Gioachino Rossini: The Barber of Seville Overture: Vocal: Score

This edition is based on the critical edition of The Barber of Seville edited by Patricia B. Brauner and published in 2008 as part of the series Works of Gioachino Rossini. But who needs a new critical edition of The Barber of Seville? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. And secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars and performers.Thusthe famous overture which Rossini had already used in his earlier opera Aureliano in Palmira differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in Aureliano in Palmira) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera The Barber of Seville (with just one Flute one oboe and no Timpani).Urtext edition based on the series Works of Gioachino Rossini.All versions and transpositions are included in the appendix to the study score.Singing English translation in the vocal score.Takes into account all original sources including five manuscripts with Rossini’s autograph ornamentation.Takes into consideration the full extent of Rossini’s personal notational characteristics.Study score contains a detailed foreword (Eng/Ital)Full score (BA10506) critical report (BA10506-40) & study score (TP411) available for sale; performance material (BA10506-72) available for hire.

Rossini's popular overture is now available with complete performance material on sale. It is newly edited based on the forthcoming volume of the 'Works of Gioachino Rossini' (BA10506).This scholarly-critical practical edition contains almost two works in one as Rossini composed this overture firstly for his opera 'Aureliano in Palmira' and then also used it in 'The Barber of Seville'. The two overtures differ simply in their instrumentation.This new edition is an Urtext edition. Free of later additions to the instrumentation and other changes it reproduces this famous work in the version which Rossini intended.Conductors can nowchoose to perform the overture to 'The Barber of Seville' without the frequently added second flute second oboe and drums which were not part of the opera's original instrumentation.First Urtext edition of the popular overtureForeword (Ger/Eng/It)Optimal page-turns in the parts

Eulenburg Miniature score edition of the Overture to The Barber of Seville a popular opera by Giacchino Rossini.

Arrangeur: Jeffrey Beyer. Par ROSSINI GIOACCHINO. These six arias from Gioacchino Rossini's beloved opera 'The Barber of Seville' were first arranged for two bassoons in the 1820's by French bassoonist François-René Gebauer. During this time, Gebauer was performing with the Paris Opera. He arranged two volumes of these arias, and flutist Jeffrey Beyer has chosen to transpose, adapt and arrange the following selections for C Flute and Alto Flute duet: Ecco, ridente in cielo, Largo al factotum, Una voce poco fa, Dunque io son, Zitti zitti, piano piano, and Di si felice innesto./ Répertoire / 2 Flûtes Traversières

Composers Specials Series-In a kitchen in Italy in 1862 little Reliana helps her grandmother Rosalie make pasta sauce. As stream swirls magically through the kitchen Rosalie argues with her oldest friend Martina and tells the story of an opera composerthey once both knew.Soon Reliana finds herself transported through time back to a theatre in Rome nearly 50 years earlier. She is invisible to everyone but the composer Signor Rossini. She watches in alarm as one of the singersputs a curse on the production andeverything begins to go wrong. Set in 1816 the year The Barber of Seville had its disastrous premiere Rossinis Ghost is the story of three women who learn that friendship like opera– or a great pasta sauce – requires nurturing patience and time. Formatted with English Spanish and French languages. 52 minutes.

A virtuosic choral arrangement of Rossini's The Barber of Seville Overture as arranged for The King's Singers by Daryl Runswick. Scored for SATTBB Choir A Cappella.

Renowned for their elegance lively rhythms and beautiful melodies Rossini overtures are staples of concerts around the world — with or without the operas they introduce. This attractive modestly priced compilation features the overtures from Il barbiere di Siviglia (The Barber of Seville) L’italiana in Algeri (The Italian Girl in Algiers) Il turco in Italia (The Turk in Italy) La Cenerentola (Cinderella) and Il viaggio a Reims (The Journey to Reims). Reproduced from authoritative early scores.