Horn Sight-Reading

SKU: A3.9781786015068

ISBN 9781786015068.

SKU: A3.9781786015051

ISBN 9781786015051.

SKU: FG.55011-555-2

Playing from the Core is a new method for practicing the French horn. With an in-depth understanding of the traditions and history of French horn technique, Tommi Hyytinen brings new perspectives to instrumental practice by examining the interaction of mind and body and incorporating these insights into his method. The body is perhaps a musician's primary instrument, and it is important to become intimately acquainted with this instrument. A thorough understanding of the body makes many musical and technical challenges easier to overcome. Hyytinen also provides comprehensive advice on preparing for a performance and on overcoming stage fright. For instance, understanding the physiology of stress and performance-related nerves helps us better to understand nervousness as a natural state. By employing a range of physical and mental exercises, we learn to control nervous reactions and turn them into something that, rather than hindering, can in fact help and improve our performances. In addition to presenting a wealth of factual information and physical exercises, the book contains many informative illustrations, playing exercises, and an etude exploring different aspects of French horn technique. Through the presentation of information, exercises and examples, Playing from the Core brings students to a realisation that everyone can improve on the technical and musical challenges they face. Tommi Hyytinen is an experienced professional musician and teacher, and he instructs musicians in the holistic use of the body. The exercises presented in the book form part of his own daily practice routine and teaching material. Tommi thus manages to explain and show us the benefit of both body and mental exercises in preparation for musical performance. He shares all his wisdom so generously that I have no doubt that all performing artists, especially brass and wind players as well as singers will profit enormously from reading it. (Radovan Vlatkovic) https://tommihyytinen.fi/ language/en/front-page/.< /p>

SKU: SU.96010580

Transcribed and arranged for Piano by Lawrence RosenA new, 3-volume set of Mozart Dances for Piano, 14 of these dance suites are faithfully transcribed for piano at the early to advanced intermediate level. Almost all appear as new Mozart music for piano (except for the Six German Dances, K. 509, which Mozart himself arranged for piano.) Within each volume, they are arranged by increasing difficulty. They are eminently suited for teaching, recital and concert performance, encores, recording, sight-reading practice, and theoretical study. We sincerely hope you enjoy them as much as we did in discovering and creating these little masterpieces.
CONTENTS
Six Country Dances, K. 462 (originally for 2 oboes, 2 Horns, 2 Violins, Violoncello/Contrabass)
Three German Dances, K. 605 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Bassoons, 2 Horns (Posthorn,) 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani, Tuned Bells)

Six German Dances, K. 571 (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani, Tambourine, Cymbals)

Six German Dances, K. 600 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani)

Four Minuets, K. 601 (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Bass, Timpani)
Instrumentation: Piano
Duration:
Composed:
Published by: Subito Music Publishing.

SKU: CF.JB122

ISBN 9780825897214. UPC: 798408097219. 9 x 12 inches.

The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer.

About The New Bennett Band Book Series

The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.

SKU: CF.JB120

ISBN 9780825897191. UPC: 798408097196. 9 x 12 inches.

The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer.

About The New Bennett Band Book Series

The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.

SKU: KJ.W47HF

SKU: CF.JB123

ISBN 9780825897221. UPC: 798408097226. 9 x 12 inches.

The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer.

About The New Bennett Band Book Series

The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.

SKU: SP.TS460

ISBN 9781585607181.

Mitc hell on Trumpet was written to provide the prudent student with the necessary skills to overcome any obstacle that they may encounter. The complete method starts at the very beginning and extends to the extreme limits of the horn through a gradual progression of 82 logically balanced lessons plus a companion set of warm-ups. The Warm-ups volume is a complete compilation of exercises and studies uniquely designed to maintain a strong, flexible embouchure, finger dexterity, sight-reading, range, and endurance at the highest level. The resources for maintaining these essential elements are found within this volume and are designed to be a faithful daily companion to the developing trumpet player and professional musician alike. Mitchell on Trumpet is a proven compilation of lessons that took many years to develop. It was designed to make the study of trumpet an enjoyable experience. You are continuing your study of a method revered by music educators around the globe; a method which stands unequaled by any other published approach for trumpet.