SKU: CF.YAS15
ISBN 9780825851995. UPC: 798408051990. 8.5 X 11 inches. Key: D minor.
Lower strings be sure to maintain a steady pulse and dont rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 121. If the soloist is comfortable using third position, play mm. 119 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and donat rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1a21. If the soloist is comfortable using third position, play mm. 1a19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and don't rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1-21. If the soloist is comfortable using third position, play mm. 1-19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and don’t rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1–21. If the soloist is comfortable using third position, play mm. 1–19 and the first half of m. 20 one octave higher.All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance.String editing by Amy Rosen.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.PAS19
ISBN 9781491146347. UPC: 680160903849. 9 x 12 inches. Key: D major.
Aspirations is written for the most beginning musicians. It uses minimal material, including no more than two repeated eighth notes as the most difficult rhythm. It contains bold fanfare gestures, marcato main melodic material, and a contrasting legato theme. Every section of the ensemble is featured in this sophisticated piece.Aspirations is written for the youngest and least experiences musicians, who have only had a short time on their instruments. This piece uses minimal material, including no more than two repeated eighth notes as the most difficult rhythm. When I composepieces for young people, I often try to pick titles that will be uplifting and inspiring. Certainly, we want our young musicians to aspire to great things through music.The pieces opens with a fanfare type of musical gesture. This material is the glue that holds the piece together. It should be played marcato throughout. The main melody then follows, first sparse and then with the full ensemble. A bridge section is presented that is legato that leads to a return of the main melody. Some development then begins with fragments of the melody taken by the lower strings followed by interjections by the upper strings on the opening fanfare material. After this development, the piece builds to one final full statement of the main melody and then a short coda based on the fanfare material to bookend the piece.As with all of my pieces for young students, I encourage you to adjust the tempo to fit this needs of your students. My tempo is only a recommendation and you should chose a tempo that best works for your students.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2017.
SKU: CF.CAS27
ISBN 9780825858307. UPC: 798408058302. 8.5 X 11 inches. Key: E major.
A popular holiday favorite performed and recorded by today's top artists including Luciano Pavarotti, this new arrangement is flowing and makes good use of the shifting tonalities of the beautiful piece. The warm harmonies and exquisite lyricism will make.Gesu Bambino is the most recognized composition by Italian composer Pietro A. Yon (1886-1943). A respected concert organist, Yon was organist at the Vatican as well as St. Patrick's Cathedral in New York City from 1926 through 1943.We begin with a gently flowing rhythmic pattern in the celli which establishes the 12/8 meter. Throughout the piece Yon uses the traditional Christmas carol O, Come All Ye Faithful as a countermelody. This first occurs with a short quote when the second violins enter in measure 3. The first violins entire in the pick-up to measure 5 with Yon's main melody. Careful attention to dynamics should be paid throughout, but especially in cases such as measure 9-10 where they change dramatically from piano to forte. The pick-up to measure 14 has the viole and celli playing the O, Come All Ye Faithful countermelody through measure 21. This occurs again in the first violins with the pick-up to measure 32. Make full use of the crescendo in measure 53. Played with warmth and reverence, this will be an effective showcase for the orchestra.- Roy Phillippe.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS164
ISBN 9781491165096. UPC: 680160924004. Key: D major.
Waterscape is a piece inspired by and intended to create images of lazy evenings on beautiful Lake Hartwell, located in the northwest Tri-County area of South Carolina (Oconee, Pickens, and Anderson Counties). The piece gives imagery of sunlight reflecting off the water as lake-goers enjoy fishing, boating, water skiing, tubing, or simply dangling their feet off of a dock into the water. The piece should have a languid, easy feel, never rushed, but driving.
SKU: YM.GTW01098114
ISBN 9784636981148. 8.5 x 12 inches.
This is a collection of 23 popular songs from Studio Ghibli's works, arranged for a duet, trio, and quartet. The arrangements are considerably flexible, allowing the trio to play as a duet and the quartet as a trio.The standard trio arrangement is written for 3(or 2) alto saxophones and 3(or 2) tenor saxophones, but this arrangement is also suitable for 2 alto saxophones and 1 tenor saxophone. Please refer to the guide in the score.The quartet can also be played on 2 alto saxophones and 1 tenor saxophone. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument.
SKU: YM.GTW01100336
ISBN 9784636102338. 8.5 x 12 inches.
This is a collection of 23 popular songs from Studio Ghibli's works, arranged for a duet, trio, and quartet. The arrangements are designed to be played by the same type of instruments in the same key and are considerably flexible, allowing the trio to play as a duet and the quartet as a trio. Please refer to the guide in the score if full members are not available. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument.
