Matériel : Conducteur
Voir toutes les partitions de Arnold Schoenberg
SKU: BA.BA04032
ISBN 9790006443390. 33 x 25.8 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04028
ISBN 9790006443321. 33 x 25.6 cm inches.
SKU: BA.BA08830
ISBN 9790006567621. 31 x 24.3 cm inches. Preface: Rinne-Schroeder, Christoph.
To celebrate the 200th birthday of the playwright Ludvig Holberg, a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a “powdered wig piece†(as Grieg wrote to his publisher) that hearkens back to Holberg’s era – a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian “air†and an impetuous “rigaudonâ€.Later Grieg arranged his “Suite in the Olden Style†for string orchestra. This version became one of his most popular compositions.For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself.
