La bande originale de la smash frappé film du premier roman de Helen Fielding, le journal de Bridget Jones. Initialement conçu comme une chronique hebdomadaire dans The Independent dimanche, c'est pour tenir compte de la vie urbaine de Londres et d'appel aux jeunes femmes professionnelles. / Piano/Vocal/Guitare (PVG)
SKU: MN.56-0052
UPC: 688670220555. English, Latin.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement is a nicely accompanied, homophonic choral setting of the English text by John Henry Newman (1833). Anthem-like and entirely self-sufficient, it is ideal to perform separately apart from the entire work. Duration 2:14.
SKU: GI.G-007269
UPC: 641151072692.
SKU: MN.56-0058
UPC: 688670220616. Latin.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This final movement of the Requiem is set for SATB chorus and two or three soloists. Lilting triads begin the movement. The “Lux Aeterna” is set for soloists with choir accompaniment. There is a restatement of “Lead, Kindly Light” from movement 4, transformed a bit, for soloist with choir accompanying, then the choir sings this material in unison in a powerful, climactic passage. “Requiem aeternum” from the first movement is heard again here with a gently pulsing accompaniment, and the work ends quietly “Luceat eis.” Duration 8:59.
