Hungarian Folk Songs And Other Melodies (LISZT FRANZ)

SKU: BT.EMBZ14502

English-German-Hungari an.

This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846 it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st HungarianRhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Dieser Band enthält Liszts früheste im ungarischen Stil komponierte Werke. Die gesamte Reihe der Magyar dallok / Ungarische National-Melodien besteht aus 11 Stücken und wurde hier zum ersten Mal in einer wissenschaftlichen Ausgabe veröffentlicht. Der Komponist begann sie in Folge seiner ersten Wiederkehr zu Pest 1839 zu schreiben. Die Musik dieser Stücke wurde teilweise von Liszt Anfang der 1850er Jahre in seinen verdientermaßen populären 15 Ungarischen Rhapsodien wiederverwendet. Der Pester Karneval wurde inspiriert von Liszts zweiter Ungarn-Tournee 1846: er wurde später neubearbeitet als 9. Ungarische Rhapsodie. Der vorliegende Band enthält ebenfalls die bisher unbekannte ersteFassung der 1. Ungarischen Rhapsodie, ferner zwei große Fragmente aus den 1840er Jahren sowie etliche Albumblätter.

SKU: AP.36-50703012

ISBN 9781628762532. UPC: 660355076503. English.

Brahms composed 21 Hungarian Dances beginning in 1869. All were composed for piano, but many of them have been orchestrated and are performed by symphony orchestras. They are based on Hungarian folk songs and dances, and No. 5 is the most popular. Standard interpretation includes many tempo changes with the Violin 1 part requiring more advanced technique.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: BT.EMBZ13147

9x12 inches.

Frigyes Hidas (1928-2007) was the most prolific Hungarian composer for wind ensembles, and his works are the most often performed. His extremely popular folk song suites are the finest examples of Hidas's mature style. Few composers are capable of tackling folk song arrangement in a worthy manner. Bartók himself had the following to say about the challenges with which this genre confronted the 20th-century composer: 'Knowing how to deal with folk melodies is one of the most difficult tasks. I venture to claim that it is as difficult as, if not more difficult than, writing a large-scale original work This much is certain: for folk song arrangement the appropriateinspiration is just as essential as for the writing of any other kind of work.' The second suite with its recurrent structure makes use of five folk songs in a modern harmonic environment that highlights even more the beauty of the melodies. (Hungaroton HCD 31612).

SKU: BT.EMBZ13147SET

9x12 inches.

Frigyes Hidas (1928-2007) was the most prolific Hungarian composer for wind ensembles, and his works are the most often performed. His extremely popular folk song suites are the finest examples of Hidas's mature style. Few composers are capable of tackling folk song arrangement in a worthy manner. Bartók himself had the following to say about the challenges with which this genre confronted the 20th-century composer: 'Knowing how to deal with folk melodies is one of the most difficult tasks. I venture to claim that it is as difficult as, if not more difficult than, writing a large-scale original work This much is certain: for folk song arrangement the appropriateinspiration is just as essential as for the writing of any other kind of work.' The second suite with its recurrent structure makes use of five folk songs in a modern harmonic environment that highlights even more the beauty of the melodies.

SKU: BT.EMBZ13145

9x12 inches.

Frigyes Hidas was the most prolific Hungarian composer for wind ensembles and his works are the most often performed. His extremely popular folk song suites are the finest examples of Hidas's mature style.Few composers are capable of tackling folk song arrangement in a worthy manner. Bartók himself had the following to say about the challenges with which this genre confronted the 20th-century composer: 'Knowing how to deal with folk melodies is one of the most difficult tasks. I venture to claim that it is as difficult as, if not more dif- ficult than, writing a large-scale original work This much is certain: for folk song arrangement the appropriate inspiration is just asessential as for the writing of any other kind of work.'The first suite works up nine folk songs of differing character and atmosphere. To perform them a brilliant technique is required, and an ability to shape the music freely. (Hungaroton HCD 31612).

SKU: BT.EMBZ12039

English-German-Hungari an.

László Szendrey-Karper (1932-1991) was an internationally renowned guitarist, and the founder of organized guitar teaching in Hungary. He wrote an instructional methodology for the guitar, and composed studies and pieces for students. The eight books of his series Guitar Exercises and Pieces provide a variety of pieces for elementary and intermediate guitar students to play, arranged in order of difficulty. A basic source for Szendrey-Karper was Hungarian folk songs, in addition to which he transcribed for the guitar well known pieces composed for other instruments. Alongside his own pieces and études, he selected for the series studies and concert pieces by othercomposers (including Ferdinando Carulli, Matteo Carcassi, Johann Krieger, Henry Purcell, and László Borsody).

SKU: HL.50487022

ISBN 9790080120408. A/4 inches. Hungarian, English, German. Laszlo Szendrey-Karper.

La szlo Szendrey-Karper (1932-1991) was an internationally renowned guitarist, and the founder of organized guitar teaching in Hungary. He wrote an instructional methodology for the guitar, and composed studies and pieces for students. The eight books of his series Guitar Exercises and Pieces provide a variety of pieces for elementary and intermediate guitar students to play, arranged in order of difficulty. A basic source for Szendrey-Karper was Hungarian folk songs, in addition to which he transcribed for the guitar well known pieces composed for other instruments. Alongside his own pieces and etudes, he selected for the series studies and concert pieces by other composers (including Ferdinando Carulli, Matteo Carcassi, Johann Krieger, Henry Purcell, and Laszlo Borsody).

SKU: HL.50487045

ISBN 9790080121214. A/4 inches. Hungarian, English, German. Laszlo Szendrey-Karper.

La szlo Szendrey-Karper (1932-1991) was an internationally renowned guitarist, and the founder of organized guitar teaching in Hungary. He wrote an instructional methodology for the guitar, and composed studies and pieces for students. The eight books of his series Guitar Exercises and Pieces provide a variety of pieces for elementary and intermediate guitar students to play, arranged in order of difficulty. A basic source for Szendrey-Karper was Hungarian folk songs, in addition to which he transcribed for the guitar well known pieces composed for other instruments. Alongside his own pieces and etudes, he selected for the series studies and concert pieces by other composers (including Ferdinando Carulli, Matteo Carcassi, Johann Krieger, Henry Purcell, and Laszlo Borsody).

SKU: HL.50510754

ISBN 9790080026540. UPC: 073999783636. 8.0x11.25x0.118 inches. Hungarian, English, German.

Ruralia Hungarica was originally a five movements cycle of piano pieces (Op. 32/a) composed in 1923 on Hungarian folk songs, dedicated to Dohnanyi's mother. In 1924, five movements of the piano cycle was orchestrated (Op. 32/b), the orchestral version was premiered under the baton of the composer on 14 September 1924, in Pecs (South Hungary). Ruralia Hungarica was one of Dohnanyi's favorite works. He often performed both the version for piano and the one for orchestra, and he composed other versions, too: three movements for violin and piano (Op. 32/c) and one movement for violoncello and piano (Op. 32/d).

SKU: HL.50487044

ISBN 9790080121207. A/4 inches. Hungarian, English, German. Laszlo Szendrey-Karper.

La szlo Szendrey-Karper (1932-1991) was an internationally renowned guitarist, and the founder of organized guitar teaching in Hungary. He wrote an instructional methodology for the guitar, and composed studies and pieces for students. The eight books of his series Guitar Exercises and Pieces provide a variety of pieces for elementary and intermediate guitar students to play, arranged in order of difficulty. A basic source for Szendrey-Karper was Hungarian folk songs, in addition to which he transcribed for the guitar well known pieces composed for other instruments. Alongside his own pieces and etudes, he selected for the series studies and concert pieces by other composers (including Ferdinando Carulli, Matteo Carcassi, Johann Krieger, Henry Purcell, and Laszlo Borsody).

SKU: HL.50485815

ISBN 9780634092756. UPC: 073999806847. A/4 inches. Hungarian, English, German. Laszlo Szendrey-Karper.

La szlo Szendrey-Karper (1932-1991) was an internationally renowned guitarist, and the founder of organized guitar teaching in Hungary. He wrote an instructional methodology for the guitar, and composed studies and pieces for students. The eight books of his series Guitar Exercises and Pieces provide a variety of pieces for elementary and intermediate guitar students to play, arranged in order of difficulty. A basic source for Szendrey-Karper was Hungarian folk songs, in addition to which he transcribed for the guitar well known pieces composed for other instruments. Alongside his own pieces and etudes, he selected for the series studies and concert pieces by other composers (including Ferdinando Carulli, Matteo Carcassi, Johann Krieger, Henry Purcell, and Laszlo Borsody).

SKU: BT.EMBZ14992SET

English-Hungarian.

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

So schrieb der Komponist über sein Werk:

In der ungarischen Musik sind natürlich die Volkslieder sehr wichtig, doch die alten Melodien und Tänze spielen in unserer Musik eine geringere Rolle. Für dieses Werk habe ich mich von Tänzen des 17. Jahrhunderts anregen lassen, die von unbekannten Dilettanten, also ziemlich einfach, geschrieben worden waren. Die meisten waren in der zwischen dem 14. und 18. Jahrhundert geläufigen Tabulaturschrift notiert. In den vierziger Jahren begann ich mich erstmals für diese Musik zu interessieren. Ich war davon so fasziniert, dass ich mich entschloss, sie wieder zum Leben zu erwecken. Ich fügte die kleinen achttaktigen Tänze zu dreiteiligen undRondoformen zusammen. Ausgehend von der frühbarocken Harmonik und Kontrapunktik habe ich mich in einer Art ungarischen provinziellen Barocks versucht.“.