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| John Wallace Leslie
Pearson: Going Solo:
Tenor Horn: Instrumental
Album
Cor Tenor, Piano
Faber Music Limited
If you are preparing to face an audience for the first time - whether at home a...(+)
If you are preparing to face an audience for the first time - whether at home at school or on the concert platform - then you are ready for Going Solo. Spanning a wide range of repertoire from lively original material to imaginative arrangements Going Solo offers a host of fresh challenges and will be enjoyed by both player and audience alike.
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| Dirko Juchem: Saxophon
Spielen - mein schönstes
Hobby Lehrbuch 1: Tenor
 Deutsch
Saxophone Tenor [Partition + CD] - Débutant
Schott
Dirko Juchem has made a name for himself as a saxophonist saxophone teacher and...(+)
Dirko Juchem has made a name for himself as a saxophonist saxophone teacher and specialist author on both a national and international level for many years.His saxophone sound and wide range of styles are well in demand: He has played with well-known German and international artists such as Rolf Zuckowski Barbara Dennerlein Thomas Anders Anne Haigis Harald Juhnke Pe Werner Sara K. as well as with musicians of Jethro Tull Jazz-Kantine or the Mike Oldfield Band. Apart from numerous concerts and productions with other artists and bands he performs again and again with his own programmes solo as a duo or with an entire band. Up to now he has performed in more than 100 CDand LP productions and his tours have taken him as far as Los Angeles and Taiwan.Having taught at various music schools as a saxophone teacher and held lectures at the Bundesakademie Remscheid as a guest lecturer he knows the problems of saxophonists from first-hand experience.In addition Dirko Juchem is the author of numerous textbooks and tune books for the saxophone as well as a specialist author of articles for musicians' journals ('Sonic' 'Sound Check' 'Fachblatt Musikmagazin').
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| Americana Collection for
Band: Concert Band: Part
Saxophone Tenor
Rubank Publications
Easy collection of 85 patriotic songs spirituals hymns and carols appropriate ...(+)
Easy collection of 85 patriotic songs spirituals hymns and carols appropriate for most any setting. Individual part books are marching band size.Song List: * Abide With Me * All Through The Night * Alma Mater * Aloha Oe * America The Beautiful * Auld Lang Syne * The Band Played On * Battle Hymn Of The Republic * Beautiful Dreamer * A Bicycle Built For Two (Daisy Bell) * Blow The Man Down * Camptown Races * Carry Me Back To Old Virginny * Columbia The Gem Of The Ocean (The Red White And Blue) * Come Ye Thankful People Come * Cradle Song * Crusaders Hymn * Deck The Hall * (I Wish I Was In) Dixie * Fairest Lord Jesus * Farewell To Thee * Finlandia * The First Noel * For Hes A Jolly Good Fellow * Forgotten Yesterdays * God Of Our Fathers * Good Night Ladies * Hail Columbia * Hail To The Chief * Hail Hail The Gangs All Here * Hark! The Herald Angels Sing * Home On The Range *Home Sweet Home * In The Gloaming * It Came Upon The Midnight Clear * Jeanie With The Light Brown Hair * Jingle Bells * Jolly Old St. Nicholas * Joy To The World * Lead Kindly Light * Little Brown Jug * Loch Lomond *Loves Old Sweet Song * The Man On The Flying Trapeze * Marines Hymn * Maryland My Maryland * A Mighty Fortress Is Our God * My Country Tis Of Thee (America) * My Faith Looks Up To Thee * My Old Kentucky Home * Nearer MyGod To Thee * Nobody Knows The Trouble Ive Seen * Now The Day Is Over * O Christmas Tree * O Come All Ye Faithful (Adeste Fideles) * O Little Town Of Bethlehem * Oh! Susanna * Old Black Joe * Old Folks At Home (SwaneeRiver) * Old Hundred * Onward Christian Soldiers * Praise God From Whom All Blessings Flow * Rock Of Ages * Sailing * Shortnin Bread * Silent Night * Silver Threads Among The Gold * The Star Spangled Banner * SweetAnd Low * Swing Low Sweet Chariot * Taps * Tis The Last Rose Of Summer * Tramp! Tramp! Tramp! * Viennese Refrain * When Johnny Comes Marching Home * While Shepherds Watched Their Flocks * Yankee Doodle
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| My First Concert: Soprano
or Tenor Saxophone:
Instrumental Collection
Saxophone
De Haske Publications
12 Recital Pieces for Beginning Tenor/Soprano Saxophonists and Piano Accompanime...(+)
12 Recital Pieces for Beginning Tenor/Soprano Saxophonists and Piano Accompaniment-My First Concert contient des pièces motivantes de style classique pour réussir son premier récital. Les accompagnements de piano enregistrés sur le compact disc ont été interprétés sur un piano à queue (version papier jointe au recueil). My First Concert convient également au débutant adulte.
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| Philip Sparke:
Masquerade: Concert Band:
Score
Orchestre d'harmonie
Anglo Music
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Güdel...(+)
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Güdel conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure featuring the brass before the main them is introduced over staccato chords. After a short syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the ?tenor? tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea which is treated fugally and this in turn leads to the main melodic idea of the movement over staccato chords. A contrasting subject is then introduced in the middle of the band followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
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| Philip Sparke:
Masquerade: Concert Band:
Score & Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Anglo Music
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Güdel...(+)
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Güdel conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure featuring the brass before the main them is introduced over staccato chords. After a short syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the ?tenor? tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea which is treated fugally and this in turn leads to the main melodic idea of the movement over staccato chords. A contrasting subject is then introduced in the middle of the band followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
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| Karl Jenkins: Palladio:
Concert Band: Score and
Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Boosey and Hawkes
Although this composition sounds like it came straight out of the Baroque period...(+)
Although this composition sounds like it came straight out of the Baroque period it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I 4 Flute II 2 Oboe 4 Bb Clarinet I 4 Bb Clarinet II 4 Bb Clarinet III 2 Bb Bass Clarinet 2 Bassoon 2 Eb Alto Saxophone I 2 Eb Alto Saxophone II 2 Bb Tenor Saxophone 2 Eb Baritone Saxophone 2 F Horn I 2 F Horn II 3 Bb Trumpet I 3 Bb Trumpet II 3 Bb Trumpet III 3 Trombone I 3 Trombone II 2 Baritone B.C. 2 Baritone T.C. 4 Tuba I String Bass I Timpani 2 Percussion I 2 Percussion II - wind/concert band
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| Firefly (Concert Band
Score And Parts) (DOBSON
SIMON)
Orchestre d'harmonie [Partition]
Faber Music Limited
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b...(+)
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, 'Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland.
Duration: 5-6 minutes.
INSTRUMENTATION:
Pic, fl1 (2), fl.2 (2), ob, bsn, Eflat cl., cl. 1 (2), cl.2 (2), cl. 3(2), bass cl. - alto sax (2), tenor sax, bar. Sax - 5 tpts in B flat (5), 4 horns in F (2 optional) (4), 3 tbns, euph (2), tuba)2) - double bass - timp and kit
/ Répertoire / Orchestre D'Harmonie
Délais: Sur commande |
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| Toon Hagen: Jubilant
Prelude: Concert Band:
Score
Orchestre d'harmonie
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...(+)
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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| Toon Hagen: Jubilant
Prelude: Concert Band:
Score & Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...(+)
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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| Essential Elements for
Band - Book 2 with EEi:
Concert Band: Score
Saxophone
Hal Leonard
comprehensive band method-Bb Tenor Saxophone. Essential Elements was the major b...(+)
comprehensive band method-Bb Tenor Saxophone. Essential Elements was the major breakthrough for beginning band methods in the '90s. Now Essential Elements 2000 will take band programs into the next millennium! EE2000 features:· A CD featuring a professional soloist in every Student Book 1 · Great performance music with planned first concert. · Even more great tunes motivating students to practice and stay in band. · Special Rubank® Studies · Better pacing sequencing and reinforcement. · Theory history and creativity exercises integrated into each student book.
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| Jacob de Haan: The
Universal Band
Collection: Concert Band:
Score & Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
De Haske Publications
A collection of 5 short works in pop style which can be performed by any kind of...(+)
A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl : A girl from the west of the USA rides her horse across the prairie dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad : A balladin pop style with a rough A-B-A form. First there is the introduction of the main theme (A) then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody performed tutti with a different rhythm in the drums (A').Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation in which the muted trumpets represent the Mexican feeling.Final Dance : Eventually there is a dance with an introduction in renaissance style followed by a fast dance in rock style. All this composed in a classical song structure: introduction verse bridge chorus shortened verse bridge chorus chorus.
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| Wim Laseroms: Centenary:
Concert Band: Score &
Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Scherzando
Centenary is a cheerful march with a festive character. It opens with a solemn...(+)
Centenary is a cheerful march with a festive character. It opens with a solemn brass introduction and the first reprise and the bass solo that follows are characterised by a tight style of play. The trio begins with a simple melodic theme followed by a transitional section of alternating descant bass and tenor registers. The piece comes to a finale when the trio returns with overflowing exuberance.
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| Wim Laseroms: Centenary:
Concert Band: Score
Orchestre d'harmonie
Scherzando
Centenary is a cheerful march with a festive character. It opens with a solemn...(+)
Centenary is a cheerful march with a festive character. It opens with a solemn brass introduction and the first reprise and the bass solo that follows are characterised by a tight style of play. The trio begins with a simple melodic theme followed by a transitional section of alternating descant bass and tenor registers. The piece comes to a finale when the trio returns with overflowing exuberance.
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| Iain Bell: A Christmas
Carol (Full Score):
Tenor: Score
Orchestre d'harmonie,
Chorale-Voix [Conducteur]
Chester
Full Score-A Christmas Carol is a work by composer Iain Bell a Chamber Opera in...(+)
Full Score-A Christmas Carol is a work by composer Iain Bell a Chamber Opera in five staves for Dramatic Tenor and Chamber Ensemble. Featuring a libretto by Simon Callow the work is an adaptation of CharlesDickens' 1843 novella. Commissioned by Houston Grand Opera and first performed in their Cullen Theater the work lasts around 1 hour 40 minutes. This is the Full Score.
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| Victor E. Nessler:
Farewell Song: Concert
Band: Score
Orchestre d'harmonie
De Haske Publications
Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessl...(+)
Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884 thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today only the farewell song called JungWerner?s Abschied also known as Behüt? dich Gott has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song originally written for tenorvoice to the baritone or euphonium.
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| Victor E. Nessler:
Farewell Song: Concert
Band: Score & Parts
Orchestre d'harmonie
De Haske Publications
Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessl...(+)
Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884 thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today only the farewell song called JungWerner?s Abschied also known as Behüt? dich Gott has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song originally written for tenorvoice to the baritone or euphonium.
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| Hector Berlioz: Te Deum:
Mixed Choir: Vocal Score
Tenor, 2 Choeurs Mixtes (STB Et
S(A)TB), Choeur D'Enfants (SA) Et
Orchestre
Barenreiter
Hymn-The Te Deum was composed in Paris in 1849 following Berlioz’s first...(+)
Hymn-The Te Deum was composed in Paris in 1849 following Berlioz’s first visit to England at a period when political unrest in France had made the future for artists and musicians seem very uncertain. He had no particular occasion in mind but hoped for some years that it would be available for some grand ceremonial occasion. Once Napoleon III had seized power such an occasion seemed more likely but in the end Berlioz had to wait until 1855 for an opportunity to perform the work. This took place for the opening of the Exposition Universelle on 30 April 1855 in the church of St.-Eustache Paris. It was the only time in his life that Berlioz performed it with the exceptionof certain extracts in later concerts. The score was published in 1855 with a dedication to Prince Albert consort of Queen Victoria.Urtext of the New Berlioz EditionFull score (BA5450) vocal score (BA5782-90) available for salePerformance material (BA5782-72) available for hire
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| Anna Thorvaldsdottir: For
It Will Never Return:
Tenor: Vocal Score [Vocal Score]
Chester
Written for the International Contemporary Ensemble and for Tenor Peter Tantsits...(+)
Written for the International Contemporary Ensemble and for Tenor Peter Tantsits. The work was created through ICE’s First Page Commissioning Program thanks to the lead support of Frances Kazan. The first performance wasgiven on 3 August 2016 in Hearst Plaza at Lincoln Center New York City U.S.A. Performance notes: 'As a composer I have a tendency to write music in rather low dynamics. The dynamics indicate an atmosphere and theurge to approach the music with a sense of calm rather than merely indicating the dynamic level. I do not intend for the music tobe too quiet – but rather projecting a sense of serenity. I would kindly ask that thedynamics be tuned to the location of the performance and subtly dramatized as appropriate with regards to the performance space and/or concert venue. ‘To the accompaniment of everyday life’ indicates an atmosphericapproach to the music that suggests fragility and loneliness. The work was commissioned to be premiered outside so the music was inspired by the notion of hearing the environment “accompanying” the music.' - AnnaThorvaldsdottir.
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| Peter Maxwell Davies:
Into The Labyrinth:
Tenor: Miniature Score [Conducteur d'étude / Miniature]
Chester
A cantata for tenor and chamber orchestra with words from The Well by George Ma...(+)
A cantata for tenor and chamber orchestra with words from The Well by George Mackay Brown and a German translation by Gunther Bauer Schenk. The centre-piece of a chamber orchestra trilogy (see also Sinfonia Concertante andSinfonietta Accademica) and is a symphonic song-cycle in five continuous movements. The text ponders the influence of modern times on ancient ways of life.Into The Labyrinth is the second of a set of three works forchamber orchestra written in 1982-3 and is the only one using voice. The first performance took place in June 1993 in St. Magnus' Cathedral Orkney as part of the St. Magnus Festival. It was given by Neil Mackie and the ScottishChamber Orchestra conducted by James Conlon.Score (miniature). Duration c. 31mins.
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| Essential Musicianship
for Band: Tenor
Saxophone: Book & CD
Hal Leonard
Tenor Saxophone-Introducing the first-ever curriculum for high school band! Esse...(+)
Tenor Saxophone-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice “loops” on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome3. Scale arpeggio and articulation studies in all keysAlso available in the Essential Musicianship curriculum: • Ensemble Concepts (HL00960059 – 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice.• Ensemble Concepts - Fundamental Level (HL00960110 – 00960127)• Ensemble Concepts – Intermediate Level (HL00960129 – 00960146)
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| Ernst Sachse: One Hundred
Studies for Trumpet:
Trumpet: Study
Trompette
Schirmer
100 Studies For Trumpet has been edited by Franz Herbst for Schirmer’s Li...(+)
100 Studies For Trumpet has been edited by Franz Herbst for Schirmer’s Library Of Musical Classics. It contains a large selection of Etudes for solo Trumpet at Intermediate/Advanced level first published around 1850. Ernst Sachse (1813-1870) was a German composer publisher and virtuosic Trumpeter and Trombonist. He performed as both a soloist and in orchestras in Weimar London Leipzig and Holland. He composed several concertos and concertinos for Bass and Tenor Trombones and also wrote for orchestra and band. Best known today are probably his pedagogical works which are still used in many academies and conservatories.
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| Firefly (Concert Band
Score) (DOBSON SIMON)
Conducteur [Partition]
Faber Music Limited
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b...(+)
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, 'Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland.
Duration: 5-6 minutes.
INSTRUMENTATION:
Pic, fl1 (2), fl.2 (2), ob, bsn, Eflat cl., cl. 1 (2), cl.2 (2), cl. 3(2), bass cl. - alto sax (2), tenor sax, bar. Sax - 5 tpts in B flat (5), 4 horns in F (2 optional) (4), 3 tbns, euph (2), tuba)2) - double bass - timp and kit
/ Répertoire / Conducteur
Délais: Sur commande |
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| Essential Musicianship
for Band: Concert Band:
Part
Hal Leonard
Tenor Saxophone-Introducing the first-ever curriculum for high school band! Esse...(+)
Tenor Saxophone-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmentalorder then combined for more advanced practice.Also available in the Essential Musicianship curriculum: • Masterwork Studies (HL00960078 – 00960095) focuses on six landmarkcompositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of the world's finest ensembles 2. Practice “loops” onthe more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys• Ensemble Concepts – Fundamental Level (HL00960110 – 00960127)• Ensemble Concepts – Intermediate Level (HL00960129 – 00960146)
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| Wings Of Apollo (C/B)
Orchestre d'harmonie
Alfred Publishing
NASA's Apollo program is known for landing the first humans on the moon in 1969....(+)
NASA's Apollo program is known for landing the first humans on the moon in 1969. In this composition, your dauntless adventure begins with a powerful lift off. Once achieved, the main theme is presented by flutes, oboe, and then trumpets, with stabilizers provided by baritone, tenor sax, and eventually the remainder of the crew. Stage 1 boosters (a strong, rhythmic accompaniment) provide the propulsion needed to voyage through to a sea of tranquility (lyrical section). From there we journey to an adventurous transition and a final re-entry of the main theme. (2:35) / Concert Band
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| Geoffrey Burgon: First
Was The World: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Chester
Quoting Burgon: My first thought on receiving this commission was what sort of t...(+)
Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go but it wasn’t until I foundthe Andrew Marvell poem Music’s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry but in fact it is both charming and dramatic and it is also apt in that it canbe set for both solo voice and chorus.The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964 the year the bank was founded and this piece is alsoincluded in the celebratory concert. So I wanted to include some homage to HP as well.Marvell’s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might haveset had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly and I have used thecountertenor. Purcell himself sang countertenor in many of his own pieces and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell’s music and the countertenor so writing thispiece was really a labour of love.It is scored for countertenor mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know but one in which I’m sure he would haverevelled in given the opportunity. It is about ten minutes in duration.
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| The First Noel: Jazz
Ensemble: Score
Ensemble Jazz [Conducteur]
Hal Leonard
Here is something unique and fresh-sounding for your holiday concert. Mark has t...(+)
Here is something unique and fresh-sounding for your holiday concert. Mark has taken this familiar carol and crafted it as a light bossa with creative harmonies and lush scoring. A tenor/trumpet duet recurs throughout and solo space is provided for both.
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| The First Noel: Jazz
Ensemble: Score & Parts
Ensemble Jazz [Conducteur et Parties séparées]
Hal Leonard
Here is something unique and fresh-sounding for your holiday concert. Mark has t...(+)
Here is something unique and fresh-sounding for your holiday concert. Mark has taken this familiar carol and crafted it as a light bossa with creative harmonies and lush scoring. A tenor/trumpet duet recurs throughout and solo space is provided for both.
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