| Les Paul in His Own
Words: Reference Books:
Biography Backbeat Books
Centennial Edition-Les Paul In His Own Words celebrates the life of the legendar...(+)
Centennial Edition-Les Paul In His Own Words celebrates the life of the legendary guitarist Les Paul who passed away in 2009 at the age of 94. This book capturing Les Paul's own reflections on his remarkable inventions and Guitar playing was published as a high-end collector's edition. In 2015 Les Paul reached his centennial and Backbeat Books is pleased to celebrate the legend once more in the first-ever paperback edition of Les Paul In His Own Words making his fascinating story available to a wide range of readers. This book is the definitive work on the recording and Electric Guitar pioneer whose prodigious talents andrelentless work ethic single-handedly launched a new era in American popular music. This authentic account of Les Paul's life is packed with words of wisdom and experience from one of the most important contributors to modern music.
29.99 GBP - vendu par Musicroom GB | |
| Tony Bacon: Electric
Guitars Design and
Invention: Reference
Books: Reference Backbeat Books
The Groundbreaking Innovations That Shaped the Modern Instrument-Innovation. Dis...(+)
The Groundbreaking Innovations That Shaped the Modern Instrument-Innovation. Disruption. Thought leadership. Today's hottest tech sector buzzwords would prove just as apt in describing the twentieth century crucible of Guitar development.Imagine an electric Guitar Is it a Strat? A Les Paul? Some third party variant on one of these classics? Or is it something more uniquely memorable: a Warlock a Flying V a Razorback? There's a reason that default image popped into your mind. Electric Guitars do not happen by chance. They look and sound and play the way they do by design.Tony Bacon's latest book  Electric Guitars Design and Invention: The Groundbreaking Innovations That Shaped theModern Instrument the world's leading Guitar historian traces the modern axe to the iconic designs at its roots. Musicians artisans luthiers and designers alike will delight in this far-reaching exploration of the craftsman trends and technological advances that shaped an industry – and countless generations of popular music.
29.99 GBP - vendu par Musicroom GB | |
| The Early Years Of The
Les Paul Legacy
1915-1963: Reference
Books: Reference [Livre] Hal Leonard
The Man the Sound and the Gibson Guitar. Journey through the career of musical ...(+)
The Man the Sound and the Gibson Guitar. Journey through the career of musical giant milestone guitarist and recording innovator Les Paul and marvel at the world of cutting-edge guitar design! This book emerged out of author Robb Lawrence's years of research interviews extensive vintage archives (including original Les Paul/Mary Ford articles press photos music and recordings) and gorgeous original photography. Learn about the Clunker the experimental Log - the first true prototype of the Gibson solid-body - and the 1951 arched maple top sharp cutaway models. It's all here: the factory pictures the designers the electronics. The stories of the variousGoldtops Seth Lover's Humbucking pickups the Custom Fretless Wonder and the heralded '50s Sunburst Standard are told by the insiders and players. Lawrence lovingly describes each model detailing its physical beauty workmanship construction and special musical qualities. You'll read Les Paul in his own words as well as Michael Bloomfield and Jeff Beck talking about their Les Paul Sunbursts. You'll listen in on the thoughts of veteran Gibson President Ted McCarty company historian Julius Bellson and electronic designer Walt Fuller. Through these insights and recollections you'll see how this popular man and his admirers have created the Les Paul Legacy.
32.50 GBP - vendu par Musicroom GB Délais: En Stock | |
|
|
| Music Theory -- The Essential Guide Théorie de la musique Faber Music Limited
Composed by Julia Winterson with Paul Harris. Book; Reference Textbooks; Textboo...(+)
Composed by Julia
Winterson with Paul
Harris. Book; Reference
Textbooks; Textbook -
General; Theory. Faber
Edition. Published by
Faber Music
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The composer,
like his father, uses
rhythm in exciting new
ways to deliver Negro
Spirituals to
contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem:Â This
refers to the infant
Jesus. Two for Paul and
Silas:Â This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door:Â Many people
interpret the four to be
the four writers of the
Gospel books – Matthew,
Mark, Luke and
John, though this does
not explain the part
about standing at the
door. Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for
the seven that went up to
heaven: The seven in
heaven could be
the seven stars in Ursa
Major or the sevenfold
spirit of God or theÂ
seven early ChristianÂ
churches or the seven
 stars in the
right hand of ChristÂ
mentioned in the Revel
ation. Eight for the
eight that stood at the
gate: This could refer to
the eight people who
entered Noah’s ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The composer,
like his father, uses
rhythm in exciting new
ways to deliver Negro
Spirituals to
contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem:Â This
refers to the infant
Jesus. Two for Paul and
Silas:Â This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door:Â Many people
interpret the four to be
the four writers of the
Gospel books – Matthew,
Mark, Luke and
John, though this does
not explain the part
about standing at the
door. Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for
the seven that went up to
heaven: The seven in
heaven could be
the seven stars in Ursa
Major or the sevenfold
spirit of God or theÂ
seven early ChristianÂ
churches or the seven
 stars in the
right hand of ChristÂ
mentioned in the Revel
ation. Eight for the
eight that stood at the
gate: This could refer to
the eight people who
entered Noah’s ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar,
Percussion, Piano, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The composer,
like his father, uses
rhythm in exciting new
ways to deliver Negro
Spirituals to
contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem:Â This
refers to the infant
Jesus. Two for Paul and
Silas:Â This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door:Â Many people
interpret the four to be
the four writers of the
Gospel books – Matthew,
Mark, Luke and
John, though this does
not explain the part
about standing at the
door. Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for
the seven that went up to
heaven: The seven in
heaven could be
the seven stars in Ursa
Major or the sevenfold
spirit of God or theÂ
seven early ChristianÂ
churches or the seven
 stars in the
right hand of ChristÂ
mentioned in the Revel
ation. Eight for the
eight that stood at the
gate: This could refer to
the eight people who
entered Noah’s ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|
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