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George Shearing
Music To Hear
$7.50
- Voir plus - Acheter en ligne
By George Shearing. Arranged by George Shearing. Text: William Shakespeare. (SATB). Secular. Level: Medium Advanced Adult. 32 pages. Duration 10 min, 22 sec. Published by Hinshaw Music Inc.
Compositeur/Auteur :
George Shearing
Instrumentation :
Chorale SATB
Sous-instrumentation :
SATB
Editeur :
Hinshaw Music Inc.
Song List
:
1. Music To Hear
2. Shall I Compare Thee To A Summers Day?
3. Is Is For Fear To Wet A Widow's Eye
4. Sigh No More, Ladies, Sigh No More
5. Blow, Blow, Thou Winter Wind
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100 Years Of Popular Music 1940S Vol.2
32.60
100 Years Of Popular Music 1940S Vol.2
Piano, Voix et Guitare
[Partition]
Faber Music Limited
100 Years Of Popular Music. 100 Years of Popular Music chronicles the greatest m...
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100 Years Of Popular Music. 100 Years of Popular Music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1940s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1940s is also included. **Trinity College London selected piece (Singing 2010-2012): Do Nothing Till You Hear From Me (Ellington)/ Recueil / Piano, Chant et Guitare
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Nico Muhly: Choral Collection: Mixed Choir: Vocal Score
19.99
Nico Muhly: Choral Collection: Mixed Choir: Vocal Score
Chorale
[Vocal Score]
St Rose Music Publishing
This exclusive collection brings together 12 of Nico Muhly?s sacred works for mi...
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This exclusive collection brings together 12 of Nico Muhly?s sacred works for mixed-voice choir. These vivacious fresh and dramatic pieces will make an impact whether in the church or in the concert hall and range from the intimate Lord keep us modest when we claim to the effervescent Bright Star Carol alongside service music such as Muhly?s Third Service. All are accessible to learn and offer choirs a new slant on contemporary choral music at its very best. 'Choral music has always been at the emotional core of my musical output. Even when I?m writing large-scale orchestral works (or indeed chamber music) I alwaysfind myself returning to techniques and textures I?ve greedily stolen from centuries of music from Tye to Howells early and recent. I try to design my own choral music primarily for use in worship where the measure of the success of the piece is if it helps guide the listeners? ears upwards and elsewhere as sacred architecture and the various rituals of the church themselves are meant to do. The specificity of music heard only in certain seasons is for me an important and thrilling element of the choral tradition: a Beethoven Symphony is welcome at any point in the year but an anthem for Candlemas works only then at a certain time of day and on a certain day of the year. With this functional spirit at the heart of the compositional process I hope that the music collected here makes equal sense in a concert setting. These works range from ordinaries of the mass to hymns to motets and represent a decade and a half of output.' - Nico Muhly
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Richard Reed Parry: Quartet For Heart And Breath: Ensemble: Score and Parts
15.99
Richard Reed Parry: Quartet For Heart And Breath: Ensemble: Score and Parts
ENS::Ensemble d'cole
[Partitions]
Chester
Richard Reed Parry's Quartet For Heart And Breath for mixed Ensemble.Quartet for...
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Richard Reed Parry's Quartet For Heart And Breath for mixed Ensemble.Quartet for Heart And Breath was commissioned for Kronos Quartet by the 2009 MusicNOW Festival. The mixedEnsemble arrangement was premiered by yMusic.Instrumentation: Flute Clarinet in Bb Trumpet in Bb Violin Viola Violoncello and Double Bass (optional).'This piece is based around the idea of using the widelyvarying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individual performers? heartrates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately with little or no vibrato so as to be able to hear their heartbeats adequately.This in combination with thenatural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out ofsync with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.The performers wear stethoscopes positioned over their hearts so that each can follow his orher own heart rate. Two eighth notes/quavers correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato and irregular rhythm they hear. When instructed to ?play to breath? the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to make it metronomic. For wind players this means that the phrase isextended to encompass the whole of their natural breath without straining to hold for as long as possible. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from
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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Richard Reed Parry: Heart And Breath: Ensemble: Score and Parts
15.99
Richard Reed Parry: Heart And Breath: Ensemble: Score and Parts
PF6HANDS/VLN/VLA/VLC::Piano Avec Six Mains, Violon, Viola, Violoncelle
[Partitions]
Chester
Richard Reed Parry's Heart And Breath Sextet for Piano Six-hands Violin Viola ...
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Richard Reed Parry's Heart And Breath Sextet for Piano Six-hands Violin Viola and Violoncello.Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival foryMusic.'This piece is based around the idea of using the widely varying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing ratesof the players are used in alternation with the individualperformers? heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately so asto be able to hear their heartbeats adequately. This in combination with the natural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out of synch with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.In this piece the pianists wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a single normal heartbeat and performers should match as closely as possible the staccatoand irregular rhythm they hear. The strings are instructed to ?play to breath?; the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without anyattempt to make it metronomic. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from one bar to the next cuing other parts if necessary.' - RichardReed Parry
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Write Play And Hear Theory Every Day - Book 2: Theory
7.95
Write Play And Hear Theory Every Day - Book 2: Theory
Formation musicale - Solfège
[Partition + CD]
FJH
Book 2 in this series continues helping students learn their theory in the most ...
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Book 2 in this series continues helping students learn their theory in the most beneficial way - by combining it with ear training at the same time which promotes well-rounded musicianship.In this book students learn more notes on the staff as well as intervals half and whole steps major and minor five-finger patterns key signatures and more. There is an entire unit on music analysis as well as a final test. It is here that students synthesize everything they have learned throughout the book.As in Book 1 every unit includes a multitude of activities such as: writing playing and listening; 'Count and Hear Your Theory'; 'Write and Play Your Theory';Lesson Day activity; and a CD to reinforce every unit which can be used at home or at the lesson.
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Reading, Writing and Rhythmetic (RADLEY ROBERTA)
44.10
Reading, Writing and Rhythmetic (RADLEY ROBERTA)
Tout Instrument
[Partition]
Sher Music Company
Par RADLEY ROBERTA. Ear player, schooled musician, or somewhere in between — t...
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Par RADLEY ROBERTA. Ear player, schooled musician, or somewhere in between — this book will improve your ability to transcribe music, and help you make the connection between the music you hear and what it looks like on the page. This book defines a step-by-step process, the “ABCs,” toward achieving the goal of seeing what you hear, and hearing what you see. A simple formula is used for this process: Listening (ear training) + Analysis (brain training) = Successful Transcription. Throughout this book you will participate in a variety of listening, singing, playing, reading and composing activities, all designed to prepare you for the ultimate goal of writing down musical ideas — creating a finished transcription. The heart and soul of this book is transcribing “real music” examples. Throughout the book you’ll be working with over 300 songs from almost every musical genre. Teachers will find hundreds of pages of helpful ideas here that will augment your ear training instruction. / Methods & Tutors / Solfège/Formation Musicale / Tout Instrument
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Sher Music Company
A beginning/intermediate guide to hearing the chord changes. By Roberta Radley. ...
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A beginning/intermediate guide to hearing the chord changes. By Roberta Radley. Instructional. Level: beginning/intermediate. Book and 2 CDs. 168 pages. Published by Sher Music Company.
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