Niels Wilhelm Gade: Niels W.Gade: Fantasie stücke Op.43: Chamber Ensemble:

Niels W. Gade's Fantasias Op. 43 written for Clarinet or Violin with Piano accompaniment.

Ved Solnedgang Op. 46 for Mixed Chorus SATB and Piano by Niels W. Gade . Lyrics by Andreas Munch. This is a new edition by Søren Birch (2015).

Niels W. Gades Til Rosengården Gik Jeg arrangeret for blandet kor SATB af Claus Jørgensen. Tekst af B.S. Ingemann.

Niels W. Gade. Works Iv-9-Works for Mixed ChoirNiels W. Gade. Werks Volume IV/9 Niels Wilhelm Gade (1817?1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as well as the arrangements he madeof his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English). Gade's interest in choral music spanned his entire career. This volume presents more than 40 of his shorter works for mixed chorus both without and with accompaniment (piano organ harmonium or in one case brass ensemble). They occupy a no less prominent place in his oeuvre than his large-scale choral works with orchestra. Written between 1839 and 1885 they were intended for many different areas of application: songs for school chorus stand alongside liturgical music pièces d'occasion chorales and freely composed works for amateur choirs. The best-known are his Five Songs (op. 13) on poems by Emmanuel Geibel and Ludwig Tieck and the motet O du der du die Liebe bist both composed in Leipzig in 1846.

Couverture Rigide. Par GADE NIELS WILHELM. The four works presented in this volume – 'Frühlings-Phantasie” op. 23, 'Frühlings-Botschaft” op. 35, 'Die heilige Nacht' op. 40 and „ Beim Sonnenuntergang' op. 46 – were composed between 1852 and 1870. All of these works belong to the 'concert piece” genre, as the title pages of the respective first editions suggest. The works' instrumentation is varied: While „ Frühlings-Botschaft ' and „ Beim Sonnenuntergang' are composed for mixed choir and orchestra, 'Die heilige Nacht” calls for an additional solo alto. 'Frühlings-Phantasie” is not scored for choir at all, juxtaposing the orchestra with four solo voices and piano. Gade based his texts on poems by Edmund Lobedanz (op. 23), Emanuel Geibel (op. 35), August von Platen (op. 40), and Andreas Munch (op. 46)./ Répertoire / Conducteur

clarinet part in B flat-Along with Robert Schumann?s identically titled op. 73 the Fantasiestücke of 1864 by the Danish composer Niels Wilhelm Gade are an essential part of the repertoire of all clarinettists. Gade lived in Leipzig for a long time andhad been among Schumann?s close friends. With this deeply romantic composition he made an important contribution to establishing the clarinet as a chamber-music soloist. The four pieces in this collection can of course beperformed separately and are ideal teaching material. Our editor the clarinettist Nicolai Pfeffer has drawn upon the German and Danish first editions and the autograph in Copenhagen as sources and consequently has been able toeliminate several discrepancies found in older editions.

Niels Wilhelm Gade (1817-1890) gauche du monde musical une vaste oeuvre d'orchestrale et de la musique de Chambre des oeuvres, des oeuvres pour orgue et piano, lieder et chants ainsi que musique de scène. Sa polyvalence comme instrumentiste, compositeur, chef d'orchestre et di / Clarinette Et Piano

Easier Piano Pieces 61-19th-century Danish composer Niels Gade was strongly influenced by Mendelssohn and Schumann as can be appreciated from the highly romantic pieces in this album. This collection of pieces has been selected from albums published between 1850 and 1880.

Ballad On Danish Folk Legends-With ?Elverskud? (?The Erl-Kings Daughter?) Gade presented his second ?secular cantata for soloists choir and orchestra? the first having been his successful ?Comala? Op. 12 (1845/46). The genre was quite popular among his contemporaries. This time Gade planned to base the work on the text of a folk song. Originally he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for his music was that of a ballad most likely penned by Emil Erslev and Gade himself. A German translation by Edmund Lobedanz was added at a later time.The composition started in 1851 and finished in March of 1854 soon became aninternational success and one of Gade?s most-performed works. In 1864 the composer made a number of changes to the instrumentation. While the new version was subsequently used for all performances conducted by Gade the changes were never incorporated into the printed edition of the score. This edition is the first to present this 1864 version.