Jazz Guitar Comping

Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Each chapterincludes melodic/harmonic examples with fretboard diagrams standard notation and tablature. Part 1 includes lessons on jazz lines with chapters on digital patterns guide tones and targeting. Part 2 presents thebasics of chord construction and voicing techniques. Triads seventh chords and chords with tensions/embellishments are covered including their inversions drop and quartal voicings. Part 3 presents comprehensive warm-upand technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter provides guitarists with tools for constructing their own technical exercises. Part 4 presents accompaniment patternsfor a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught with rhythmic notation and stringnumbers. Part 5 presents alternate changes and substitutions for the blues that can be easily transposed. (Chapters 3 4 and 5 also are presented in Rock Guitar Essentials: Gig Savers Complete Edition). Part 6includes lessons on common jazz chord substitutions. Topics include chord embellishment alteration degree substitution (iii for I vi for I ii for V) tritone substitution and many other tricks for spicing up chordprogressions. Part 7 covers jazz Guitar comping an essential role in accompaniment. A number of chord shapes and rhythms are taught in the style of Freddie Green bebop and more modern styles. Blues progressions and anetude are included for practicing your comping. Part 8 presents a wealth of information about playing over the last two measures of jazz tunes. The method breaks down the harmonic structures frequently found at the end of

Par WILKINS JACK. It is with great pleasure that we here at Mel Bay Publications, Inc. offer this project by guitar legend Jack Wilkins. Jack's skills as a session player, jazz player and all around guitar virtuoso have been honed by playing countless gigs and recording sessions. This book compiles many of Jack's lessons originally written for 'Just Jazz Guitar” magazine. Subjects including comping, harmonization, and single-note soloing in the jazz setting are covered in this text by one of the world's greatest…so practice hard. This material is tried and tested and will make you a better player. The difficulty is intermediate to advanced. / Niveau : Intermédiaire à Avancé / Jazz - Reference / Recueil / Guitare

Comping In The Freddie Green Style. Par CHRISTIANSEN COREY. Every jazz guitarist needs to be familiar with the accompaniment style of Freddie Green. Freddie Green was the guitarist for the Count Basie orchestra for decades and his sound and comping technique were defining aspects of this legendary group. Four-to-the-bar strumming, essential chord voicings and voice leading ideas are covered in this informative 58-minute DVD and accompanying chart. A must have for any aspiring rhythm guitarist. / Niveau : Intermédiaire / Jazz - Rhythm/Backup / Accessoire / Guitare

A Complete Approach To Playing Tunes-This comprehensive anthology offers a lead sheet chord solo arrangement comping etude and single-note solo for each of 22 jazz standards. These arrangements and etudes by some of the best arrangers and educators in the businessprovide jazz guitar students with material for development in every aspect of jazz musicianship. Tunes include: Satin Doll Just Friends Moonlight in Vermont and more. Written in standard notation and tablature.

One of the foremost personalities in the world of Jazz Guitar Larry Coryell has played against the best and here presents an insight into his distinctive and fluid approach.From bebop heroes Sonny Rollins and Charles Mingus to fusion superstars Chick Corea and John McLaughlin Coryell's guitar playing has graced the recordings of the hottest stars in Jazz making him a guitarist of huge reputation and respect. In this three-part DVD series Coryell analyses his own Jazz perspective providing an empirical method of solo and chord improvisation.Volume three includes:Sweep picking back picking hybrid-picking triplets and applying thesetechniquesBrazilian-orientated rhythm techniquesChords and basslines using just the fingersComping on Coltrane's Giant StepsHow to solo over Giant Steps using harmonic 'shortcuts' and unauthodox changesReharmonization of the melody and the 'blowing' changesReharmonization ideas as applied to Mingus's Goodbye Porkpie HatThe defining characteristics of advanced improvisation

Par BOLING MARK. Pianistes sont les principales sources d'inspiration pour de nouveaux développements dans la compilation de la guitare jazz. Pourtant les guitaristes ont été lents à développer un vocabulaire comping avec sophistication harmonique, voiceleading subtil et rythmique de la flexibilité au niveau des meilleurs pianistes contemporaines. Cet ouvrage vise à remédier à la situation en articulant un vocabulaire comping dans le contexte de six des airs plus souvent jouées dans le jazz : 12-bar blues, les changements de rythme, blues mineur, une mélodie modale et un couple de normes. Les comps sont écrites en notation et tablature et comprennent des rythmes avec mouvement avant, chords construits en quatrième intervalles voicings structure constante parallèle, polychords, barre oblique chords, etc.. Le focus est sur l'élaboration d'une approche contemporaine de la rythmique, phrasé, voicings chord, voiceleading, substitution de la corde et reharmonization. Un enregistrement de CD ainsi que de jouer de la guitare comps avec basse et batterie aide à obtenir les sons et les rythmes dans votre oreille. La théorie de la façon dont les concepts comping sont appliqués... / Niveau : Intermédiaire à Avancé / Jazz - Rhythm/Backup / Recueil / Guitare

Ce livre, par le guitariste de jazz renommé et professeur Jody Fisher, maintenant dans une édition standard notation seule, est idéal pour les guitaristes qui ont appris les rudiments de l'harmonie jazz et l'improvisation. Les sujets traités comprennent la progression ii-VI, lignes de solo, des formules d'accords altérés, et Comping dans diverses formations de jazz se sent, comme le latin, swing, ballade, et même funk. Poursuivant le format de partir Guitare Jazz, chaque nouveau concept est accompagné d'etudes et chansons pour la pratique, avec tous les chapitres clairement divisé en harmonie et leçons d'improvisation. Emballé avec des centaines de voix des accords et des idées d'improvisation, ce livre est un must pour tout étudiant sérieux de la guitare jazz. / Guitare