O How Amiable

SKU: HL.14035818

6.75x9.75x0.012 inches.

SKU: CA.2004819

ISBN 9790007249472. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow. Score and parts available separately - see item CA.2004800.

SKU: CA.2004805

ISBN 9790007239756. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow. Score available separately - see item CA.2004800.

SKU: OU.9780193953000

ISBN 9780193953000.

For ATT(Bar)B, or TTBB and optional organ.

SKU: DB.DM-00812

ISBN 9790012158530.

Her style of writing is marked by an idyllic, amiable character. Pleasurable pieces and of historical interest. - Music Teacher Fraktur und Ausdruck dieser Stucke zeigen eine grosse stilistische Spannweite. Sie konnen als ausgezeichnete ubungen fur den.

SKU: BT.DHP-1043648-020

Since his first successes in the 1990s the amiable popular singer Frans Bauer has grown into a megastar in the Netherlands. In Germany, too, he has a great number of fans. Although he is derided by many because of his schmalzy style, Frans Bauer sells CDs galore, attracts full houses everywhere and can be viewed in his own reality soap on television. In 2004 he was even awarded a Gouden Harp (Gold Harp), which is the most important prize within Dutch music. It is presented to artists and composers who have promoted Dutch light music in their own unique way during their career. The cheery singalong Heb je even voor mij (Got a Minute for Me) is a great top hit: a winner in everypub and at parties. This arrangement by Klaas van der Woude willput the musicians as well as the audience in a happy mood.

Seit seinen ersten Erfolgen in den 90er-Jahren des vergangenen Jahrhunderts hat der liebenswerte Schlagersänger Frans Bauer sich zu einem Megastar in den Niederlanden entwickelt. Auch in Deutschland hat er eine große Fangemeinde. Das fröhliche Mitsing-Lied Heb je even voor mij ist ein absoluter Top-Hit und unschlagbar auf jedem Fest. Diese Bearbeitung von Klaas van der Woude wird sowohl Musiker als auch das Publikum in Hochstimmung versetzen!

SKU: CA.2004811

ISBN 9790007249458. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow. Score and part available separately - see item CA.2004800.

SKU: BT.DHP-1094734-010

9x12 inches. English-German-French-Dut ch.

The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the ‘Tiroler Landeshymne’ (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its ‘couleur locale’: for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!

Een hymne bestaand uit fragmenten van het Tiroolse volkslied. Strijdlustige klanken in het tweede deel. Tot slot een melodie in koraalstijl die de bewoners van Tirol en de indrukwekkende schoonheid van de natuur beschrijft. Hebt ual een idee? Tirol Terra Fortis is een programmatisch werk rondom de geschiedenis van Andreas Hofer en de vrijheidsstrijd van Tirol 200 jaar geleden. De bugel geeft dit kunstzinnige en klankvolle werk zijn bijzondere ‘couleurlocale’.
< br>Eine Hymne aus Fragmenten der Tiroler Landeshymne, kämpferische Klänge im zweiten Teil und schließlich eine Melodie im Choralstil, welche die eindrucksvolle Schönheit der Natur und die Menschen in Tirol beschreibt. Sie haben es erraten? Tirol Terra Fortis ist ein programmatisches Werk rund um die Geschichte Andreas Hofers und den Freiheitskampf Tirols vor 200 Jahren. Der Einsatz des Flügelhorns verleiht diesem künstlerischen und klangvollen Werk ein besonderes Lokalkolorit.

Le compositeur belge Jan Van der Roost a composé cette œuvre la demande de l’Orchestre d’Harmonie Municipal de Wilten-Innsbruck en Autriche pour les cérémonies commémoratives du bicentenaire de l’insurrection tyrolienne de 1809. Plusieurs éléments musicaux reflètent cet événement historique travers un climat joliment évolutif. L’orchestre énonce un thème hymnique basé sur des fragments mélodiques de l’hymne officiel du Land du Tyrol (ou Hymne d’Andreas Hofer composé par Leopold Knebelsberger) qui se mélangent et se confondent dans un arrangement en forme de contrepoint. Le dessin belliqueux du second mouvement rappelle la lutte des Tyroliens contre les troupesbavaroises, françaises et italiennes, l’instigation du combattant de la liberté Andreas Hofer (1767-1810). Enfin, on retrouve une mélodie de style choral qui évoque avec ferveur l’imposante beauté des paysages du Tyrol, et transmet la chaleur et le caractère jovial des habitants de cette région montagneuse. Tirol Terra Fortis n’est ni une reconstruction historique en musique (autrement dit, une œuvre programme), ni une œuvre politique. Son contenu repose sur une combinaison d’éléments factuels et culturels qui s’expriment travers une trame artistique très expressive. Le bugle a su conserver la fidélité des Orchestres d’Harmonie autrichiens. Intégré dans la texture orchestrale de cette œuvre de commande la demande expresse de la formation dédicataire, le bugle donne une couleur locale la composition et enrichit la large gamme des couleurs sonores de l’Orchestre d’Harmonie.

La Stadtmusikkapelle Wilten-Innsbruck (Austria) ha invitato il compositore belga Jan Van der Roost a scrivere un'opera per celebrare il bicentenario dell’Insorgenza tirolese, che ebbe luogo nel 1809. L'uso del flicorno, in particolare, conferisce al Tirol Terra Fortis il suo colore locale: questo bellissimo strumento si può sempre trovare nelle bande austriache.

SKU: HL.14066115

SKU: CA.2004812

ISBN 9790007249465. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow. Score and part available separately - see item CA.2004800.

SKU: ST.H486

ISBN 9790220224478.

CONT ENTS
1. Baby
2. Brother
3. Grandmother
4. Grandfather
5. Mum
6. Dad

The composer has written extensively for film and television, and his gift for musical characterisation illuminates every bar of My Family and Other Animals. Here is a delightful human menagerie, a family circle with its typical variety of awkward and amiable relatives, beautifully portrayed in music of beguiling simplicity by Edmund Jolliffe. Technically, for beginners and early-grade players, there is an important lesson that musical expression is in essence the expression of personality, often from the most basic musical resources. Brother is a cool repeated phrase - a bit detached. Mum is a gentle lullaby, and Grandmother a soothing, dependable tune. Grandfather turns sweet too, but not before a spiky introduction. From his breezy melody Dad seems on his way elsewhere. Perhaps off to wash the car!

SKU: CA.2004849

ISBN 9790007249014. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow. Score and part available separately - see item CA.2004800.

SKU: CA.2004800

ISBN 9790007239749. Language: German.

Heinrich Schutz's setting of Psalm 133 was composed for the wedding of his amiable and much-loved brother Georg Schutz which took place on 9 August 1619 in St Nicholas's Church in Leipzig. With its colorful instrumental accompaniment, this intimate composition may be regarded as one of the most charming works of its time. At the same time it is probably the first work by Schutz which gives us a sense of the concertante style of the Symphoniae sacrae I which were to follow.