B Flat Bass Clarinet Solos With Piano - Autumn Song

SKU: AP.1-ADV8438

UPC: 805095084382. English.

This snappy composition, Idea in Latin, by Valentin Hude, features melodies typical of the popular Latin style. The bass line surfs along in the foreground performing a number of solos. Arranged for 4 clarinets (3 clarinets in B-flat & bass clarinet in B-flat).

SKU: AP.1-ADV8443

ISBN 9783892218647. UPC: 805095084436. English.

Beginning with a fanfare-like introduction, this is a joyful, swinging jazz waltz. Solos for first clarinet and alto clarinet (or third B-flat clarinet) can be improvised or played as written.

SKU: AP.1-ADV8400

UPC: 805095084009. English.

This original composition uses different stylistic elements taken from jazz, rock, and classical music. Solos can be played as written or improvised. Compatible with the edition for saxophones.

SKU: CA.4048309

ISBN 9790007218751. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

SKU: CA.4048314

ISBN 9790007218799. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

SKU: BA.BA02287

ISBN 9790006419616. 33.1 x 26.7 cm inches. Text Language: French, German. Translation: Peter Schmidt. Text: Guillard, Nicolas-François.

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MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
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SKU: CA.4048311

ISBN 9790007218768. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.