SKU: HL.48024013
ISBN 9781495090097. UPC: 888680671266. 11x14 inches.
Deep-Sky Objects is a cycle of love songs set in the distant future, exploring intergalactic longing and desire. It is scored for soprano, piano quintet, and pre-recorded electronic sounds. When the piano quintet was in its heyday, the subject that permeated so many of the great Romantic song cycles was that of longing and lost love. Deep-Sky Objects transfers this trope to the outer reaches of the universe In the cycle a woman sings of her lover who is far away in a remote planet in some unspecified star system. At moments she remembers a time when they were together, but mostly she longs for him and stoically imagines that his presence, even so remote, gives her hope:I can live in the worldWith your love becauseI know you existat the end of the black universeThe electronics part often references various “sounds from space,” from pulsars (which are routinely converted into audio signals by astronomers), the signals of made-made satellites, actual audio of the Huygens probe landing on Saturn's moon, Titan, as well as many sounds suggestive of the eerie, remote and unfathomable reaches of deep space. Each of the ten songs is preceded by a short sample, or incipit, which creates micro-compositions based on the title of each song. The text is written specifically for Deep-Sky Objects, by Sarah Manguso.–Sebastian Currier.
SKU: BT.1844-11-010-MS
9x12 inches. English-German-French-Dut ch.
Since 2007, British pop-singer sensation Adele has been winning one prize after another and has enjoyed unprecedented UK chart success. In December 2010, Rolling in the Deep finally propelled her into the charts of many European countries and the USA. Thanks to Stefan Schwalgin’s fantastic arrangement, you can surprise your audiences with a hit that is still riding high in the charts! Sinds 2007 sleept de jonge Britse zangeres Adele de ene na de andere prijs in de wacht. Ook stond ze al meerdere keren in de Britse hitlijsten. Met Rolling in the Deep lukte het haar ook om eind 2010, begin 2011 in verschillende andereEuropese landen en de VS de top tien te bereiken. Dankzij de bewerking voor blaasorkest van Stefan Schwalgin kunt u nu ook uw publiek verrassen met deze publiekslieveling!Seit 2007 gewinnt die junge britische Sängerin Adele einen Preis nach dem anderen und hatte in den britischen Charts schon etliche Hits. Mit Rolling in the Deep gelang es ihr Ende 2010/Anfang 2011, sich in mehren europäischen Ländern und den USA an die Spitze der Charts zu setzen. Dank Stefan Schwalgins Blasorchesterbearbeitung können Sie Ihr Publikum schon jetzt mit diesem aktuellen Hit überraschen! Depuis 2007, la chanteuse britannique Adele enchaîne les titres succès. Rolling in the Deep est une chanson d’un style bluesy, classée n°1 dans de nombreux pays d’Europe ainsi qu’aux États-Unis. Stefan Schwalgin a réalisé un superbe arrangement pour orchestre d’harmonie de ce single toujours classé, afin que vous puissiez charmer votre orchestre et votre public. Dal 2007 a oggi Adele, giovane cantante inglese, ha vinto numerosi premi e le sue canzoni sono tra le più vendute. Il suo Rolling in the Deep è arrivato in vetta alle classifiche in molti paesi europei e negli Stati Uniti. L’arrangiamento di Stefan Schwalgin vi consente di sorprendere il vostro pubblico con questo successo!
SKU: BT.1844-11-140-MS
SKU: BA.BA08772
ISBN 9790006502349. 30 x 23 cm inches. Language: German/English. Preface: Knecht, Edgar.
Edgar Knecht is a jazz pianist who has created his own unique style. His dbut CD, “Good Morning Lilofee” (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, “Dance On Deep Waters”, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as “Es freit der wilde Wassermann” or “Die Gedanken sind frei” gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.Th e AuthorEdgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues.Playlist:< br>www.youtube .com/playlist?list=PLh-AU h-Pv3D4lXqmq2cdu-ubVBDIfv xQJ
SKU: HL.35029297
UPC: 884088951801. 5.0x5.0x0.19 inches.
Chamber Orchestration CD-ROM: Written in a traditional style and inspired by the celebrated lessons and carols format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue * I Will Sing the Wondrous Story * The Story Begins * A Day of Rejoicing and Praise * Hosanna, Loud Hosanna * Banquet of Mercy * Into the Garden * When I Survey the Wondrous Cross * A Day Bright with Joy * I Know that My Redeemer Lives. Instrumentation: (1 Player per Part) Score and parts for flute, oboe clarinet, bassoon (sub. Bass clarinet), trumpet, percussion, harp, piano (play from vocal score), violin 1&2, viola, cello, double bass. Can work with woodwinds only or with strings only.
SKU: HL.35029301
UPC: 884088951856. 5x5 inches.
10-Pack Listening CDs: Written in a traditional style and inspired by the celebrated “lessons and carols” format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue • I Will Sing the Wondrous Story • The Story Begins • A Day of Rejoicing and Praise • Hosanna, Loud Hosanna • Banquet of Mercy • Into the Garden • When I Survey the Wondrous Cross • A Day Bright with Joy • I Know that My Redeemer Lives.
SKU: HL.44006367
ISBN 9789043101844. UPC: 884088084684. 9.0x12.0x0.158 inches. International (more than one language).
These arrangements for organ in the style of folk and spiritual music were created during the 19th century. They provide the occasional glimpse of the old African jumba dances and plantation songs. Each arrangement is a unique step on a voyage of discovery into the fascinting characteristis of this music. 16 arrangements of beloved spirituals, including: Morning Has Broken * Amazing Grace * Nobody Knows the Trouble I've Seen * Were You There? * Deep River * Lord, I Want to Be a Christian * Steal Away to Jesus * Let Us Break Bread Together * Go Tell It on the Mountain * Is There Anybody Here? * Swing Low, Sweet Chariot * Greensleeves.
SKU: GI.G-9749
UPC: 785147974901. English. Text by Sylvia Dunstan.
“How Deep the Silence of the Soul” appears as a two-stanza text, paired with KINGSFOLD (Common Meter Doubled), in Sylvia Dunstan’s collection In Search of Hope and Grace, G-3614. With this arrangement, Carol Browning splits the stanzas into four, setting them to LAND OF REST (Common Meter). Listen to the music and follow the score in this preview video.
SKU: HP.1576
UPC: 763628115760. Ephesians 3:18, 1 John 3:1, Hebrews 7:25, James 1:17, John 13:1, John 15:13, Malachi 3:6, Romans 11:33-36.
Tradition al tune The combined efforts of Christine Anderson and Anna Laura Page give us a fine solo based on the Ebenezer Tune of Thomas Williams.
SKU: GI.G-CD-605
Prayer and praise hymns have become an integral part of the sacred hymnody of the African American religious experience. Twenty years after the Emancipation, the children of the slaves found themselves living in the reality of separateness, and their religious practice turned increasingly inward. A unique body of hymnody grew out of that period, approximately 1885–1925. These are songs of Southern origin, of a rural people working the land. These songs are different from spirituals and Black meter music, yet show their influences. These songs are Bible-based, highly repetitive in accord with the nature of oral tradition, and of anonymous authorship. Wyatt Tee Walker has researched this segment of the history of African American church music more than any other known scholar. His original three paperback volumes have been edited and combined by James Abbington into this clothbound edition worthy of its historical and musical significance. The book now includes a recording of the twenty-four selected “prayer and praise” hymns researched by Rev. Dr. Walker. This exciting CD highlights not only the hymns, but the singing style of the period as well, being faithful to the impromptu harmonies and dissonance brought about by inspired song. A separate songbook for choirs and congregations is also available, making this valuable repertoire accessible for use in Sunday worship.
SKU: BT.RSK200125
ISBN 9781789361117. English.
The 2020 Ukulele syllabus extends Rockschool's offering to a full suite of grades. The syllabus has been designed in conjunction with their new Ukulele Method books, giving students a comprehensive pathway from absolute beginner stages through to entry into the graded system, and subsequently following a progressive pathway through to grade 8. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade, two of the pieces offer the students an opportunity to perform without full band backing, exploring the sound and resonance of their instrument. These include duet parts from Debut toGrade 3, which give further opportunities for teaching and group learning. The remaining tracks are ‘session style’ backing tracks, performed with full backing band and including vocal accompaniment which is also shown in the notation as a melody line and lyric over the main ukulele part.
SKU: AP.1-ADV7440
ISBN 9783892215943. UPC: 805095074406. English.
Subtitled Lucifer, this modern excursion with improvised solos for all is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.
SKU: XC.SATB2104
UPC: 812598038262. 6.75 x 10.5 inches.
This lovely arrangement offers a beautiful flowing accompaniment to an already beloved melody. Connor Warren Smith has breathed new life into this classic song and the unexpected and beautiful key change is just so satisfying.
SKU: PR.114423940
ISBN 9781491136331. UPC: 680160688869.
A long-established standard for low clarinets,IN A DEEP FUNK has been transcribed for lowsaxophones by the Australian virtuoso Yo-Yo Su.The work is modeled in concept after Bach’s cellosuites, using contemporary dance rhythms. Yo-YoSu’s adaptation takes rich advantage of the mostidiomatic transpositions for saxophone, reachinginto the altissimo with ossias for standard range.
SKU: HP.C5661R
UPC: 763628256616. By Robert Lowry. 2 Timothy 2:5, 2 Timothy 4:8, Hebrews 11:9, Isaiah 61:10, Psalms 46:4, Revelation 2:10, Revelation 22:1, Revelation 4:6, Revelation 6:11, Deuteronomy 1:6-8, Joshua 1:2.
African-Americ an Spritiual by Robert Lowry In this spiritual the river symbolizes life and crossing over into campground symbolizes a yearning for deliverance, salvation and freedom in God's Promised Land. Lloyd Larson captures the significance of this rich text in his setting for SATB choir with piano and rhythm accompaniment. The addition of Robert Lowry's folk hymn, Shall We Gather at the River, provides an even greater connection to the crystal tide forever flowing by the throne of God. This setting comes from Lloyd's musical celebration of the African American spirtual, Singin' in the Spirit. The Rhythm packet contains parts for: Guitar, Bass, Drums & Synth.
SKU: GI.G-CD-1026
With a title inspired by the architecture and writings of Louis I. Kahn, this stunning recording is, according to conductor James Jordan, “really about pieces that are varying musical angles of refracted human light through sound.” States Jordan: “This recording project was a deeply emotional journey for me, the same can be said for the choir. The repertoire selections are from my personal musical journey, reflecting works that cast light into me for one reason or another.” The repertoire and performances on this emotionally arresting recording are varied, inspiring, and certain to bring more light into the world.
SKU: HL.345531
UPC: 840126919684. 5.0x5.0x0.15 inches.
Frozen composers Kristen Anderson-Lopez and Robert Lopez were challenged to expand and deepen the themes explored through song in the 2019 Disney animated sequel, Frozen II. With a more mature, genre-blending mix of folk, rock and Broadway tunes, these six brand new songs run the gamut of emotions, further enchanting listeners with the continuing adventures of two sisters from Arendelle! Includes: All Is Found, Into the Unknown, Lost in the Woods, Show Yourself, Some Things Never Change and When I Am Older.
SKU: CA.3103805
ISBN 9790007042769. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.
SKU: CA.3103803
ISBN 9790007042752. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103800
ISBN 9790007042745. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance.
SKU: CA.3103819
ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.
SKU: CA.3103807
ISBN 9790007042776. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103813
ISBN 9790007042813. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.