Matériel : Partition
SKU: BT.DHP-1135489-060
9x12 inches. English-German-French-Dut ch.
GLOBAL ANIMAL consists of six witty humoresques, each depicting an extraordinary creature. Thereâ??s the Australian dancing buck that loves to dance in pairs, a down-in-the-dumps Egyptian hippo in a permanent grouse with the world, or the dastardlySouthern European trill mosquito. The extinct Mongolian striped lion is deeply mourned, while the arctic numbskull is so shy that heâ??s never been spotted. Then thereâ??s the continuous shriek of the Columbian screeching ape thatâ??s hard to miss.(Accordion I-II-III-Electronium-Acco rdion IV-Bass-Percussion)Global Animals consists of six witty humoresques, each depicting an extraordinary creature.Thereâ??s the Australian dancing buck that loves to dance in pairs, a down-in-the-dumps Egyptian hippo in a permanent grouse with the world, or the dastardly Southern European trill mosquito.The extinct Mongolian striped lion is deeply mourned, while the arctic numbskull is so shy that heâ??s never been spotted. Then thereâ??s the continuous shriek of the Columbian screeching ape thatâ??s hard to miss.Global Animals besteht aus sechs tierisch-witzigen Humoresken über ungewöhnliche Tiere unseres Planeten:
Da gibt es den australischen Tanzbock, der gerne zu zweit tanzt, ein ägyptisches, sehr weinerlichen Flusspferd, das mit sich und der Welt unzufrieden ist, oder die heimtückische südeuropäische Trillermücke. Dem verstorbenen mongolischen Streifenlöwenwird in tiefer Trauer die letzte Ehre erwiesen, während die einfältige arktische Dumpfbacke so scheu ist, dass kaum jemand sie je gesehen hat. Der permanent kreischende, kolumbianische Schreiaffe ist dagegen kaum zu überhören.
SKU: IS.G6764EM
ISBN 9790365067640.
This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: PR.144407050
UPC: 680160655519. 9 x 12 inches.
Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonicâ€ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scentâ€, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.
SKU: GI.G-CD-1000
UPC: 785147000020.
Teach ing Music through Performance in Jazz for Beginning Ensembles pairs practicle perspectives from world-class jazz educators and performers—who specialize in working with beginning ensembles—together with Teacher Resource Guides for more than 60 of the best jazz charts published for beginning ensembles. Teaching Music through Performance in Jazz for Beginning Ensembles is truly a significant resource for both beginning jazz educators and their students, and an invaluable contribution to the field. This companion 2-CD set contains premier recordings of 29 of the most significant works for beginning jazz band that were ever composed. For more information about each piece, as well as conducting insights, refer to the book Teaching Music through Performance in Jazz for Beginning Ensembles (GIA Publications, Inc., G-9022), compiled and edited by Richard Miles, with additional contributions from Ronald Carter, Roosevelt Griffin, Ben Huntoon, Brian Logan, Rob Parton, Willis Rapp, and Dean Sorenson. Performed by the Bryan Carter Big Band—Bryan Carter, Director.
SKU: BT.DHP-1135489-160
Global Animals consists of six witty humoresques, each depicting an extraordinary creature.There’s the Australian dancing buck that loves to dance in pairs, a down-in-the-dumps Egyptian hippo in a permanent grouse with the world, or the dastardly Southern European trill mosquito.The extinct Mongolian striped lion is deeply mourned, while the arctic numbskull is so shy that he’s never been spotted. Then there’s the continuous shriek of the Columbian screeching ape that’s hard to miss.Global Animals besteht aus sechs tierisch-witzigen Humoresken über ungewöhnliche Tiere unseres Planeten:Da gibt es den australischen Tanzbock, der gerne zu zweit tanzt, ein ägyptisches, sehr weinerlichen Flusspferd, das mit sich und der Welt unzufrieden ist, oder die heimtückische südeuropäische Trillermücke. Dem verstorbenen mongolischen Streifenlöwen wird in tiefer Trauer die letzte Ehre erwiesen, während die einfältige arktische Dumpfbacke so scheu ist, dass kaum jemand sie je gesehen hat. Der permanent kreischende, kolumbianische Schreiaffe ist dagegen kaum zu überhören.
SKU: GI.G-233563
ISBN 9781574631494. UPC: 888680682835.
What instrument brands provide the best value? Are used instruments a good investment? What mouthpiece should beginners use? Single or double horn? Is there a way to make it easier for beginners to play the tuba? Why are certain valve combinations always out of tune? When is it time to move to an F attachment trombone? What's the difference between compensating and non-compensating - isn't that what the 4th valve does? What's this I hear about trombone lung? These and countless other questions about purchasing, maintaining, troubleshooting, repairing and storing brass instruments are answered in this comprehensive yet concise handbook. Topics include: · Purchasing - brands to consider and prices to expect · Maintenance - lubrication, cleaning and maintaining brass in top condition · Troubleshooting - quick repairs, what to look for and preventive measures · Repair - what can be done with a few tools and what REALLY needs a brass repairman · Storage - how to protect your instrument and your investment · Tuning - tendencies and solutions for ALL valved brass · Mouthpieces - a good place to start and what comes next · Mutes - shapes, types and pitch tendencies · Building a brass tool kit - what to include.
SKU: HL.697421
ISBN 9781458415035. UPC: 884088604912. 9.0x12.0x0.088 inches.
Here's your complete guide to getting your guitars to play and sound their best! Step-by-step instructions and photos teach how to adjust the action, truss rod, bridge saddles, nut, intonation and more on electric guitars and steel string acoustic guitars. Basic electronic repairs are covered as well. This book will get you started on the road to becoming your own guitar repairman.
SKU: HP.2954
UPC: 763628129545.
Based on hymns by Freeman Lewis & Daniel Teasley. Commissioned for the 2020 Handbell Musicians of America Area 5 Spring Festival in Louisville, Kentucky, this piece starts open and stately before launching with rhythmic energy into a Bluegrass-infused toe-tapper. It brilliantly pairs the Freeman Lewis hymn tune BOURBON (I Take My Refuge in the Lord) with a Daniel Teasley hymn of similar assurance. Marts, mallets, plucks, ring-touches and more are sure to excite your concert audiences and congregations alike; and the optional band (fiddle, tambourine, bass, and guitar/mandolin/banjo) may be added in any combination for extra charm!.
SKU: HL.14042989
ISBN 9788759829240. English.
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12,13 and 14 played simultaneously). Gudmundsen -Holmgreen has written a collection of three new string quartets: String Quartet no. 12, ‘Each in Each’; String Quartet no. 13, ‘Mutual Ordering’, and String Quartet no. 14, ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together, as they are tonight, the combined work is titled All in One. About this collection, Gudmundsen-Holmgreenwrite s: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces, which I had written for the two groups: one for Theatre of Voices (Green), and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently, on top of each other, as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously, and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets, adding also some percussion instruments, as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play, as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more, which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations, resulting in different kinds of.
SKU: M7.VHR-3671
ISBN 9783864341489. German.
The series 'Unterwegs mit der Querflöte' (Out and About With the Flute) is for children from the age of 5 learning to play the flute in one-to-one lessons or in pairs. The main aim has been to keep the book as concise as possible and to leave out any information which doesn't directly concern the pupil. The key features: - Simple explanations - easy for children from the age of 5 to follow - Four icons show what to do - without any fancy words - Playing duets and from memory right from the start - for holistic music-making - Ample additional material - numerous pieces, piano accompaniments and exercises together with the complete teacher's book and a parent's supplement are available online free of charge at: www.holzschuh-verlag.de/u nterwegs Volume 2 - Rund um die Welt (Around the World): focuses mainly on the important topic of overblowing and on essential basics in music. Not only do pupils continue to practise playing from memory but they also progress now to the matter of transposing. The pieces become longer and more complex but the explanations still remain concise. The volume ends with pupils internalising the G-major scale and the addition of f-sharp^2 in a range going from d' - g^2.
SKU: HL.1122907
UPC: 750795016150. 16.0x22.0x3.0 inches.
The VicPack is the all-in-one backpack for the drummer needing to organize and carry all their drumming and other daily essentials in one place. With two full-zip padded compartments and a removeable insert, this durable nylon bag can fit a 12″ practice pad, laptop and much more. The detachable stick bag holds up to 12 pairs of sticks with additional outer pockets. Any drummer with the VicPack is always prepared to play.
SKU: HL.1117960
ISBN 9781705180907. UPC: 847986002051. 6.75x10.0x4.0 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Well-balanced sound with pleasant high-end. The LCT 040 MATCH stereo pair provides professionally refined sound right from the moment you hit the “record†button. The tailored small diaphragm condenser capsule with its well-balanced frequency response gets you professional results in no time. About the matching process. LEWITT measures the frequency response and sensitivity of all their mics. The measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH. An algorithm compares all measured frequency responses and puts together the perfect pairs for flawless stereo recordings. Easy drum recordings. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. You will get a punchy and precise reproduction of your drum kit's unique sound. Made for acoustic guitar recordings With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound more crisp and defined than ever. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix. What's in the box? The LCT 040 MATCH stereo pair comes with two snap-in mic clips, two windscreens, and a transport bag with two compartments.
