A Midsummer Nights Dream op. 21

Suite from the Incidental Music. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn Bartholdy (1809 - 1847) a composé la musique de la pièce de théâtre de William Shakespeare A Midsummer Night’s Dream (Le Songe d’une Nuit d’Été) à deux moments différents. En 1826, à l’âge de 16 ans, il écrit une ouverture de concert (Op. 21). Seize ans plus tard, en 1842, il composa la musique de scène (opus 61) pour le roi Frédéric-Guillaume IV de Prusse, dans laquelle il incorpora l’ouverture existante. L’ouverture a été créée à Stettin (alors en Prusse, aujourd’hui Szczecin, Pologne) le 20 février 1827, sous la direction de Carl Loewe. Mendelssohn a dû parcourir 80 miles à travers une tempête de neige déchaînée pour se rendre au concert, qui est devenu sa première apparition publique. La première représentation britannique de l’ouverture fut dirigée par Mendelssohn lui-même le 24 juin 1829, aux Argyll Rooms de Londres. Après le concert, Thomas Attwood a reçu la partition de l’ouverture pour la garde, mais l’a laissée dans un taxi et n’a jamais été retrouvée. Mendelssohn a réécrit plus tard l’ouverture entièrement de mémoire. / Date parution : 2022-01-14/ Répertoire / Concert Band/Harmonie

Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze/ Répertoire / Orchestre

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ensemble magnifique en quatre volumes de plus de 180 morceaux de spectacles, de jazz, de blues ainsi que des classiques de la pop, des thèmes de films, de grands standards et des morceaux classiques, arrangés pour le pianiste solo.

The author and arranger Hans-Günter Heumann adds to his bestselling series Piano Gefällt Mir! with a Classical edition. All of the greatest masters of musical history is represented by their most famous works, whether it's Bach, Strauss, Liszt, Mozart, these pieces are playable by beginners to advanced pianists, with tempo markings, fingerings and chord symbols.Among the 50 classic pieces in this edition are many famous works which have been used in some of the greatest Hollywood films. Heumann's ever-popular arrangements are perfect for different abilities and fans of the finest classical compositions. / Piano