Hymns Made Easy For Piano Book 1 (SMITH GAIL)

Gilliam Dona (Arngd-Edt). Par GILLIAM DONA. La pratique de vos favoris hymnes avec un accompagnateur à la maison ou dans votre studio ! Hymnes pour flûte et Piano Made Easy est une collection de quinze hymnes traditionnels arrangés pour flûte solo avec accompagnement au piano: une puissante forteresse notre Dieu - Laud tous de gloire et honneur - Amazing Grace - Christ Seigneur est ressuscité aujourd'hui - Come, Ye reconnaissants personnes et plus. Le score de flûte inclut la musique de l'hymne et une partie de descant facile qui ajoutera la variété au paramétrage de la performance. Le CD contient deux pistes d'accompagnement pour chaque hymne - la première est jouée au piano et la seconde sur l'orgue à tuyaux. La collection est parfaite pour le flutiste qui désire jouer les hymnes familiers dans le paramètre de l'église. / Niveau : Débutant / Sacred - Solos / Recueil / Flûte Traversière et Piano

Arrangement: Smith Gail. Par SMITH GAIL. Ces vingt hymnes pour l'étudiant de piano de début sont disposées en position plus facile, avec les deux pouces sur milieu c. Il y a quelques simple harmonie et motion contraire, et la plus petite unité rythmique est une croche. Comme les progrès des élèves à travers le livre, les pièces commencent à utiliser des altérations, qui sont écrits en besoin plutôt que dans une signature de clé. Graduellement, ils sont introduits à étendues et véhicules multisegments, signatures de clés jusqu'à trois appartements et les signatures de temps autres que 4/4. Paroles sont inclus. Recommandé pour l'hymne joué par la Fédération des Clubs de la musique. / Niveau : Débutant / Sacred - Solos / Recueil / Piano

With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

These twenty hymns for the beginning piano student are arranged in the easiest position with both thumbs on middle C. There are some simple harmony and contrary motion and the smallest rhythmic unit is an eighth note. Asstudents progress through the book the pieces start to use accidentals which are written in as needed rather than in a key signature. Gradually they are introduced to stretches and crossovers key signatures up to three flats and time signatures other than 4/4. Lyrics are included. Recommended for hymn playing by the Federation of Music Clubs.

NFMC 2016-2020 Piano Hymn Event Primary C Selection-They hymn selections for this book have been made to appeal to all ages (children through adults) and also with regard to popularity in many different churches. Some of the hymn tunes are known with different titles and lyrics. Accompaniments have purposely been kept easy. Chord symbols provide the pianist with an alternative to the printed accompaniment. A new accompaniment may be improvised based on the chord symbols. Every hymn is easily adaptable to organ chord organ and piano accordion by means of the chord symbols which may also be used for guitar. This volume includes nearly two dozen favorites: All Glory Laud and Honor - Amazing Grace - Faith of Our Fathers - JesusShall Reign - A Mighty Fortress Is Our God - Nearer My God to Thee - This Is My Father's World - and more.

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie