Matériel : Conducteur
SKU: BR.CB-215
ISBN 9790001157223. 9 x 12 inches.
The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.
SKU: HL.233289
12.0x9.25x0.43 inches.
Score and separate parts with spiral-bound keyboard/organ part. Number 5, 1950 was Mark Rothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing this painting and its pivotal position in Rothko's work, Brian O'Doherty observes: 'After this, the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to be background has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media, moving from the orchestra to smaller combinations of acoustical instruments and electronically-processed sounds. I still think in orchestral terms, but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as a kind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now - in this musical world that I thought was completely free of lines - I've come to hear a polyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do, sooner or later it all sounds melodic.' - John Luther Adams.
SKU: CF.CAS142F
ISBN 9781491160909. UPC: 680160919505.
This fiery piece for string orchestra depicts the ferocity of an out of control blaze. Constantly alternating between 4/4 and 3/4 each bar, the melody is passed throughout the orchestra like a fire jumping across an asphalt road. Unrestrained staccato ostinato continues relentlessly under the wildly fluctuating melody, building intensity with crescendos and accented rhythms. Students and audiences alike will be left breathless in the wake of this explosive tour de force.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: HL.49008314
ISBN 9790001126267. 9.0x12.0x0.124 inches.
Until his appointment as composition teacher at the Musikhochschule ofCologne in 1957, Bernd Alois Zimmermann earned his living chiefly byarranging works of other composers for the radio. Vier Bearbeitungen (FourArrangements) for the Ellegiers Sextet was written at the WDR in Cologne at that time. Zimmermann held the concertmaster Ellegiers in high esteem because of his profound musicality and arranged about twenty pieces for his ensemble between 1949 and 1952. The three Schubert arrangements'Sehnsuchtswa lzer', 'Landler' and 'Moments musicaux', as well as 'Traumerei' from Kinderszenen Op. 15 by Robert Schumann show very clearly how popular these works were in the radio programme of the broad-casting station.
SKU: BR.EOS-1900-16
ISBN 9790004789384. 9 x 12 inches.
SKU: BR.EOS-1900-15
ISBN 9790004789377. 9 x 12 inches.
SKU: BR.EOS-1900-19
ISBN 9790004789391. 9 x 12 inches.
SKU: BR.EOS-1900-30
ISBN 9790004789421. 9 x 12 inches.
SKU: BR.EOS-1900-27
ISBN 9790004789414. 9 x 12 inches.
SKU: BR.EOS-1900-23
ISBN 9790004789407. 9 x 12 inches.