Arranged For Fingerstyle Guitar-This collection pays tribute to Jelly Roll Morton the composer giving his melodies full respect rather than turning them into improvisational vehicles. The result is a fine exposition of the musical possibilities of solo fingerstyle guitar playing and a worthy tribute to Jelly Roll Morton one of the greatest musicians of the twentieth century.The thirteen solos presented in this collection cover a wide range of Mr. Jelly Lord's music chronologically and stylistically. They were arranged by the Swedish guitarist Lasse Johansson. Lasse displays ample proof of the viability of the transposing Morton's ideas to the guitar. Pieces like King Porter Stomp andGrandpa's Spells are good examples of Morton's expansion of the ragtime approach. Chicago Breakdown and especially Wild Man Blues were made famous by Louis Armstrong. And Dixie Knows has a folk quality the first section evoking Alabama Bound.This is an enhanced CD and ALL the tunes have been transcribed in tab/music in the 72 page PDF booklet that is on the CD
SKU: MB.31060M
ISBN 9781513468051. 8.75x11.75 inches.
As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade
SKU: MB.GW1075
5.75x4 inches.
This lesson is intended for advanced players looking for ways to voice chords and arrange tunes in ways that sound rich and complex but feel nimble under the hands. We?ll look mostly at arrangements I?ve made of blues and fiddle melodies, and also look at the playing of the remarkable Johnny St. Cyr.We begin our lesson with Ma Rainey?s Yonder Comes the Blues. This is followed by Jelly Roll Morton?s Jelly Roll Blues. Composed in 1915 and was one of the first published jazz compositions. Johnny St. Cyr was a famous New Orleans musician who played both guitar and the six-string banjo. He recorded with Louis Armstrongs Hot Five and Hot Seven bands. He also played with Jelly Roll Mortons Red Hot Peppers. His Guitar Blues is a tour-de-force and challenge for any fingerstyle guitarist. We finish our lesson with the Mineola Rag first recorded by the East Texas Serenaders. Titles include: Yonder Come The Blues, Jelly Roll Blues, Guitar Blues and Mineola Rag Detailed tab/music PDF file on the DVD. 96 minutes. DVD is region 0, playable worldwide.
SKU: MB.GW1074
5.75X4 inches.
This lesson is intended for players who are seeking a greater understanding of how to get beyond basic open chords, or first position, use the full fretboard. We will do so by understanding the concept of a movable shape. The tunes selected will slowly introduce you to a variety of shapes commonly used by the old-time masters to unlock the neck. In addition to learning these examples, I?ll talk about the logic that makes movable shapes work, empowering you to create your own uses for them. You will learn tunes that have become standards in the fingerstyle repertoire by Sam McGee, Big Bill Broonzy and Maybelle Carter. As well, I teach two arrangements I have put together of an old-time fiddle tune and a Jelly Roll Morton piano blues. Titles include: Angeline the Baker, Franklin Blues, Railroad Blues, Saturday Night Rub, Amos Johnson Rag, Victory Rag and Buddy Bolden?s Blues Detailed tab/music PDF file on the DVD. 112 minutes. DVD is region 0, playable worldwide.