 and 1847. Mendelssohn apparently wrote a number of individual vocal pieces for private occasions, commissions, or as gifts to male vocal societies. Some of them are being published for the first time ever in this volume. The works are so conceived that they can be performed both by solo voices and by a chorus.

Consists of two subvolumes and a supplement.

SKU: CY.CC3091

ISBN 9790530110683. 8.5 x 11 in inches.

* The Rochut/Bordogni Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed Volume I of 1-30 of the 60 Melodious Etudes from Book I as duets for Alto Trombone and Tenor Trombone. * Etude numbers 31-60 from Book I will also be available as Volume II. * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I Volume I for Alto and Tenor Trombone includes Etudes 1-30, from the vocalises from Book I of the Rochut etudes and are contained in a handsome coil-bound book of 89 pages or available as a download or even both. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading.

SKU: BR.SON-437

ISBN 9790004803158. 10 x 12.5 inches.

Nine variegated Sacred Vocal Works with Orchestra by Mendelssohn have been compiled in this volume. They stem not only from various creative phases of the composer, but also in view of their vocal settings show up marked differences and thus reflect the variety of Mendelssohns creative oeuvre. One shared aspect is that all nine works remained unprinted during the composers lifetime. Only the Lauda Sion achieved celebrity; it was published with the posthumously attributed opus number 73 and took its place next to other choral works by Mendelssohn already in the 19th century. Now published within the Mendelssohn Complete Edition, it boasts a text-critically revised score available in many cases for the first time, and from which impulses for musical practice are sure to arise.

SKU: BR.SON-408

First printing

ISBN 9790004802359. 10 x 12.5 inches.

The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.

Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller.

SKU: BR.SON-442

ISBN 9790004803509. 10 x 12.5 inches.

This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.

SKU: ST.PE21

ISBN 9790220222733.

Purc ell began writing for the stage in 1680. His work for the two London theatre companies (which merged in 1682, but which in 1695 split once more into two competing factions) constituted an increasingly important aspect of his creative activities in the late 1680s, and became exceptionally fruitful in the last six years of his life, encompassing not merely his four great dramatic operas but also a prodigious quantity of music for more modest stage pieces.

The productions for which the music is included in this volume are: Oedipus (1692), Oroonoko (1695), Pausanias (1696), Regulus (1692), Rule a wife and have a wife (1693), Sir Anthony Love (1690), Sir Barnaby Whigg (1681), Sophonisba (?1685), The Old Batchelour (1693), The Richmond Heiress (1693), The Rival Sisters (1695), The Spanish Fryar (1695), The Tempest (1695), The Virtuous Wife (1695), The Wives Excuse (1691), Theodosius (1680), and Tyrannick Love (1694).

The original Purcell Society edition of this volume, edited by Alan Gray and published in 1917, has long been out of print. This comprehensive new edition - the only one available of most of the music - is based on a fresh examination of all the surviving materials, including newly discovered manuscript sources, carried out by one of the greatest living authorities on Purcell's dramatic music.

SKU: BR.EB-8052

ISBN 9790004185148. 7.5 x 10.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589..

SKU: BR.EB-8051

The Missa Dei Patris is the first of three transmitted Missae ultimae. The piano vocal score is based on the score published by Reinhold Kubik in volume 93 of the series Das Erbe deutscher Musik, now available as PB 5556.

ISBN 9790004185070. 7.5 x 10.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik . The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Dei Patris is the first of three transmitted Missae ultimae.

SKU: BR.PB-5556

ISBN 9790004213667. 10 x 12.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

SKU: CY.CC3093

ISBN 9790530110706. 8.5 x 11 in inches.

* The Rochut/Bordogni Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed Volume II of 31-60 of the 60 Melodious Etudes from Book I as duets for Alto Trombone and Tenor Trombone. * Etude numbers 1-30 from Book I are available as Volume I. * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I Volume II for Alto and Tenor Trombone includes Etudes 31-60, from the vocalises from Book I of the Rochut etudes and are contained in a handsome coil-bound book of 89 pages or available as a download or even both. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading.

SKU: BR.EB-8909

ISBN 9790004185759. 7.5 x 10.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive. Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

SKU: ST.MB1

ISBN 9790220222702.

Of an iconic status in the historiography of British Music, The Mulliner Book is published in a completely new edition in the 60th anniversary year of Musica Britannica. A major source of 16th-century keyboard music, it is also a compilation of music for cittern and gittern, plus a short vocal piece by Mulliner himself, available for the first time complete in one volume with a detailed commentary. The collection is also of importance for the light it sheds on musical tastes and attitudes at a time when the Reformation and its consequences were becoming embedded in the national psyche.

SKU: BR.BV-47

ISBN 9783765100475. 6.5 x 10 inches.

Reprint of the edition Leipzig 1905 Zelenkas Messen - Prachtstucke barocker Chorliteratur in manchen Partien farbenfroher gesetzt als Bachs entsprechende Komposition. (Die Welt) Zelenka's Masses - fine specimens of Baroque choral literature some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt) die der Komponist selbst als ,,Missae ultimae bezeichnet hat. Im Gegensatz zu den beiden anderen ,,Missae ultimae besteht die Missa Dei Filii nur aus Kyrie und Gloria.

Der Klavierauszug von Matthias Grunert basiert auf der von Paul Horn in Band 100 des Erbe deutscher Musik herausgegebenen Partitur in welcher die im Autograph gegen Ende des Gloria bestehenden Notentextlucken behutsam erganzt wurden.

Zelenkas kunstlerische Personlichkeit seine Biographie und sein Komponistenstil fallen aus dem Rahmen. Sein Stil ist in hohem Mass experimentell ... War Zelenka wirklich einer der grossten Komponisten des 18. Jahrhunderts oder nur einer der interessantesten? Ich glaube er hat noch manche Uberraschung fur uns bereit. (Schweizerische Musikzeitung)

Zele nkas Messen - Prachtstucke barocker Chorliteratur in manchen Partien farbenfroher gesetzt als Bachs entsprechende Komposition. (Die Welt) Dismas Zelenka. It belongs to an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. Contrary to the two other Missae ultimae the Missa Dei Filii consists only of a Kyrie and Gloria.

Matthias Grunert's piano vocal score is based on the critical edition of the score edited by Paul Horn in volume 100 of the Erbe deutscher.