Klezmer Tunes for Clarinet

SKU: HL.49047323

UPC: 196288201403.

Rousi ng klezmer pieces newly composed! Inspired by old klezmer melodies, Joachim Johow has written 16 new tunes, reenacting scenes from life in a Jewish town, such as 'Am Morgen in der Gasse' [On the Street in the Morning], 'Auf dem Jahrmarkt' [At the Fair], 'Schlittenfahrt' [Sleigh Ride], 'Tanz der Grosseltern' [Dance of the Grandparents], 'Am Abend' [In the Evening]. Originally written for recorder, the pieces have now been arranged for the clarinet. With notated piano accompaniment and additional harmonic symbols as well as an additional bass part (for download) which allow for a variety of instrumentations. The audio MP3 pack contains both full and playback versions.

SKU: OT.43021

UPC: 681585124024.

Sheet music Klezmer Tunes - OT.23052.

SKU: OT.27052

ISBN 9789655050141.

Dani el Galay's popular Klezmer Tunes arranged for violin or clarinet solo and string orchestra. Can be performed with a smaller ensemble, and with more than one soloist. Recommended for school and community orchestras. Gr. 4.

SKU: AP.1-ADV8105

UPC: 805095081053. English.

These 20 pieces are not only written in modern styles---Latin, tango, Klezmer, reggae, blues, rock, bossa, swing, salsa---but also the traditional folk styles of such countries as Ireland, Hungary, Italy and others. A pronounced articulation emphasizes the most important elements, giving the pieces a stylistically congruent feeling.

Titles: Stormy Blues * Latin Moon * Klezmer's Tune * Reggae Afternoon * Hungarian Fire * Woodstock Beat * Sales and Jam * One Man Big Band * My Little Chico * Sunset Bossa * Spanish Romantic * Italian Morning * In the Motion * Blusy Jamble * French Silk * Swinggerido * Aquarelle * Quasi Modo Polka * Irish Flying Legs * Swing Joker.

SKU: FH.WC6

ISBN 978-1-55440-582-4.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
A Canticle for Ryan, op. 127 - Michael Conway Baker
Canzonetta in E flat Major, op. 19 - Gabriel Pierne
Clarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly Hajdu
Grande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier Gleichauf
Concertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille Rose
Lyrical Repertoire:
Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl Baermann
Sonatina for Clarinet: Second Movement - Joseph Horovitz
Sonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-Saens
Clair matin (Idylle pour clarinette et piano) - Paul Jeanjean
Concertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond Meylan
Lied - Luciano Berio
Bee Navigation - Libby Larsen.

SKU: FH.WC5

ISBN 978-1-55440-581-7.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Concerto in B flat Major: Third Movement - Johann Stamitz, arr. Helmut May
Cantilene, op. 64 - Paul-Agricole Genin
Clarinet on the Town - Ralph Hermann
Clarinet Concerto No. 3: First Movement - Johann Melchior Molter, arr. Pamela Weston
Sonate: Second Movement - Paul Hindemith
Summer Fancy - William O. Smith
Lyrical Repertoire:
Sonata, op. 120, no. 1: Fourth Movement - Johannes Brahms
Tableau, from Le Cid - Jules Massenet
Fantasy Pieces, op. 43: First Movement - Niels W. Gade
Fantasy Pieces, op. 43: Second Movement - Niels W. Gade
Fantasiestuecke, op. 73, no. 1 - Robert Schumann
Concerto No. 2 in F Minor, op. 5: Second Movement - Bernhard Crusell, arr. Pamela Weston
Clarinet Quintet in E flat Major, op. 23: Second Movement - Heinrich Baermann, arr. Arthur H. Christmann
Concerto No. 1 in C Minor, op. 26: Second Movement - Louis Spohr, arr. Arthur H. Christmann.

SKU: FH.WC1

ISBN 978-1-55440-577-0.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Branch Line - Colin Cowles
Space-age Sonatina - Paul Harris
Skip - Errollyn Wallen
Peacherine Rag - Scott Joplin, arr. Forrest Kinney
Hornpipe - Henry Purcell, arr. Christine Donkin
Gavotte, HWV 491 - George Frideric Handel, arr. Christine Donkin
Ghoulish - Paul Harris
Major-General's Song - Arthur Sullivan, arr. Martin van de Ven
Lyrical Repertoire:
All the Pretty Little Horses - American lullaby, arr. Jason Gray
Swanee River - Stephen Foster, arr. Christopher Norton
Che faro senza Euridice? (What Shall I Do Without Euridice?) from Orfeo ed Euridice - Christoph Willibald Gluck, arr. Jason Noble
Sentimental Serenade - Alan Bullard
Entr'acte, from Carmen - Georges Bizet, arr. Christine Donkin
The Wish - Mr. Tuke, arr. Paul Harris
Largo, from The Four Seasons - Antonio Vivaldi, arr. Jason Gray
Hava Nagila - Israeli folk song, arr. Martin van de Ven and Forrest Kinney
Minuet, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason Gray.

SKU: FH.WC0

ISBN 978-1-55440-576-3.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Gigue - Georg Philipp Telemann, arr. Jason Noble
Bouree anglaise - George Frideric Handel, arr. Stephen Chatman
Computer Game - Paul Harris
Wolsey's Wilde - William Byrd, arr. Jason Noble
Mairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine Donkin
Polka-dot Rag - Jazz standard, arr. Paul Harris
The King's March, T 432 - Jeremiah Clarke, arr. Jason Noble
Lyrical Repertoire:
Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason Noble
The Huron Carol - 16th-century French, arr. Martin van de Ven
Air, from The Double Dealer - Henry Purcell, arr. James Rae
Reverie - Claude Debussy, arr. Jason Noble
Ode to Newfoundland - Hubert Parry, arr. Christine Donkin
Londonderry Air - Irish folk song, arr. Harold Birston
Tumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin.

SKU: BT.AMP-124-030

9x12 inches. English-German-French-Dut ch.

Klezmer music originated in the ‘shtetl’ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorim’, had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the ‘badkhn’ (the master of ceremony at weddings), to the ‘Purimshpil’ (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrastingtraditional tunes to form a suite that will bring a true karnival atmosphere to any concert.

De wortels van de klezmerstijl liggen in wereldlijke melodieën, populaire dansen, het joodse ‘hazanut’ (cantorijmuziek) en de ‘nigunim’, de melodieën die worden gereciteerd door de ‘hasidim’ (orthodoxe joden). De term werd in de loopder tijden synoniem aan instrumentale muziek, waarin met name de viool en klarinet de hoofdrol spelen. Voor A Klezmer Karnival zijn drie traditionele melodieën gebruikt: Choson kale mazel tov, een bruiloftsdans,Freylekh , een joodse kringdans, en Sherele, een Duitse herdersdans.

Phili p Sparke verarbeitete in seinem neuen Werk drei unterschiedliche traditionelle Klezmermelodien: einen Hochzeitstanz mit Glückwünschen für Braut und Bräutigam, einen Rundtanz und einen so genannten Scherentanz. Daraus entstand A Klezmer Karnival, das die dem Klezmer eigene Mischung aus Fröhlichkeit und Melancholie ausgezeichnet wiedergibt. Ein ebenso abwechslungsreiches wie stimmungsvolles Konzertwerk, mit dem Ihre Brass Band überzeugen wird!

Jouée depuis le Moyen ge par des musiciens juifs itinérants (klezmorim), la musique klezmer est une musique joyeuse colportée de fête en mariage, qui trouve ses origines dans les “shtetl” (villages) et les ghettos d’Europe de l’Est. A Klezmer Karnival (“Festival klezmer”) de Philip Sparke rassemble trois airs traditionnels : Choson Kale Mazel Tov - une danse nuptiale, Freylekh - une danse juive en cercle et Sherele - littéralement « petits ciseaux » - une danse de bergers, d’origine allemande.

Suonata a partire dal Medioevo da giovani musicisti ebrei (klezmorim), la musica klezmer è una musica gioiosa che ha origine nei villaggi (“shtetl”) e nei ghetti dell’Europa dell’est. A Klezmer Karnival di Philip Sparke raccoglie tre arie tradizionali: Choson Kale Mazel Tov, una danza nuziale, Freylekh, una tipica danza ebraica in cerchio e Sherele (letteralmente piccole forbici), una danza di pastori di origine tedesca.

SKU: BT.AMP-124-130

9x12 inches. English-German-French-Dut ch.

Klezmer music originated in the ‘shtetl’ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorim’, had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the ‘badkhn’ (the master of ceremony at weddings), to the ‘Purimshpil’ (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrastingtraditional tunes to form a suite that will bring a true karnival atmosphere to any concert.

De wortels van de klezmerstijl liggen in wereldlijke melodieën, populaire dansen, het joodse ‘hazanut’ (cantorijmuziek) en de ‘nigunim’, de melodieën die worden gereciteerd door de ‘hasidim’ (orthodoxe joden). De term werd in de loopder tijden synoniem aan instrumentale muziek, waarin met name de viool en klarinet de hoofdrol spelen. Voor A Klezmer Karnival zijn drie traditionele melodieën gebruikt: Choson kale mazel tov, een bruiloftsdans,Freylekh , een joodse kringdans, en Sherele, een Duitse herdersdans.

Phili p Sparke verarbeitete in seinem neuen Werk drei unterschiedliche traditionelle Klezmermelodien: einen Hochzeitstanz mit Glückwünschen für Braut und Bräutigam, einen Rundtanz und einen so genannten Scherentanz. Daraus entstand A Klezmer Karnival, das die dem Klezmer eigene Mischung aus Fröhlichkeit und Melancholie ausgezeichnet wiedergibt. Ein ebenso abwechslungsreiches wie stimmungsvolles Konzertwerk, mit dem Ihre Brass Band überzeugen wird!

Jouée depuis le Moyen ge par des musiciens juifs itinérants (klezmorim), la musique klezmer est une musique joyeuse colportée de fête en mariage, qui trouve ses origines dans les “shtetl” (villages) et les ghettos d’Europe de l’Est. A Klezmer Karnival (“Festival klezmer”) de Philip Sparke rassemble trois airs traditionnels : Choson Kale Mazel Tov - une danse nuptiale, Freylekh - une danse juive en cercle et Sherele - littéralement « petits ciseaux » - une danse de bergers, d’origine allemande.

Suonata a partire dal Medioevo da giovani musicisti ebrei (klezmorim), la musica klezmer è una musica gioiosa che ha origine nei villaggi (“shtetl”) e nei ghetti dell’Europa dell’est. A Klezmer Karnival di Philip Sparke raccoglie tre arie tradizionali: Choson Kale Mazel Tov, una danza nuziale, Freylekh, una tipica danza ebraica in cerchio e Sherele (letteralmente piccole forbici), una danza di pastori di origine tedesca.

SKU: BT.AMP-124-120

9x12 inches. English-German-French-Dut ch.

Klezmer music originated in the ‘shtetl’ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorim’, had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the ‘badkhn’ (the master of ceremony at weddings), to the ‘Purimshpil’ (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrasting traditionaltunes to form a suite that will bring a true karnival atmosphere to any concert.

De wortels van de klezmerstijl liggen in wereldlijke melodieën, populaire dansen, het joodse ‘hazanut’ (cantorijmuziek) en de ‘nigunim’, de melodieën die worden gereciteerd door de ‘hasidim’ (orthodoxe joden). De term werd in de loopder tijden synoniem aan instrumentale muziek, waarin met name de viool en klarinet de hoofdrol spelen. Voor A Klezmer Karnival zijn drie traditionele melodieën gebruikt: Choson kale mazel tov, een bruiloftsdans,Freylekh , een joodse kringdans, en Sherele, een Duitse herdersdans.

Phili p Sparke verarbeitete in seinem Werk drei unterschiedliche traditionelle Klezmermelodien: einen Hochzeitstanz mit Glückwünschen für Braut und Bräutigam, einen Rundtanz und einen so genannten Scherentanz. Daraus entstand A Klezmer Karnival, das die dem Klezmer eigene Mischung aus Fröhlichkeit und Melancholie ausgezeichnet wiedergibt. Ein ebenso abwechslungsreiches wie stimmungsvolles Konzertwerk, mit dem Ihr Blasorchester überzeugen wird!

Jouée depuis le Moyen ge par des musiciens juifs itinérants (klezmorim), la musique klezmer est une musique joyeuse colportée de fête en mariage, qui trouve ses origines dans les “shtetl” (villages) et les ghettos d’Europe de l’Est. A Klezmer Karnival (“Festival klezmer”) de Philip Sparke rassemble trois airs traditionnels : Choson Kale Mazel Tov - une danse nuptiale, Freylekh - une danse juive en cercle et Sherele - littéralement « petits ciseaux » - une danse de bergers, d’origine allemande.

Suonata a partire dal Medioevo da giovani musicisti ebrei (klezmorim), la musica klezmer è una musica gioiosa che ha origine nei villaggi (“shtetl”) e nei ghetti dell’Europa dell’est. A Klezmer Karnival di Philip Sparke raccoglie tre arie tradizionali: Choson Kale Mazel Tov, una danza nuziale, Freylekh, una tipica danza ebraica in cerchio e Sherele (letteralmente piccole forbici), una danza di pastori di origine tedesca.

SKU: BT.AMP-124-020

9x12 inches. English-German-French-Dut ch.

Klezmer music originated in the ‘shtetl’ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorim’, had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the ‘badkhn’ (the master of ceremony at weddings), to the ‘Purimshpil’ (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrasting traditionaltunes to form a suite that will bring a true karnival atmosphere to any concert.

De wortels van de klezmerstijl liggen in wereldlijke melodieën, populaire dansen, het joodse ‘hazanut’ (cantorijmuziek) en de ‘nigunim’, de melodieën die worden gereciteerd door de ‘hasidim’ (orthodoxe joden). De term werd in de loopder tijden synoniem aan instrumentale muziek, waarin met name de viool en klarinet de hoofdrol spelen. Voor A Klezmer Karnival zijn drie traditionele melodieën gebruikt: Choson kale mazel tov, een bruiloftsdans,Freylekh , een joodse kringdans, en Sherele, een Duitse herdersdans.

Phili p Sparke verarbeitete in seinem Werk drei unterschiedliche traditionelle Klezmermelodien: einen Hochzeitstanz mit Glückwünschen für Braut und Bräutigam, einen Rundtanz und einen so genannten Scherentanz. Daraus entstand A Klezmer Karnival, das die dem Klezmer eigene Mischung aus Fröhlichkeit und Melancholie ausgezeichnet wiedergibt. Ein ebenso abwechslungsreiches wie stimmungsvolles Konzertwerk, mit dem Ihr Blasorchester überzeugen wird!

Jouée depuis le Moyen ge par des musiciens juifs itinérants (klezmorim), la musique klezmer est une musique joyeuse colportée de fête en mariage, qui trouve ses origines dans les “shtetl” (villages) et les ghettos d’Europe de l’Est. A Klezmer Karnival (“Festival klezmer”) de Philip Sparke rassemble trois airs traditionnels : Choson Kale Mazel Tov - une danse nuptiale, Freylekh - une danse juive en cercle et Sherele - littéralement « petits ciseaux » - une danse de bergers, d’origine allemande.

Suonata a partire dal Medioevo da giovani musicisti ebrei (klezmorim), la musica klezmer è una musica gioiosa che ha origine nei villaggi (“shtetl”) e nei ghetti dell’Europa dell’est. A Klezmer Karnival di Philip Sparke raccoglie tre arie tradizionali: Choson Kale Mazel Tov, una danza nuziale, Freylekh, una tipica danza ebraica in cerchio e Sherele (letteralmente piccole forbici), una danza di pastori di origine tedesca.