From Bach to Schoenberg

SKU: HL.49015144

ISBN 9790001056359. 7.5x10.75x0.177 inches. German.

A number of sketches for this work were made in Greece in the summer of 1958. When the work was finished, I dedicated it to Benjamin Britten. In 1963, on the occasion of the 60th birthday of my old friend Josef Rufer, I added an epilogue in which I recapture the mood of the whole work and introduce a sort of quotation from Schonberg's Chamber Symphony No. 1, as a greeting to Rufer who devoted his whole life to the Viennese master.- Hans Werner Henze.

SKU: SU.00220521

This CD Sheet Music™ collection brings together over 70 sonatinas and nearly 200 standard study works composed during the development of the virtuoso piano repertoire from the 18th through the early 20th centuries. SONATINAS: Beethoven, Clementi, Diabelli, Dussek, Gurlitt, Haydn, Kuhlau, Lichner, Mozart, Reinecke, Spindler STANDARD STUDY WORKS: Albeniz (Danza Èpañola), CPE Bach(Solfegietto), JS Bach (Jesu, Joy of Man's Desiring), Bartók (For Children, Ten Easy Pieces), Beethoven (Für Elise, Six Ländler, Twelve German Dances), Bizet (Toreador Song, Brahms (Ballade in D minor, Intermezzos, Op. 117), Chopin (selected Mazurkas, Preludes, Waltzes), Couperin (Les Moissonneurs, Debussy (Arabesque No. 1, Claire de Lune, Rèverie), Dvorák (Humoreske), Fauré (Sicilienne), Granados (Danza de la Rose), Grieg (Peer Gynt Suite), Handel (Giga, Sarabamde), Haydn (Andante Grazioso), Joplin (The Entertainer, The Easy Winners), Liszt (Consolation, Liebestraum), MacDowell (To A Wild Rose), Mendelssohn (selected Songs without Words), Mozart (Rondo a la Turca, Fantasy in D minor), Moussorgsky (Meditation), Pachelbel (Canon in D, Prokofiev (Vision Fugitive), Puccini (O mio babbino caro), Purcell (Suite in G), Rachmananoff (Prelude in C# minor), Ravel (Pavance pour une Infante Défunte), Satie (Gymnopédie Nos. 1-3), D. Scarlatti (selected Sonatas), Schoenberg (6 Little Piano Pieces), Schubert (Ecossaise, Marche Militaire), Schumann (selected pieces from Album for the Young and Scenes from Childhood), Scriabin (Preludes), Sibelius (Romance), J. Strauss (Mein Herr Marquis), Tchaikovsky (Album for the Young, None But the Lonely Heart), Verdi (Anvil Chorus from Il Trovetore, March from Aida), Weber (Variations on Vien qua Dorina bella), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 1100+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: SU.00220627

This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: String Trios & String Quartet Masterpieces.String Trios contains the scores and parts to 49 string trios. Includies trios for two violins and viola, two violas and cello, and violin, viola and cello. Also included are articles on String Trios and related articles from the 1911 edition of Grove's Dictionary of Music and Musicians.Composers included in this volume Albrechtsberger, Johann Georg Amon, Johan Bach-Mozart Beethoven, Ludwig van Boccherini, Luigi Borodin, Alexander Bruni, Antonio Bartolomeo Cherubini, Luigi Dohnányi, Ernst von Dvorak, Antonin Fuchs, Robert Fuchs, Robert Gabrielli, Ladislao Gibbons, Orlando Giorgetti, Ferdinando Goepfart, Karl Haydn, Franz Joseph Herzogenberg, Heinrich von Hiller, Ferdinand Hofmann, Richard Hummel, Johann Nepomuk Isaac, Heinrich Jadin, Hyacinthe Josquin des Prez Kodály, Zoltán Kotzwara, Frantisek Martinů, Bohuslav Mazas-Féréol, Jacques Mendelssohn, Felix Mozart, Wolfgang Amadeus Neruda, Franz Pugni, Cesare Purcell, Henry Ratez, Emile Reger, Max Reinecke, Carl Romberg, Bernard Schubert, Franz Strong, George Templeton Taniev, Sergei Telemann, Georg Phillipp Thern, Carl String Quartet Masterpieces contains performance materials for an enormous collection of string quartets from master composers. Included are works of Bartók, Borodin, Cherubini, Chopin, Debussy, Fuchs, Hindemith, Schoenberg, Schumann, Smetana, Verdi, Wolf and many more, for an offering of 4,000 pages of music. Included also are articles on the lives of the composers and other relevant entries from the 1911 edition of Grove's Dictionary of Music and Musicians Published by: CD Sheet Music.

SKU: FH.VC7

ISBN 978-1-55440-543-5.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Level 7:
Il barbiere di Siviglia: Overture - Rossini, Gioachino
Carmen: Prelude to act 1 - Bizet, Georges
Coriolan Overture, op. 62 - Beethoven, Ludwig van
Symphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz Joseph
Ruslan and Ludmilla: Overture - Glinka, Mikhail
Peer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, Edvard
Level 8:
Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, Felix
Symphony No. 8, op. 88: I,IV - Dvorak, Antonin
The Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yich
Symphony No. 8 (Unfinished), D 759: I,II - Schubert, Franz
Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus
Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus
Level 9:
Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van
Symphony No. 8, op. 93: III - Beethoven, Ludwig van
Serenade for Strings, op. 22: III,IV,V - Dvorak, Antonin
Piano Concerto No. 2, op. 83: III - Brahms, Johannes
Serenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yich
Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix
Symphony No. 3, op. 90: III,IV - Brahms, Johannes
Symphony No. 35 (Haffner), K 385: I,IV - Mozart, Wolfgang
Le nozze di Figaro, K 492: Overture - Mozart, Wolfgang Amadeus
Level 10:
Group 1:
Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, Edvard
Dichter und Bauer: Overture - Suppe, Franz von
Messa da Requiem: III - Verdi, Giuseppe
Guillame Tell: Overture - Rossini, Gioachino
Group 2:
Symphonie fantastique: II,III,V - Berlioz, Hector
Symphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yich
Symphony No. 5, op. 67: I,II,III - Beethoven, Ludwig van
Symphony No. 4, op. 98: I,II,III,IV - Brahms, Johannes
Symphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yich
Symphony No. 2, op. 73: I,II,IV - Brahms, Johannes
Associate:
Group 1:
Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, Sergei
La mer: I,II - Debussy, Claude
The Bartered Bride: Overture - Smetana, Bed_ich
Symphony No. 5, op. 47: I,II,III - Shostakovich, Dmitri
Group 2:
Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann Sebastian
Don Juan, op. 20 - Strauss, Richard
Ein Heldenleben, op. 40 - Strauss, Richard
Verklaerte Nach1, op. 4 - Schoenberg, Arnold.

SKU: BR.OB-15113-27

ISBN 9790004340226. 10 x 12.5 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung)

In Cooperation with G. Henle Verlag.

SKU: BR.OB-15113-30

ISBN 9790004340233. 10 x 12.5 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung)

In Cooperation with G. Henle Verlag.

SKU: BR.PB-15122

ISBN 9790004212721. 6.5 x 9 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung).

SKU: BR.OB-15113-19

ISBN 9790004340202. 10 x 12.5 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung)

In Cooperation with G. Henle Verlag.

SKU: BR.EB-10821

In Cooperation with G. Henle Verlag

ISBN 9790201808215. 9.5 x 12 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung).

SKU: HL.49005065

ISBN 9790001054201. UPC: 073999695861. 9.0x12.0x0.24 inches. German - English - French.

German - English - French.

SKU: HL.48025278

UPC: 196288158561.

Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. The playfully inventive cycle for voice, piano and string quartet, dedicated to his “dear wife” Martha, brings together short compositions written in 1937-40. “These are,” says Schmid, “12 small pieces in a wide variety of instrumentation and different forms - some of them twelve-tone pieces, some of them in a technique that comes close. An attempt to write music that is technically easier to perform.” The arch-like overall form combines folksong-like vocal numbers on text from “Des Knaben Wunderhorn” with solo pieces, quartet movements and counterpoint art on the name of “BACH” and expresses Schmid's view of music in a subtly personal way.