fun. : Carry On

SKU: HL.35030359

UPC: 888680063191. 6.75x10.5x0.036 inches. John Parker/Michael Barrett. 1 Peter 5:7, Psalm 55:22.

Now available for women's voices! From the initial sounds of a beloved spiritual to the jazzy original tune that forms the body of the piece, this energetic anthem is a proven crowd pleaser! The theme is quickly learned and the fun accompaniment adds just enough spice to make this piece a recipe for success. For general or concert use, you just can't go wrong!

SKU: AP.42221S

UPC: 038081480039. English.

An uplifting, mid-tempo anthem encouraging you to push through and indeed carry on, this tune was written by American indie band fun. A fun and infectious way to introduce your students to 12/8 meter. A sure winner! (3:45) This title is available in MakeMusic Cloud.

SKU: AP.41213S

UPC: 038081478791. English.

An uplifting, mid-tempo anthem encouraging you to push through and indeed carry on, this cool song is a fun and infectious way to introduce your students to 12/8 meter. It will be easy to teach because they know the tune. This title is available in MakeMusic Cloud.

SKU: AP.42127S

UPC: 038081479682. English.

The alternative rock band fun had a big hit with this bluesy and soulful offering. Nick Baratta has crafted an absolutely stunning chart full of great sounds. This one is definitely gooseflesh material!

SKU: HL.295362

ISBN 9781540055798. UPC: 888680946548. 9.0x12.0x0.366 inches.

70 songs with lyrics, melody lines, and chord frames for standard ukulele, baritone ukulele, guitar, mandolin, and banjo. Enjoy strumming and singing these Beatles classics with all your buddies! A great resource for beginning stringed instrument players who are ready to experience the fun of making music together! Songs include: All You Need Is Love • Back in the U.S.S.R. • Birthday • Can't Buy Me Love • Come Together • Day Tripper • Drive My Car • Eight Days a Week • Eleanor Rigby • Get Back • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Norwegian Wood (This Bird Has Flown) • Paperback Writer • Revolution • Sgt. Pepper's Lonely Hearts Club Band • She Loves You • Ticket to Ride • Twist and Shout • Yellow Submarine • Yesterday • and more!

SKU: YM.GTW01100429

ISBN 9784636102994. 8.5 x 12 inches.

The shinobue, Japanese transverse flute collection with a selection of famous songs from the Showa and Heisei periods, designed for intermediate and advanced players to further deepen their shinobue playing skills. A piano accompaniment CD with wonderful jazz-style arrangements is included for fun practice. It is sure to be appreciated at recitals and other live performances. The numerical notation allows you to play the pieces in any key, and the key change app allows you to play the piano accompaniment in any key.

SKU: YM.GTL01101984

ISBN 9784636116366. 12 x 9 inches.

This book is a collection of sheet music for solo guitar performances of Music of Studio Ghibli Films.A total of 26 popular songs from Studio Ghibli films, including ‘My Neighbour Totoro,’ ‘Princess Mononoke’ and ‘Howl's Moving Castle,’ in both musical notation and tablature. Each song is beautifully and tastefully arranged for solo guitar, both melody and accompaniment played by one person. Some of the songs are a little difficult to arrange, but we are sure that you will have fun with them!

SKU: CF.PAS21F

ISBN 9781491151563. UPC: 680160909063. 9 x 12 inches. Key: D major.

String teachers are always trying to encourage their students to play with more bow. Composer Joseph Compello gives very beginning students the chance to do just that in his piece,?Arco-ology. There is an opportunity for all sections of the orchestra to showcase their developing musicality in this fun and short piece.
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement.A At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement.A At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-o logy is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody.
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody.

SKU: CF.PAS21

ISBN 9781491151198. UPC: 680160908691. 9 x 12 inches. Key: D major.

String teachers are always trying to encourage their students to play with more bow. Composer Joseph Compello gives very beginning students the chance to do just that in his piece,?Arco-ology. There is an opportunity for all sections of the orchestra to showcase their developing musicality in this fun and short piece.
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement.A At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement.A At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody..
Arco-o logy is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody.
Arco-ology is designed for string groups with less than one year of instruction. The music should be performed in a manner which evokes a march-like style. Bowing style is at the discretion of the director, but the bowing and articulation should convey a feel of steady, forward movement. At m. 41, the lower strings will carry the tune. The upper strings must provide a rhythmic accompaniment at this point without overpowering the melody.

SKU: CF.PO192S

ISBN 9781491157367. UPC: 680160915927.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

SKU: CF.PO192F

ISBN 9781491157374. UPC: 680160915934.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

SKU: CF.PO192

ISBN 9781491157350. UPC: 680160915910. Key: Bb major.

Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .