Missa brevis in C major

SKU: CA.135100

ISBN 9790007003104.

SKU: CA.4062519

ISBN 9790007138097. Key: D major. Language: Latin.

During the summer of 1774 Mozart wrote two Masses within a few weeks: the Missa brevis in F major, K. 192, and the Missa brevis in D major, K. 194. A feature common to both compositions as well as to the Dixit et Magnificat K. 193, written at about the same time, and the Trinitias Mass K. 167 of the previous year, is a more or less strongly evident tendency towards contrapuntal writing. However, while the Dixit et Magnificat and the Trinitas Mass approach the late-baroque style, in these two brevis Masses Mozart sought to combine traditional polyphonic techniques with a more modern musical language. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062500.

SKU: CA.4064205

ISBN 9790007075187. Key: C major. Language: Latin.

The Missa brevis in C Major, for 4 vocal parts and organ, was long considered one of young Mozart's excercises in The Italian style of church music. Karl Pfannhauser, after his studies of Leopold Mozart's masses, was the first to discover that the C-major fragment had been incorporated into the latter's Missa solemnis in C Major. As Mozart was only 8 years old at the time his father wrote this mass, he cannot be deemed the composer of the fragmentary C-major mass that is listed as KV 115. The mass contains only the Kyrie, Gloria, Credo and Sanctus, the last of which breaks off in bar 9. For the present edition our aim was to draw upon Leopold's own works for the missing parts. Score available separately - see item CA.4064200.

SKU: CA.3909614

ISBN 9790007215279. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909600.

SKU: CA.3909911

ISBN 9790007215378. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SKU: CA.3909912

ISBN 9790007215385. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SKU: CA.3909612

ISBN 9790007215255. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909600.

SKU: CA.3909905

ISBN 9790007215361. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909900.

SKU: CA.3909619

ISBN 9790007134723. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and parts available separately - see item CA.3909600.

SKU: CA.3909605

ISBN 9790007162108. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909600.

SKU: CA.3909919

ISBN 9790007134730. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and parts available separately - see item CA.3909900.

SKU: CA.3909914

ISBN 9790007215408. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SKU: CA.3909611

ISBN 9790007215248. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909600.

SKU: CA.3909900

ISBN 9790007097530. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment.

SKU: CA.3909913

ISBN 9790007215392. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SKU: CA.3909613

ISBN 9790007215262. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909600.

SKU: CA.3909600

ISBN 9790007097509. Key: G major. Language: Latin.

Telemann's Missa brevis on Allein Gott in der Hoh sei Ehr is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment.

SKU: BT.DHP-1033337-170

A4 (210X297) inches.

Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.

Mis sa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk:

1. clarinet choir (van Es-klarinet tot basklarinet)

2. clarinet choir + saxofoons

3. zacht koper (bugels, hoorns, euphoniums, bassen)

4. scherp koper (2 trompetten / 2 trombones)

5. dubbelrieten (eventueel + fluit, eventueel + contrabas)

6. tutti

7. alle hout

8. alle koper

In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.

M issa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartett, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.

Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées :

1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse)

2. Choeur de Clarinettes + Saxophones

3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses)

4. Cuivres (2 Trompettes / 2 Trombones)

5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles)

6. Tutti

7. Tous les Bois

8. Tous les Cuivres

Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.

Part i per coro disponibili a parte.

SKU: CA.4062313

ISBN 9790007084400. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.