Matériel : Set de Parties séparées
Voir toutes les partitions de Astor Piazzolla
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: GI.G-1111
UPC: 785147811121.
The Barcelona Clarinet Players commissioned six prominent Latin American composers to write new works for clarinet quartet and wind band. During their 2021–2022 season, they recorded each work with a different wind band in the United States or Latin America, and the result is a captivating album of extraordinary musical richness and diversity that showcases the unique aesthetic of each composer and the artistry of the performing ensembles. Track Listing: Rumba Fugata | Arturo Márquez Caribbean Berceuse | Paquito D'Rivera Sueño Austral | Daniel Freiberg ¡Fandango! Secretos de la Rueda Oscura | Victoriano Valencia Las ‘No Hay’ Estaciones | Rubén Darío Gómez Puri | Edmundo Villani-Cortês.
SKU: FH.WS5
ISBN 978-1-55440-554-1.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata , HWV 373 - attr. George Frideric Handel, arr. Su Jeon- First Movement- Second MovementSonata in G minor - Henri Eccles, arr. Sigurd Rascher- First Movement- Second MovementSonata, TWV 41:G9 - Georg Philipp Telemann- First Movement- Second MovementMainly Original Repertoire for Saxophone:Nine Arias - Timothy Broege- 3. Aria senza accompagamento- 9. Aria fugataNigun - Srul Irving Glick Take Five - Paul Desmond, arr. Gary KellerBb Saxophone:Mainly Transcriptions:Sonata in D Major, op. 2, no. 5 (La chauvet) - Michel Blavet, arr. Jason Noble - First Movement- Second MovementSinfonia - Nicolo Porpora, arr. Paul Maynard- First Movement- Second MovementMainly Original Repertoire for Saxophone:Sicilienne, op. 78 - Gabriel FaureMarch - William SchmidtEb Saxophone or Bb Saxophone:Unaccom panied Repertoire:Petite Suite - Walter S. Hartley- Second Movement: Tango- Third Movement: ScherzoSix Exchanges - Lothar Klein- Third Movement- Fifth MovementFantasia no. 8 in E Minor, TWV 40:9 - Georg Philipp Telemann- Second Movement- Third MovementFantasia no. 4 in B flat Major, TWV 40:5 - Georg Philipp Telemann- Third Movement.
