SKU: FJ.B1536
UPC: 674398230808. English.
Opening with an edge of uncertainty, soft brass fanfares immediately begin to build in intensity until bold harmonic lines rise to support the soaring melodic material. A flurry of rhythmic activity catapults the work forward in joyous fashion while lyrical lines continue in stark contrast. Eventually, the opening fanfare material returns while woodwind flourishes drive the work to an exciting conclusion!
About FJH Symphonic Band
Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5
SKU: KJ.WB241F
A flurry of excitement containing beautiful flowing melodies, brilliant harmonies, and masterful scoring. A fantastic concert piece!
SKU: GI.G-EH1012
Splendor, the first movement from Illuminare, opens in a majestic and bright D major. A radiant flurry of sixteenth notes heralds the arrival of Light before the voices enter in powerful unison and the Ambrosian hymn text bursts into a punctuated and joyful “Gloriae†section. After a brief legato passage, the music returns to the joyful rhythmic momentum heard in the beginning. A great concert opener or festival selection, Splendor will highlight your musicians' power and sensitivity in equal turn! Splendor can be performed with SATB chorus and piano or SATB chorus with orchestra accompaniment. (Optional flute, optional oboe, 2 optional horns in F, 2 percussion, piano, strings 2.2.2.2.1 min.)  .
SKU: AP.49701
UPC: 038081567884. English.
Like a cozy sweater on a cold day, this original wintertime poem juxtaposes warmth with chills. Imagine the opening descending motive as the first falling flake and the eventual musical layers as accumulating snow. Each voice part sings in the sweet spot of their tessitura to garner rich choral tone. A harmonically vivid bridge creates contrast and offers a flurry of beauty in the piano, as singers realize the beautiful snowflakes are fleeting, all too soon they fade away. Delicate yet deep, simple yet stunning. This title is available in MakeMusic Cloud.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: FJ.B1368S
English.
This serious programmatic work depicts a day in the life of a honeybee hive by drawing on various musical effects throughout. The opening section, Daybreak, is tranquil and serene, yet intensifies as the hive becomes active. A flurry of musical activity accompanies the next section, Scouting for Pollen, as forager bees disperse. Other interesting sections include Directional Tango, Her Majesty, the Queen, Hungry Bear (depicting the ransacking of the hive), and New Cycle Begins, during which several of the previous themes come back in a brilliant collage of musical sounds and textures. Experience the full gamut of styles in this brilliant and highly entertaining work!
About FJH Concert Band
Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: FJ.B1722S
This programmatic work illustrates the eeriness and ferocity of a vast, sub-zero wilderness uninhabitable by man. With optional piano part, the opening calm includes dissonant ostinato patterns paired with semi-melodic motifs. The ensuing storm erupts with driving rhythms and a bold melody as the music barrels into a whirlwind of flurry before returning to a sense of unsettled calm. A highly engaging work.
SKU: CF.CPS290
ISBN 9781491166697. UPC: 680160925742. Key: F major.
Big Sky March was written for the Memorial Day Concert 2023 featuring the combined performance of the Asheville Community Band (Asheville, North Carolina) and the Azalea Winds Community Band (Valdosta, Georgia). The march was premiered at the Biltmore House in Asheville, North Carolina. Asheville is known as the Land Of Big Sky because of their beautiful mountain views. The march is written in the traditional style of Fillmore marches and features exciting parts for all instruments. The arpeggio at the beginning of each section of the Trio is a tribute to the Asheville Band and was written to signify the phrase Land Of Big Sky. At the end of the arpeggio, the woodwinds do a flurry of notes imitating the explosion of fireworks. The flourish of brass at the break strain denotes the pageantry of the area. Finally, the return of the trio introduces a chromatic scale in the upper woodwinds which is a tribute to the Azalea Winds (taken from the Azalea City March).
SKU: GI.G-EH1012A
Splendor, the first movement from Illuminare, opens in a majestic and bright D major. A radiant flurry of sixteenth notes heralds the arrival of Light before the voices enter in powerful unison and the Ambrosian hymn text bursts into a punctuated and joyful “Gloriae†section. After a brief legato passage, the music returns to the joyful rhythmic momentum heard in the beginning. A great concert opener or festival selection, Splendor will highlight your musicians' power and sensitivity in equal turn! Splendor can be performed with SATB chorus and piano or SATB chorus with orchestra accompaniment. (Optional flute, optional oboe, 2 optional horns in F, 2 percussion, piano, strings 2.2.2.2.1 min.).
SKU: CL.012-3895-01
Fingers will fly and ears will perk up to this unique quick-step march titled Half Step March by Kyle McKinzey. As the title suggests, it is a flurry of chromatic runs and licks that will make your students WANT to practice, and have your audience’s toes tapping. For many, it will bring back memories of the old circus marches. You will be able to see clowns running about, trapeze artists flying around and much more. A great opener to a concert, or a quick encore piece that will leave them wanting more.
SKU: ST.Y219
ISBN 9790220221415.
Musi c for two pianos is among the most satisfying of collaborative genres, and Rhian Samuel has caught its spirit of verve and playfulness in her new Serenade Duo. Repartee between the pianists drives this effervescent score from mysterious beginnings, in which the serenade alternates with fleet, toccata-like material, through crosstalk growing ever more boisterous until the serenade itself is heard in a singing statement 'molto rubato'. An up-tempo conclusion in a flurry of scales returns enigmatically to the mood of the opening. Serenade Duo is of just over five minutes' duration, and was premiered by Dimitris Barydis and Petros Moschos on 13 February 2005 at the Purcell Room.
SKU: AP.49843
UPC: 038081571577. English.
Compelling Ukrainian Bell Carol with festive wintertime words. Textured choral parts bring a flurry of jing, jingle's, and fa la la's. Familiar and fun! As part of the PerformancePlus+ series, this title is in the MakeMusic Cloud interactive library. Subscribers can access additional resources, including assessment and recording tools, part-predominant and accompaniment tracks, PDF rehearsal guides, and more.
SKU: CF.CPS216
ISBN 9781491152423. UPC: 680160909926.
Cosmi c Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.
SKU: GI.001007
Mary and Elizabeth greet each other in a spirit-filled flurry in this engaging painting.
SKU: PR.114405050
UPC: 680160008377. 11 x 14 inches.
Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique efffect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water , disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorlines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluch the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against the sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in spae. Here, the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement , two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue among the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of 'psycho-rhythmics contributes to an on-rush of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.
SKU: HL.131160
UPC: 888680024376. 9.0x12.0x0.014 inches. Wendy Stevens Early Intermediate Level.
This dramatic recital-pleaser sounds big, impressive, and more difficult than it really is: perfect as a motivating piece! A steady rhythm permeates alongside a flurry of glissandos. Key: C Major.
SKU: AP.47428
UPC: 038081547107. English.
This piece is a vibrant composition that will make your developing string orchestra sound mature. The accented quarter notes provide a great opportunity to teach the marcato bow stroke to all sections. All instruments get a chance to experience a flurry of musical excitement and energy. A perfect choice for any contest or festival.
SKU: AP.49841
UPC: 038081571553. English.
Compelling Ukrainian Bell Carol with festive wintertime words. Textured choral parts bring a flurry of jing, jingle's, and fa la la's. Familiar and fun!The PerformancePlus series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
SKU: AP.49700
UPC: 038081567877. English.
SKU: CL.RWS-2202-01
Based on the American folk song Poor Wayfaring Stranger, this work for euphonium and band is a movement from The American Folk Odyssey, a suite for various soloists and concert band. Beginning with a mysterious and lyrical statement of the haunting melody, the piece quickly transitions to the high seas in homage to the early Americans that journeyed by ship to the American continent. The sea chanty setting provides technically rich and effective environment to feature the euphonium with full band interaction while engaging the audience. Following a virtuosic cadenza, the movement concludes in a powerful musical flurry leaving the soloist, band and audience breathless!
SKU: PR.11440505S
UPC: 680160008391. 11 x 14 inches.
Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.
SKU: FJ.B1536S