| Johannes Brahms: A First
Book of Brahms: Piano:
Instrumental Album Piano seul - Facile Dover Publications
26 Arrangements for the Beginning Pianist-Suitable for beginning pianists of all...(+)
26 Arrangements for the Beginning Pianist-Suitable for beginning pianists of all ages this volume features 26 simplified versions of longer pieces by the great Johannes Brahms in order of increasing difficulty.Selections include the famous 'Lullaby' as well as the theme from 'Academic Festival Overture' and 'Hungarian Dance No.5'. Additional melodies include themes from the composer's quintet and concertos for Piano 'Variations on a theme by Haydn ' and other pieces.
8.10 GBP - vendu par Musicroom GB | |
| Johannes Brahms: Piano
Concertos Nos. 1 And 2 In
Full Score: Piano: Score Piano et Orchestre [Conducteur] Dover Publications
Brahms wrote only two concerti in his lifetime each one an important staple of ...(+)
Brahms wrote only two concerti in his lifetime each one an important staple of the concert repertoire. These masterpieces are featured here in full score in one convenient affordable volume. Pianists conductors music students and scholars will find this edition ideal for study and performance purposes.
18.30 GBP - vendu par Musicroom GB Délais: En Stock | |
| Cadenzas to Piano
Concertos (SCHUMANN
CLARA) Piano seul [Partition] Peters
by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Sch...(+)
by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Schumann?s cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann?s early cadenzas for Mozart?s D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC. / Date parution : 2023-06-01/ Recueil / Piano
17.88 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Johannes Brahms: Piano
Concertos Nos 1 And 2:
Piano Duet: Score Dover Publications
Ambitious in scale highly original in both content and design these popular wo...(+)
Ambitious in scale highly original in both content and design these popular works exhibit Brahms’ mastery of the concerto and his role as heir to the classical tradition of Mozart and Beethoven. Both works are marked by drama elegance rich orchestral textures and virtuoso writing for the soloist. Concerto No.1 in D Minor Op. 15 is a mighty work featuring a theatrically powerful first movement a tranquil adagio and a spirited finale. Concerto No.2 in B-flat Op. 83 is a majestic piece that includes a notable departure from the classical tradition: the addition of a scherzo between the opening movement and the andante. Both worksappear here in authoritative two-Piano editions featuring the solo part together with an orchestral reduction for second Piano the standard format for learning and practice. In addition this volume offers pianists the convenience and economy of two major concertos in a single edition.
13.95 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site | |
| Les 10 plus Célèbres
Concertos pour Piano :
Partitions + CD Piano seul [Partition + CD] - Intermédiaire Schott
Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, ta...(+)
Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, tant au niveau des partitions qu'au niveau des enregistrements. / Classique / Partition CD / Broché / Schumann, Robert / Beethoven, Ludwig Van / Brahms, Johannes / Grieg, Edvard / Mozart, Wolfgang Amadeus / Tchaïkovski, Piotr Illitch / Beethoven, Ludwig Van / Chopin, Frédéric / Liszt, Franz :
98.00 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
| Johannes Brahms - Piano
Concertos Nos. 1 And 2 In
Full Score - Orchestra Orchestre [Partition] Dover Publications
Description Brahms wrote only two concerti in his lifetime, each one an impor...(+)
Description Brahms wrote only two concerti in his lifetime, each one an important staple of the concert repertoire. These masterpieces are featured here in full score in one convenient, affordable volume. Pianists, conductors, music students, and scholars will find this edition ideal for study and performance purposes.
22.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| Johannes Brahms: Piano
Concertos Nos 1 And 2:
Piano: Instrumental Album Piano seul Dover Publications 16.20 GBP - vendu par Musicroom GB | |
| 6 Sonates En Trio Pour
Orgue (BACH JOHANN
SEBASTIAN) En Français Alto, Piano [Partition] Delrieu
Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeo...(+)
Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeon et Antoine Joly
On ne saurait affirmer que le répertoire original de concert de l'alto, en tant qu'instrument soliste, soit richement pourvu en chefs-d'oeuvre. Au mieux, et encore si on inclut les sonates de Brahms, elles-mêmes transcrites de la clarinette, deux programmes de récital et on a fait le tour de la question.
Avec le présent recueil, nous n'avons d'autre ambition que de contribuer à élargir cet éventail.
Les six sonates - dites en trio - pour orgue de Johann Sebastian Bach, figurent parmi les oeuvres les plus rigoureuses du compositeur. A l'inverse d'autres compositions pour orgue de Bach, ses grandes Fantaisies et Toccatas, dans lesquelles abondent de luxuriantes formules virtuoses de nature indubitablement instrumentale, les sonates relèvent d'une stricte écriture à trois voix, sans que jamais le moindre ajout harmonique, la moindre tentation exhibitionniste, viennent troubler leur parfaite pureté polyphonique.
Il nous est apparu que leur facture fondamentalement a-instrumentale était telle que ces sonates se prêtaient sans doute mieux que toutes autres à la transcription. De surcroît, il était clair qu'il existait une évidente adéquation entre leur écriture et celle destinée à un instrument à archet, et que la vocalité intensément expressive de leurs mouvements lents, comme la sobre alacrité de leurs mouvements rapides, conviendraient à merveille aux couleurs sonores très spécifiques de l'alto.
Restait à faire en sorte que la transcription pour cet instrument crée l'illusion qu'elles avaient été originellement conçues pour lui.
A cet égard, deux types de problèmes étaient à résoudre.
Le choix des tonalités. Bach lui-même, lorsqu'il adaptait pour le clavier ses concertos originellement écrits pour le violon, recourait toujours à un changement de tonalité, en transposant systématiquement ces oeuvres d'un ton vers le bas. Passer du clavier de l'orgue à l'alto requérait de procéder à un traitement analogue, pour faire en sorte que l'instrument à cordes soit exposé dans le registre qui lui serait le plus favorable, tout en tenant compte de ses propres limites. Dans notre recherche des tonalités les mieux adaptées à chacune des sonates, nous avons été guidés par le souci de contourner deux écueils celui qui contraindrait l'alto à jouer dans un registre trop aigu, où sa sonorité a tendance à se faire claironnante - et à éviter parallèlement de l'emmener trop souvent vers son registre grave, magnifique pour les notes tenues et chantantes, mais qui sied mal aux notes rapides, telles que les doubles croches, dont les Allegros de Bach font une allègre consommation. Du fait de l'épaisseur des cordes graves de l'alto, leur émission y est quelque peu confuse, et elles y prennent presque inévitablement une sonorité pelucheuse qui rend l'équilibre acoustique de la souveraine polyphonie de Bach peu perceptible. C'est ainsi qu'après bien des essais et tâtonnements, nous sommes arrêtés aux transpositions suivantes: de Mi bémol majeur à Sol majeur pour la 1e sonate, d'Ut mineur à Sol mineur pour la 2e, de Mi mineur à Ré mineur pour la 3e, et ainsi de suite. Dans l'édition, nous indiquons à chaque fois la tonalité d'origine.
Pour finaliser nos choix, nous avons d'ailleurs dû jouer avec un paramètre supplémentaire, car il va sans dire qu'une fois décidée la tonalité d'ensemble de telle ou telle sonate, nous nous sommes fixé pour règle de respecter les relations de tonalité adoptées par Bach entre les mouvements rapides et lents de ses oeuvres.
La distribution des voix entre les deux instruments. Bach ayant naturellement réparti les deux voix de 'dessus' et la voix de basse de ses sonates entre les deux mains et le pédalier de l'organiste, la solution qui apparaissait à première vue s'imposer pour notre transcription, consistait à attribuer la voix supérieure à l'alto, tandis que les deux mains de l'instrument à clavier se chargeraient de la voix médiane et de la basse. Et de fait, c'est ainsi que nous procédâmes pour l'essentiel. Néanmoins, en de nombreuses occasions, nous avons jugé bon de faire exception à ce principe trop simple. Deux types de raisons nous ont ainsi conduits à recourir ici ou là à une redistribution des parties d'un instrument à l'autre. Le souci là encore de ne jamais placer l'alto dans une tessiture extrême, et surtout d'éviter d'aboutir à une confusion des entrées et des réponses fuguées. Ce faisant, nous croyons être parvenus par la même occasion à créer des échanges d'une grande vitalité entre les deux instruments.
En publiant ici le résultat du travail prodigieusement stimulant qui fut le nôtre - accompagné de propositions de coups d'archet soigneusement étudiées (mais évidemment révisables selon les choix interprétatifs de chacun), destinées à en rendre clairs le phrasé, l'expression et la facture - nous avons la conviction de pourvoir à l'enrichissement du répertoire des altistes sous la forme de six chefs-d'oeuvre de tout premier ordre, sans que la transcription les ait d'aucune manière dénaturés. Nous sommes également persuadés que le soi-disant 'parent pauvre' de la famille des cordes ne le cédera en rien au 'roi des instruments' dans l'expression du sublime lyrisme constamment présent dans ces oeuvres de Johann Sebastian Bach. / classique / Répertoire / Alto et Piano
40.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Johannes Brahms:
Doppelkonzert A-Moll Op.
102: Violin & Cello:
Miniature Score Violine, Violoncello und Orchester [Conducteur d'étude / Miniature] G. Henle
Entre 1859 et 1885 avec ses quatre symphonies ses deux concertos pour piano u...(+)
Entre 1859 et 1885 avec ses quatre symphonies ses deux concertos pour piano un concerto pour violon des danses des variations et des ouvertures Brahms était devenu le représentant incontournable de la grande musique orchestrale. En 1887 il choisit d?écrire son double concerto en la mineur op. 102 pour le violon et le violoncelle car il disposait pour ces instruments de solistes de premier plan: après la création de la deuxième sonate pour violoncelle de Brahms le violoncelliste Robert Hausmann lui avait demandé une pièce de concert quant au fameux violoniste Joseph Joachim il entretenait avec Brahms des liens d?amitié et avait notamment créé son concerto pourviolon. Après la tonalité sombre de la quatrième symphonie ce concerto apparaît comme particulièrement optimiste et réconciliateur. Également paru dans le cadre de la nouvelle édition complète des ?uvres de Brahms il est proposé ici sous la forme très maniable de partition d?étude.
16.25 GBP - vendu par Musicroom GB | |
|
|
| Johannes Brahms: Complete Piano Works Volume III Piano seul IMC (International Music Co.)
| | |
| Piano Works Without Opus Number Piano seul G. Henle
By Johannes Brahms. (Piano). This edition: HN6009. Henle Complete Edition. Hard...(+)
By Johannes Brahms.
(Piano). This edition:
HN6009. Henle Complete
Edition. Hardcover. 262
pages. Published by G.
Henle.
$320.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Concertos Nos. 1 and 2 in Full Score Piano seul Dover Publications
Composed by Johannes Brahms (1833-1897). For Piano. Dover Edition. 208 pages. Pu...(+)
Composed by Johannes
Brahms (1833-1897). For
Piano. Dover Edition. 208
pages. Published by Dover
Publications
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Piano and Orchestra in B Flat Major, Op. 83 Piano seul EMB (Editio Musica Budapest)
Concertos (Study Score) SKU: HL.50510062 Score. By Garbor Darvas. ...(+)
Concertos (Study Score)
SKU: HL.50510062
Score. By Garbor
Darvas. By Johannes
Brahms. Arranged by
Gá and bor Darvas.
Romantic. EMB. Solo &
Concerto. Pocket score.
Op. 83. 144 pages. Editio
Musica Budapest #Z40083.
Published by Editio
Musica Budapest
(HL.50510062). ISBN
9790080400838. UPC:
073999479829.
5.5x8.0x0.353 inches.
Johannes Brahms; Gabor
Darvas. The first
drafts of the piano
concerto in B flat major
were already made in the
spring of 1878 but the
detailed elaboration of
the composition followed
only three years later.
Its first public
performance took place in
Budapest on November 9th,
1881 in a concert of the
Philharmonic Society. The
orchestra was conducted
by Sandor Erkel, the
piano part was played by
the composer. $12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Works, Volume III (2 Concertos, Paganini Variations and Waltzes) Piano seul [Partition] Kalmus
2 Concertos, Paganini Variations and Waltzes. Composed by Johannes Brahms (1833-...(+)
2 Concertos, Paganini
Variations and Waltzes.
Composed by Johannes
Brahms (1833-1897).
Edited by E. V. Sauer.
Masterworks; Piano
Collection. Kalmus
Edition. Form: Concerto;
Variations; Waltz.
Masterwork; Romantic.
Book. 248 pages. Kalmus
Classic Edition
#00-K03256. Published by
Kalmus Classic Edition
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-27
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27). ISBN
9790004300732. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-15
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo: pno - 2.2.2.2 -
4.2.0.0 - timp - str.
Solo concerto; Romantic.
Part. 8 pages. Duration
43'. Breitkopf and
Haertel #OB 3210-15.
Published by Breitkopf
and Haertel
(BR.OB-3210-15). ISBN
9790004300695. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-23
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-23. Published by
Breitkopf and Haertel
(BR.OB-3210-23). ISBN
9790004300725. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-19
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
12 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-19. Published by
Breitkopf and Haertel
(BR.OB-3210-19). ISBN
9790004300718. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-30
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Set
of parts. 90 pages.
Duration 43'. Breitkopf
and Haertel #OB 3210-30.
Published by Breitkopf
and Haertel
(BR.OB-3210-30). ISBN
9790004300749. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $92.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-16
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16). ISBN
9790004300701. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Beethoven & Brahms: Complete String Quartets CD Sheet Music
SKU: SU.00220509 Composed by Johannes Brahms and Ludwig van Beethoven. Ke...(+)
SKU: SU.00220509
Composed by Johannes
Brahms and Ludwig van
Beethoven. Keyboard,
Piano/Harpsichord. CD
(PDF Scores). CD Sheet
Music #00220509.
Published by CD Sheet
Music (SU.00220509).
This CD Sheet
Musicâ„¢ collection
brings together the
wealth of Johannes
Brahms's music for one
and two pianos. Includes:
Ballades, Capriccios,
Hungarian Dances,
Intermezzos, Rhapsodies,
Fantasies, Concertos,
Sontatas, Variations,
Waltzes, Liebeslieder
Waltzes, transcriptions,
cadenzas, and more Also
includes composer
biographies and relevant
articles from the 1911
edition of Grove’s
Dictionary of Music and
Musicians 1000+ pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Harp/Keyboard/Other CD Sheet Music
SKU: SU.00220113 Composed by Johannes Brahms. Harp, Harp with Other Instr...(+)
SKU: SU.00220113
Composed by Johannes
Brahms. Harp, Harp with
Other Instruments,
Keyboard,
Piano/Harpsichord,
Keyboard, Organ. The
Orchestra Musician's
CD-ROM Libraryâ„¢. CD
(PDF Scores). CD Sheet
Music #00220113.
Published by CD Sheet
Music (SU.00220113).
The complete
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts
[CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Violin CD Sheet Music
SKU: SU.00220107 Composed by Johannes Brahms. Strings, Violin. The Orches...(+)
SKU: SU.00220107
Composed by Johannes
Brahms. Strings, Violin.
The Orchestra Musician's
CD-ROM Libraryâ„¢. CD
(PDF Scores). CD Sheet
Music #00220107.
Published by CD Sheet
Music (SU.00220107).
The complete
Violin I & II parts
[CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Flute CD Sheet Music
SKU: SU.00220099 Composed by Johannes Brahms. Woodwinds, Flute/Piccolo. T...(+)
SKU: SU.00220099
Composed by Johannes
Brahms. Woodwinds,
Flute/Piccolo. The
Orchestra Musician's
CD-ROM Libraryâ„¢. CD
(PDF Scores). CD Sheet
Music #00220099.
Published by CD Sheet
Music (SU.00220099).
The complete
Flute and Piccolo
parts [CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Oboe CD Sheet Music
SKU: SU.00220100 Composed by Johannes Brahms. Woodwinds, Oboe/English Hor...(+)
SKU: SU.00220100
Composed by Johannes
Brahms. Woodwinds,
Oboe/English Horn. The
Orchestra Musician's
CD-ROM Libraryâ„¢. CD
(PDF Scores). CD Sheet
Music #00220100.
Published by CD Sheet
Music (SU.00220100).
The complete
Oboe and English Horn
parts [CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Clarinet CD Sheet Music
SKU: SU.00220101 Composed by Johannes Brahms. Woodwinds, Clarinet. The Or...(+)
SKU: SU.00220101
Composed by Johannes
Brahms. Woodwinds,
Clarinet. The Orchestra
Musician's CD-ROM
Libraryâ„¢. CD (PDF
Scores). CD Sheet Music
#00220101. Published by
CD Sheet Music
(SU.00220101).
The complete
Clarinet (including Eb
and Bass Clarinet)
parts [CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 3 Double Bass CD Sheet Music
SKU: SU.00220110 Composed by Johannes Brahms. Strings, Contrabass. The Or...(+)
SKU: SU.00220110
Composed by Johannes
Brahms. Strings,
Contrabass. The Orchestra
Musician's CD-ROM
Libraryâ„¢. CD (PDF
Scores). CD Sheet Music
#00220110. Published by
CD Sheet Music
(SU.00220110).
The complete
Double Bass parts
[CD-ROM] for the 74
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 3:
Brahms, Schumann and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BRAHMS 4 Symphonies, 4
Concertos, 18 Hungarian
Dances, 2 Serenades,
Overtures, Variations on
a Theme by Haydn, German
Requiem, more (36 works);
LALO Symphonie Espagnole;
LISZT Faust and Dante
Symphonies, Les
Préludes, 3 Piano
Concertos, Hungarian
Rhapsodies, Mephisto
Waltzes 15 works);
OFFENBACH Orpheus in the
Underworld Overture;
SARASATE Carmen Fantasy;
SCHUMANN 4 Symphonies, 2
Concertos, 3 Overtures;
CHABRIER España; CHOPIN
2 Piano Concertos; FRANCK
Symphony in D Minor,
Symphonic Variations,
Psyche; SUPPÉ Poet and
Peasant Overture, Light
Cavalry Overture. Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Works CD Sheet Music
Piano SKU: SU.00220622 For Piano. Composed by Johannes Brahms. Key...(+)
Piano SKU:
SU.00220622 For
Piano. Composed by
Johannes Brahms.
Keyboard,
Piano/Harpsichord. USB
(PDF Scores). CD Sheet
Music #00220622.
Published by CD Sheet
Music (SU.00220622).
This CD Sheet
Music collection on USB
Flash Drive brings
together the wealth of
Johannes Brahms's music
for one and two pianos.
Includes: Ballades,
Capriccios, Hungarian
Dances, Intermezzos,
Rhapsodies, Fantasies,
Concertos, Sontatas,
Variations, Waltzes,
Liebeslieder Waltzes,
transcriptions, cadenzas,
and more Also includes
composer biographies and
relevant articles from
the 1911 edition of
Grove's Dictionary of
Music and Musicians 1000+
pages Published by: CD
Sheet Music. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
|