Viola Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
SKU: BA.BA08958-28
ISBN 9790006557707. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA08958-18
ISBN 9790006557660. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-60
ISBN 9790006557714. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-61
ISBN 9790006557721. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-15
ISBN 9790006557639. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-25
ISBN 9790006557677. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-16
ISBN 9790006557646. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-65
ISBN 9790006557622. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-17
ISBN 9790006557653. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-27
ISBN 9790006557691. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: BA.BA08958-26
ISBN 9790006557684. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.
SKU: HL.50602116
ISBN 9781540064431. UPC: 888680966492. 9.0x12.0x0.865 inches.
LUDWIG VAN BEETHOVEN Fidelio O wär' ich schon mit dir vereint • VINCENZO BELLINI I Capuleti e i Montecchi Eccomi in lieta vesta...-Oh! quante volte, oh! quante • I puritani O rendetemi la speme - Qui la voce sua soave - Vien, diletto • La sonnambula Care compagne - Come per me sereno - Sovra il sen la man mi posa • La sonnambula Ah! non credea mirarti • GAETANO DONIZETTI Don Pasquale Quel guardo il cavaliere • L'elisir d'amore Prendi, per me sei libero • La fille du régiment Chacun le sait • Lucia di Lammermoor Regnavanel silenzio - Quando rapito in estasi • Lucrezia Borgia Com'è bello! quale incanto • CHARLES GOUNOD Faust Que vois-je là ? - Ah ! Je ris de me voir • Roméo et Juliette Je veux vivre dans le rêve • GEORGE FRIDERIC HANDEL Agrippina Bel piacere • Alcina Tornami a vagheggiar • Alcina Ah, mio cor! • Giulio Cesare Non disperar chi sa? • Giulio Cesare V'adoro, pupille • Giulio Cesare E pur così inun giorno - Piangerò la sorte mia • Giulio Cesare Da tempeste il legno infranto • JULES MASSENET Manon Allons ! Il le faut ! - Adieu, notre petite table • Manon Est-ce vrai ? - Obéissons quand leur voix appelle • WOLFGANG AMADEUS MOZART Così fan tutte In uomini, in soldati • Don Giovanni Batti, batti, o bel Masetto • Le nozze di Figaro Giunse alfin il momento - Deh vieni, non tardar • Die Zauberflöte Ach, ich fühl's • GIOVANNI BATTISTA PERGOLESI La serva padrona Stizzoso, mio stizzoso • GIACOMO PUCCINI La bohème Quando me'n vo • Gianni Schicchi O mio babbino caro • La rondine Chi il bel sogno di Doretta • GIOACHINO ROSSINI Semiramide Bel raggio lusinghier • Il viaggio a Reims All'ombra amena del Giglio d'Or • GIUSEPPE VERDI Un ballo in maschera Volta la terrea fronte alle stelle • Un ballo in maschera Saper vorreste • Falstaff Sul fil d'un soffio etesio • Rigoletto Gualtier Maldè...-Caro nome • La traviata È strano!... è strano!...-Ah, forse è lui che l'anima - Sempre libera degg'io • ANTONIO VIVALDI Il Tigrane Squarciami pure il seno.