Voir toutes les partitions de Aaron
SKU: MB.98339M
ISBN 9780786690022. 8.75 x 11.75 inches.
This user-friendly book, with access to online audio, shows how to transform standard three-chord blues changes into harmonically sophisticated jazz-blues progressions.The book covers chord substitution, twelve-bar blues, minor blues, eight-bar blues, and sixteen-bar blues. Chord frames are supplied for guitarists. Blank treble and bass staves are included for writing songs, licks, and solos. An absolute goldmine for all musicians, students, blues songwriters, recording studios, ad agencies, and anyone who plays blues music. This truly amazing learning/reference work, designed for beginners and pros alike, also contains an appendix featuring a wealth of information about modern blues progressions and how to create them. Online audio download available.
SKU: FG.55011-676-4
Juhani Nuorvala (b. 1961) wrote The Five Chords That Shook My World (2020) for pianist Nicolas Horvath's Hommage a Glass project and it is dedicated to him. It's a fantasy meditation on the Train/Spaceship chords in Einstein, that repeating five-chord progression (Fm - Db - A - B7 - E) about which the composer has said that there's something strange, because it never fails to lift the audience to its feet. The duration of the piece is c. 6'30'', and it was premiered by Emil Holmstrom at RUSK festival (Pietarsaari, Finland) 20th November 2020. A notable variety of influences - microtonality, American minimalism, New Romanticism, popular music, techno - has been regarded as a special feature of Nuorvala's idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own. Nuorvala's works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.
SKU: KN.61820
UPC: 822795618204.
A solid, infectious 3/4 funk groove is coupled with a modern chord progression to give this driving chart plenty of audience appeal. Written or ad lib solos are offered for tenor sax and trumpet, but can be assigned to other instruments if desired. Written for advancing groups, trumpets double on flugelhorn, and a guitar chord chart by Jim Greeson is included in each set. Duration 4:45.
SKU: KN.61820S
SKU: MB.95422
ISBN 9780786603435. 8.75 x 11.75 inches.
A landmark book written by one of the greatest guitarists of the 20th Century, this text contains George M. Smith's own systematic study of chord technique, harmony and progressions. A large number of unique chord charts along with accompanying exercises makes this book unlike any other. The guitarist who works systematically through this book will develop the chord technique necessary for modern rhythm playing and will gain harmonic knowledge essential to the art of chord improvising. An excellent chord substitution chart is provided as a supplement to this text. Written in standard notation only with chord symbols and diagrams.
SKU: M7.AHW-3027
English.
This theoretical book is meant to improve contemporary jazz styles techniques for all musician players of modern jazz. We will divide this book into scale exercises, arpeggio exercises, jazz line phrases as well as contemporary chord progressions. Exercises consist of diatonic and chromatic exercises; and, line phrases, consist of jazz solos by great musicians such as Miles Davis, Bill Evans, John Coltrane, Freddy Hubbard, Woody Shaw, Wayne Shorter, Joe Henderson, Chick Corea, Herbie Hancock, Joe Farrel, Dave Liebman, Bob Berg, Michael and Randy Brecker, Jerry Bergonzi, George Garzone, Tom Harrel, Chris Potter, Brad Mehldau, Joey Calderazzo, Kenny Garrett, Branford Marsalis, Walt Weiskopf, Rich Perry, Seamus Blake, Alex Sipiagin and many other well known musicians these days. The majority of these exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major chords, Minor chords and Dominant chords will be extended to their highest level, in scales, arpeggios and chromatic form. There will not be key signature centres, so we will work all exercises in accidental way. These exercises were made as an extension of my first book 'Improvise Now'. There are as well many improvisational lines transcribed from some of the previously mentioned musicians.