50 Etüden. Par HELLER BARBARA. Barbara Heller opens a new world of etudes by combining finger technique with vocal quality. Pianist and teacher Irina Schwertfeger presents all these studies in progressive order from easy to difficult. This edition is a collection of different studies, containing both diatonic, chromatic and bitonal studies as well as studies using only black keys, and easy triad exercises and studies concerning unusual rhythmic figurations, touch technique, and hand postures. All studies are fairly short and designed to develop dexterity, strength and agility./ Répertoire / Piano
SKU: HL.49019759
ISBN 9790001191692. UPC: 840126938760. 9.0x12.0x0.157 inches.
The anthology 'Klangspuren' by Barbara Heller contains 76 works for piano which have been written for the Barbara Heller Piano Competition. Each title has its own personal message: Music can show an image or remind of something, be a short story and put one in a special mood.Arranged in a progressive order, the pieces are divided into two volumes: Vol. 1 contains easy to intermediate pieces, Vol. 2 intermediate to difficult pieces.
SKU: HL.49045896
Barbara Heller opens a new world of etudes by combining finger technique with vocal quality. Pianist and teacher Irina Schwertfeger presents all these studies in progressive order from easy to difficult. This edition is a collection of different studies, containing both diatonic, chromatic and bitonal studies as well as studies using only black keys, and easy triad exercises and studies concerning unusual rhythmic figurations, touch technique, and hand postures. All studies are fairly short and designed to develop dexterity, strength and agility.
SKU: FV.FUE-2340
ISBN 979-0-50012-134-3.
This work can be understood as the daily diary entries of a piano composer in an unusual situation. Suitable for elementary and advanced piano study as well as for concert performance. Selections vary from simple, easy to demanding short poetic pieces. Some are of didactic and some of minimalistic nature. Inspirational in the development of independence in interpretive decision-making.W P: 21.03.1985 Tilburg (NL) Barbara HellerCONTENT Ein Zug fahrt ab..., Perpetuum, Schmerz: Energie verebbt, Anklange, ...niemand weiss..., Schwebend, Einwurf, Verwirrung, fruher (vormals), ...und..., Erinnerung (Kindheit: schwarz-weiss), good night, Triangel, Courante, This chord, Anruf aus Rom, slow (langsam), im Traum..., Tagtraum, Aus der Ferne, Einfall, Ratsel, Bruchstucke, Fermate, Ein Versuch, Ein Zeichen.
SKU: FV.FUE-10077
ISBN 979-0-50182-077-1.
Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. The work is pianistically challenging, even though it fits the hands well. It requires, in particular, careful listening with regard to the structures and harmonic sequences. This thoroughly entertaining piece of music is set to benefit both up-and-coming musicians and concert pianists, and deserves to be included in the standard repertoire. The piano suite composed in 1956 by the 20 year-old Barbara Heller is a major accomplishment. Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. Stylistically, the work belongs to the moderate modernist trend, which arose sometime after Hindemith. However, this piano suite has charms of its own; at times it is the emphatic shaping of phrases, which bring about moments of dissonance and occasionally, it is the harsh and unwilling gestures. The charm of this piece also lies within its deep-rooted earnestness and its frequent seasoning of humour.
SKU: FV.FUE-10003
ISBN 979-0-50012-374-3.
Special Edition for Barbara Heller's 70th birthday in 2006.
SKU: FV.FUE-2380
ISBN 979-0-50012-138-1.
A collection of long and short piano pieces all of which were inspired by the interval of the fifth. This limitation leads to very unusual tonal colouring. The titles: Blue, Yellow etc., indicate the attempt to convert colours into music. Some pieces from this cycle have sucessfully established themselves within the teaching literature for intermediate students. Very easy (Pink Fifths), moderately difficult and difficult (Blue Fifths).WP: 22.04.1990 Heidelberg Otfried MillerCONTENT Blaue Quinten, gelbe Quinten, unter-brochene Quinten, Rosa Quinten (Version I) und Rosa Quinten - Erinnerungen eines Seerosen-blattes (Ver-sion II), Orange Quinten, Schwanken-de Quinten, Quintenlied, Quinten: 2 links, 2 rechts (2 Versionen), Neujahrsquinten fur D. Richards.
SKU: FV.FUE-1230
ISBN 979-0-50012-023-0.
Two easy pieces well suited for piano lessons. Prefaced by Diether de la Motte's fascinating analysis.First Publication.
SKU: FV.FUE-1010
ISBN 979-0-50012-001-8.
Toccatina (1963): Written in a playful vein, this piece is reminiscent of Aram Khatchaturian's Toccata. Appro-priate for use as a 20th-century composition in piano examinations. Medium difficulty. Tonkette (1986): this piece was commissioned by a goldsmith on the occasion of the opening of one of her jewelry exhibits. Entertaining, written in unison with hidden polyphony, traditionally notated, easy to moderately difficult.
SKU: FV.FUE-1290
ISBN 979-0-50012-029-2.
A collection of twelve piano pieces which were composed during a longer period. Some of them are studies and some were inspired by experiences beyond the musical sphere. Moderately difficult to difficult. CONTENTVerwir rung, Furore - Ein Traum, Anklange, Anna Z., Eiskalt, Ostinato, Requiem fur Loki, MMM (Meer Musik als Malerei), Schwarz-Weiss, Nelkenblume, Intensivo, Reissverschluss, Schmerz: Energie verebbt..., Tagtraum, Wenn Tone auf Bana-nenstauden wachsen wurden, Lied der Muschel uber die verlorene Perle, Rosa Quinten, Rosa Quinten: Erinnerungen eines Seerosen-blatts.
