Dvd Jazz Expression Sax

Correlated to Unit 5 of Jazz Expressions?, Sweet Georgia Brown is a great jazz classic arranged by Mike Lewis at the easy level. The focus in this chart is on syncopation using easy rhythms, modest ranges, and clear articulation to provide an effective and consistent foundation for learning jazz. No improvised solos, only ensemble and section work in a traditional swing setting. Optional parts for flute, clarinet, horn, baritone horn, tuba, AND STRINGS - violin (2), viola, and cello. Wow!

from THE POLAR EXPRESS-Recorded by Steven Tyler (of Aerosmith fame) for the movie The Polar Express here is a lively jump swing tune that is clearly over the top! The tempo is frantic and the brass licks are blistering. Sounds like fun! This one worksfor the holidays or for normal occasions as well.

Par WEDGWOOD PAM. Pamela Wedgwood's Jazzin' About Styles is a brilliant new introduction to jazz, rock and pop styles for pianists at elementry level. The 16 toe-tappin' pieces range from Dixie and ragtime through swing, blues and rock 'n' roll to pop ballads, disco and even heavy metal. Each piece includes hints to help you get to grips with the style. / Niveau : Facile / Recueil / Piano

Par JIMMY BRUNO. Guitaristes font face à un nombre parfois écrasant de choix où jouer une note donnée ou expression et quel doigté à utiliser. Alors qu'une doigté donnée une échelle ou une phrase soit possible, il n'est peut-être pas pratique. Dans ce livre, guitariste de jazz Jimmy Bruno énonce les six doigtés pour les échelles de major dont il a trouvé être le plus efficace de ses trente années de jeu professionnel. Ces modèles sont ensuite utilisés pour dériver les doigtés de dorian mode, mode de mixolydian, naturels échelles de mineur des mineurs et mélodiques mineures, harmoniques. Illustrations sont fournies dans la notation et tablature avec diagrammes idéogramme aidant de visualisation. En utilisant ces doigtés constamment, le guitariste éliminera tous les doigtés inutiles et supprimer un obstacle majeur au développement de son musicien. / Niveau : Débutant à Intermédiaire / Jazz - Technic / Recueil / Guitare

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman

Par MURDICK KENT. Grâce à des exemples, affectations de l'écriture et du texte clair descriptifs, cet ouvrage historique enseigne le novice ou musicien professionnel de créer des accords solos de guitare jazz fingerstyle. Le livre est divisé en trois sections principales : commençant fingerstyle guitar solos jazz de création fingerstyle et professionnel fingerstyle guitar. Kent Murdick présente systématiquement des explications claires de fingerstyle technique, bases de blues, échelles harmonisés, avancé harmonie jazz, divers concepts d'organiser et d'accompagnement, une discussion des dispositifs expressives utilisé dans le jazz et plusieurs solos album. En outre, l'auteur communique cette information avec un sens farfelue, autodérision attachant de l'humour. Ecrit en tablature et notation standard. / Niveau : Débutant à Intermédiaire / Jazz - Rhythm/Backup / Tablatures / Guitare Tablatures