Gospel Songs for Fingerstyle Guitar: Guitar Solo: Instrumental Album

Description In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The accompanying three CDs of lessons teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as Holy Blues. Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world.

To Gospel Fingerstyle Guitar-Gospel Music is such a familiar part of our cultural and musical landscape that it offers the fingerstyle guitarist a vast repertoire of melodic and lyrical compositions. In this lesson Duck Baker explores and explains how thismusic can be arranged for fingerstyle guitar. Duck teaches arrangements of six well-known Gospel songs which he plays in standard and dropped-D tunings. A practical informative and very useful lesson to expanding yourfingerstyle technique to incorporate playing Gospel music in the styles of Mississippi John Hurt or Elizabeth Cotton. Duck gives a historical background on each tune as well as phrase by phrase and step by step explanationsof the arrangements. The DVD comes with a 24 page tab/music PDF booklet and each tune is illustrated in a split screen section making it easy to see what the right and left hands are playing.

Par GROSSMAN STEFAN. In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The online audio recordings teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as 'Holy Blues.' Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world. Includes access to online audio. / Niveau : Intermédiaire / Tablatures / Guitare

Acoustic Guitar Private Lessons Series-Virtuoso fingerstyle guitarist and clawhammer Banjo player Steve Baughman shares 17 hymns and gospel songs arranged for solo Guitar in standard notation and tablature with video downloads available online for all songs. This rich collection features a variety of tunings background information technical tips and humorous asides.Songs include: 'At Calvary' 'Down by the Riverside' 'Fairest Lord Jesus' 'Go Tell It on the Mountain' 'Great Is Thy Faithfulness' 'It Is Well with My Soul' 'Just As I Am' 'Love Divine All Loves Excelling' 'Nearer My God To Thee' 'Old Rugged Cross' 'Pass Me Not Oh Gentle Savior' 'Rock of Ages' 'Shall WeGather at the River' 'Softly and Tenderly' 'What a Friend We Have in Jesus' 'When the Roll Is Called Up Yonder' and 'Whispering Hope'.

The Art of Acoustic Blues Guitar - The Basics. Whether your favourite blues guitarist is Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker, Big Bill Broonzy, or Mississippi John Hurt, studying the basic techniques presented in this program is the first step toward being able to capture the essence of their traditional styles. In this book, Woody Mann shows you practical ways to develop fundamental technique and offers you insights into the musical logic of blues guitar. Woody walks you through each song, explaining the chord positions and picking techniques. He teaches blues in the keys of D, G, C, E, and A, presenting a wide selection of classic blues songs and instrumentals from the masters of blues guitar. Included in this program are the basics of the Delta blues of Robert Johnson, the ragtime style of Blind Blake (the man with the piano-playing guitar), and the music of Big Bill Broonzy, Memphis Minnie, Willie Walker, and Willie Moore. Each song illustrates how solo players approach the guitar like a piano, playing melodies and bass lines simultaneously. Developing this independent two-line picking technique enables you to get the feel, syncopation, and subtleties of the music. The songs in themselves are studies in acoustic blues technique and present the authentic elements of the acoustic blues sound and style including blues technique and ways to play off of the chords and improvise within a song. This program is recommended for beginning acoustic blues guitarists as well as electric guitarists and acoustic fingerstyle guitarists of all levels who would like to go beyond pattern picking and develop a more dynamic and syncopated sound. Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis, the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively, performed throughout the world, and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music, having taught countless guitarists through his popular books and videos.

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles and his repertoire featured blues rags show instrumentals and gospel songs.Davis playedwith his thumb and index finger to pick out complex melodies rhythmic licks and lightning fast single-string runs. In this book seven of Rev. Davis's blues are presented. These arrangements have beenperformed and recorded by a host of great artists including Bob Dylan Taj Mahal Hot Tuna David Bromberg John Renbourn Bert Jansch and many others.These lessons are for the intermediate to advanced fingerstyleguitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings.Lesson one highlights two of Rev. Davis's most popular bluesarrangements. Hesitation Blues is played in the key of C. Baby Let Me Follow You Down is played in the key of G.Lesson two explores the party tune Sally Where'd You Get Your Liquor From (madepopular by Hot Tuna). Rev. Davis used to joke that he could play Candyman in so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself. We look at twoversions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman.In lesson three all 14 verses from Raggin' the blues are transcribed and studied on how thisarrangement develops.

This is a great book for accompanying singing songs consist of newer and traditional favorites. All songs are arranged for 2 part singing with guitar accompaniment. The guitar back-up parts are scored in notation and tablatureand may be played with a flatpick or fingerstyle.