Missa in G minor from Johann Sebastian Bach's music library

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500913

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 1. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Duration 12 minutes. Carus Verlag #CV 35.009/13. Published by Carus Verlag (CA.3500913).

ISBN M-007-25281-6. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500919

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 12 minutes. Carus Verlag #CV 35.009/19. Published by Carus Verlag (CA.3500919).

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500912

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 2. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/12. Published by Carus Verlag (CA.3500912).

ISBN M-007-25280-9. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500903

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Vocal score. Duration 12 minutes. Carus Verlag #CV 35.009/03. Published by Carus Verlag (CA.3500903).

ISBN M-007-24549-8. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500900

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Full Score. Duration 12 minutes. Carus Verlag #CV 35.009/00. Published by Carus Verlag (CA.3500900).

ISBN M-007-24548-1. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500949

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Organ. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/49. Published by Carus Verlag (CA.3500949).

ISBN M-007-24550-4. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500914

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Duration 12 minutes. Carus Verlag #CV 35.009/14. Published by Carus Verlag (CA.3500914).

ISBN M-007-25282-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500915

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. Duration 12 minutes. Carus Verlag #CV 35.009/15. Published by Carus Verlag (CA.3500915).

ISBN M-007-25283-0. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530715

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Viola 3. 4 pages. Duration 15 minutes. Carus Verlag #CV 35.307/15. Published by Carus Verlag (CA.3530715).

ISBN 9790007213350. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500612

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 2. 4 pages. Carus Verlag #CV 35.006/12. Published by Carus Verlag (CA.3500612).

ISBN 9790007212940. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530749

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Organ. 12 pages. Duration 15 minutes. Carus Verlag #CV 35.307/49. Published by Carus Verlag (CA.3530749).

ISBN 9790007213374. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530721

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Bassoon. 4 pages. Duration 15 minutes. Carus Verlag #CV 35.307/21. Published by Carus Verlag (CA.3530721).

Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500615

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Double Bass. 4 pages. Carus Verlag #CV 35.006/15. Published by Carus Verlag (CA.3500615).

ISBN 9790007212971. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530712

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Violin 2. 8 pages. Duration 15 minutes. Carus Verlag #CV 35.307/12. Published by Carus Verlag (CA.3530712).

ISBN 9790007213329. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500611

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 1. 4 pages. Carus Verlag #CV 35.006/11. Published by Carus Verlag (CA.3500611).

ISBN 9790007212933. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500605

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Choral Score. 8 pages. Carus Verlag #CV 35.006/05. Published by Carus Verlag (CA.3500605).

ISBN 9790007162054. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500619

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Set of Orchestra Parts. Carus Verlag #CV 35.006/19. Published by Carus Verlag (CA.3500619).

ISBN 9790007143282. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and parts available separately - see item CA.3500600.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530714

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Viola 2. 4 pages. Duration 15 minutes. Carus Verlag #CV 35.307/14. Published by Carus Verlag (CA.3530714).

ISBN 9790007213343. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500614

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Cello. 4 pages. Carus Verlag #CV 35.006/14. Published by Carus Verlag (CA.3500614).

ISBN 9790007212964. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530716

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Violone. 8 pages. Duration 15 minutes. Carus Verlag #CV 35.307/16. Published by Carus Verlag (CA.3530716).

ISBN 9790007213367. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500613

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Viola. 4 pages. Carus Verlag #CV 35.006/13. Published by Carus Verlag (CA.3500613).

ISBN 9790007212957. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500600

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Full score. 16 pages. Carus Verlag #CV 35.006/00. Published by Carus Verlag (CA.3500600).

ISBN 9790007142605. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring.

SSATTB choir and soli, 2 violins, 3 violas, basso continuo - Level 3

SKU: CA.3530713

Missa brevis in a. Composed by Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. Missa Brevis In A. Sacred vocal music, Mass sections. Single Part, Viola 1. 4 pages. Duration 15 minutes. Carus Verlag #CV 35.307/13. Published by Carus Verlag (CA.3530713).

ISBN 9790007213336. Key: A minor. Language: Latin.

From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.

Woodwinds (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-30

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: wind parts. Folder. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Set of parts. 136 pages. Duration 110'. Breitkopf and Haertel #OB 5363-30. Published by Breitkopf and Haertel (BR.OB-5363-30).

ISBN 9790004338568. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Organ (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-11

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. Arranged by Alfred (Bc) Durr. This edition: organ part. Softcover. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 104 pages. Duration 110'. Breitkopf and Haertel #OB 5363-11. Published by Breitkopf and Haertel (BR.OB-5363-11).

ISBN 9790004338513. 12.5 x 10 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Violin 2 (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-16

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: violin 2 part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 28 pages. Duration 110'. Breitkopf and Haertel #OB 5363-16. Published by Breitkopf and Haertel (BR.OB-5363-16).

ISBN 9790004338537. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Basso (cello/double bass) (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-26

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: cello/double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 38 pages. Duration 110'. Breitkopf and Haertel #OB 5363-26. Published by Breitkopf and Haertel (BR.OB-5363-26).

ISBN 9790004338551. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Viola (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-19

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: viola part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 24 pages. Duration 110'. Breitkopf and Haertel #OB 5363-19. Published by Breitkopf and Haertel (BR.OB-5363-19).

ISBN 9790004338544. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.