Voir toutes les partitions de Richard Rodney Bennett
SKU: BT.9781472923639
ISBN 9781472923639. English.
A fantastic collection of 14 classical showstoppers arranged for beginner to intermediate players. Bringing together well-known classics in varied styles from the Baroque period to the twentieth century, this versatile repertoire book includes aninspirational CD and duet parts: everything needed to givea great performance.Anyone can take centre stage and stand in the spotlight with Abracadabra Performance Pieces.This brand new book is the latest addition to the best-selling Abracadabra series, offering approachable longer arrangements with fantastic backing tracks ideal for concert performances or simply for more musical fun. The 14 pieces showcase anarray of classical favourites, from Purcell and Handel to Bizet and Bartok, and are suitable for beginner to intermediate players (Grade 1 3).The CD contains specially recorded performances and supportive backing tracks that are guaranteed to bring extra sparkle to any performance. Four pieces also include a duet part for teachers or fellow players.
SKU: BT.9781472923622
ISBN 9781472923622. English.
SKU: BT.9781472923615
ISBN 9781472923615. English.
SKU: BT.9781472923608
ISBN 9781472923608. English.
SKU: DZ.DZ-4308
ISBN 9782898522253.
Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCE SCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'à Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'à Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'à Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'à Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des à Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'à Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
SKU: ST.Y347
ISBN 9790220225475.
This four-movement suite was first published in 1918 by Joseph Williams (now part of Stainer & Bell) as In Pixieland for Solo Violin or Flute and Piano. In 1921 string parts were added and then in 1930 optional parts for flute, oboe, clarinet in A or B flat and bassoon became available, making the work ideally suited for school or amateur orchestra. In 1999 the Sir George Dyson Trust decided that the original title was slightly out of tune with the times and it was changed to Woodland Suite. In 2007, the piece was recorded by the BBC Symphony Orchestra conducted by Richard Hickox and issued on the Chandos label (CHAN 10439) alongside a number of Dyson's choral works. The recording has created new interest in this early suite, which is again available for sale in all versions.
SKU: HL.49011285
ISBN 9790001113151. UPC: 073999650266. 9.25x12.0x0.097 inches.
These four suites are attractive easy pieces from the first half of the 18th century.
SKU: HL.48181188
UPC: 888680907389. 9.0x12.0x0.179 inches.
Composed by Eugène Bozza in 1947, Short Suite in Trio Form, Op. 67 is a piece for oboe, clarinet and bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals, it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato, which starts with the oboe, Allegro vivo, Adagio espressivo and Allegro vivo, and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.
SKU: AP.1-ADV7071
ISBN 9783892214205. UPC: 805095070712. English.
Four Pieces: Saxophone offers a lively piece of music that will satisfy a variety of jazz palates. This original suite in four movements features an array of jazz styles and moods for experienced soloists. Each movement features a solo chorus that (1) may be improvised and/or played as written by the alto soloist, and (2) extended for an additional improvised piano solo if desired. Titles: Restless Is the Soul of Grace * These Words Lie Soft * For You I've Waited * Turning Light.
SKU: CF.B3475
ISBN 9781491162026. UPC: 680160920709.
This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don't usually reveal. The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, “I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don’t usually reveal.†The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.
SKU: PE.TSGB034
UPC: 038081593388.
First Winter Suite is a must-have for your beginning band library! Tyler S. Grant has crafted a miniature suite of four pieces that are engaging, fun, and practical for their first winter concert! Using only a few-notes and playable with as few as four instruments (flute, clarinet, trumpet, and trombone), the suite includes: Season's Sounding Fanfare * Roof Riffs (based on Up on the Housetop) * Escaping the Snowman (Percussion Feature) * and A New Year's Finale (Auld Lang Syne). Each movement is only 20--25 measures. You can supplement the suite with other band selections, chamber groups, or lines from their method book to craft a well-rounded program for all to enjoy! Also included---supplemental percussion parts, play along tracks, and so much more!Original Item#: TSG-B034.
SKU: PE.TSGB034S
UPC: 038081593395.
First Winter Suite is a must-have for your beginning band library! Tyler S. Grant has crafted a miniature suite of four pieces that are engaging, fun, and practical for their first winter concert! Using only a few-notes and playable with as few as four instruments (flute, clarinet, trumpet, and trombone), the suite includes: Season's Sounding Fanfare * Roof Riffs (based on Up on the Housetop) * Escaping the Snowman (Percussion Feature) * and A New Year's Finale (Auld Lang Syne). Each movement is only 20--25 measures. You can supplement the suite with other band selections, chamber groups, or lines from their method book to craft a well-rounded program for all to enjoy! Also included---supplemental percussion parts, play along tracks, and so much more!Original Item#: TSG-B034S.
SKU: FJ.ST6486
UPC: 241444402634. English.
This four-movement suite is based on French folk songs and was specifically written for groups that may not be ready for St. Paul's Suite or Capriol Suite, but still want to be able to dig into a substantial piece. In addition to the variety of styles, keys and time signatures, the last movement playfully pays homage to Holst's The Dargason. A fabulous addition to the repertoire!
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: FJ.ST6486S
English.
SKU: BR.EB-8034
ISBN 9790004174371. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. Carl Maria von Weber (1786-1826) composed three series of piano duets: opus 3, opus 10 and opus 60. The piano pieces opus 3, which he wrote at the age of 15, are, despite the modest demands made on playing technique, among the most inventive and melodically sensitive works for four hands of the post-classical period. Together with the four pieces from opus 3, an andante from opus 10 has been included in this folio. These five pieces have been arranged in a sequence such that in their entirety, the result is a balanced suite - in a formal sense - for four hands. (The scherzo opus 3. No. 3 has therefore been transposed into C major.) Heinz Walter, Salzburg, Autumn 1979.
SKU: PE.EP68766
ISBN 9790300762760.
E ach of these five movements for solo cello uses a different technique to extend the performer's control over various dimensions of the music. The composer writes:
There are five pieces. In the first, second and fifth there are phrase sequences with free pauses between them. There are also notations for just dynamics (sounds free), and for just rhythms (free sounds). The third and fourth pieces are on grids of 6 x 6 and 8 x 8 bars, allowing continuities to be chosen in variously free ways.
The fifth piece, consisting of a series of passages that may be performed in any sequence, may also be played as a cello duo, with the second cellist playing a different sequence.
The Anton of the title is the dedicatee, cellist Anton Lukoszevieze, who gave the world premiere of this suite at St James' Church, Islington, London on September 21, 2018. This performing edition is a facsimile of the composer's autograph manuscript. At moderate tempi, the total duration of the work may be approximately 15 minutes.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.48184750
UPC: 888680842642. 9.0x12.0x0.092 inches.
â⬠Short Suite is an exciting and majestic suite in four parts for Organ. Composed by Jean Langlais, a French composer who contributed prolifically to the Organ repertoire, these pieces require the use of pedals and could be practised by upper intermediate / advanced players. The sections are: 1. Grands Jeux ? 3?30 2. Cantilène ? 6?00 3. Plainte ? 5?05 4. Dialogue sur les mixtures 3?20ââ¬Â.
SKU: AP.36-A929590
UPC: 735816239411. English.
When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.