SKU: HL.14015846
6.75x9.75x0.008 inches.
English translation of this Mendelssohn song for SS chorus and piano accompaniment.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: FP.FSS13
ISBN 979-0-57050-289-9.
The albums in Forsyth's Silhouette Series are widely acknowledged to provide as some of the finest piano arrangements of the works of the great composers available to the player of intermediate ability. These albums provide excellent teaching material, as well as superb recreational pieces for the adult player.
SKU: BR.SON-423
ISBN 9790004802656. 9 x 12 inches.
It is significant that the highly self-critical Mendelssohn could envision if at all only four-hand piano arrangements of his Concert Overtures nos. 2, 3 and 4. He made it clear to the publisher Breitkopf & Hartel that a two-hand version would find no admirers. Since Mendelssohn made his own arrangements of the Hebrides Overture (op. 26) and the Overture zur schoenen Melusine (op. 32), this gives the Leipzig Mendelssohn Complete Edition the opportunity to bring out a slender supplementary volume to the orchestral scores of the four Concert Overtures (LMA I/8).
SKU: HL.14065725
SKU: TM.07197SET
P/C in set.
SKU: AP.46719S
UPC: 038081533544. English.
This wonderful string orchestra arrangement of Choral and Allegro maestoso from Felix Mendelssohn's great masterwork, Symphony No. 5, is arranged by Jim Palmer. The string parts are similar to the original score and will create a beautiful symphonic sound. A great festival choice that would be a dynamic closer for any concert!
SKU: AP.46719
UPC: 038081533537. English.
SKU: SU.94010132
SATB (divisi) Chorus, a cappella Duration: 3' Text: Luke 23:42 Composed: 2009 Published by: Subito Music Publishing Lord, Remember Me is a work that uses the cross motive that J. S. Bach, Felix Mendelssohn, Franz Liszt, and others used in their works. This particular song is the request of one of the thieves on the cross to Jesus. His request was that Jesus Christ would remember him and save him when He would come back and set up His everlasting kingdom Minimum order quantity: 8 copies. Perusal copies are available by contactingperusalrequest@ subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: CF.SGB502
ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches.
A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me.
SKU: GI.G-995
UPC: 785147099529.
“I would tear a hole in the sky so I could pull out the heart of the moon for thee.” From “As I Walk the Silent Earth” by Thomas LaVoy Performed by the Westminster Williamson Voices, conducted by James Jordan. Works by: Ola Gjeilo, Eric Whitacre, Thomas LaVoy, Stephen Paulus, Aaron Copeland, Blake Henson, Benjamin Britten, Tomás Luis de Victoria, Dan Forrest, Felix Mendelssohn-Bartholdy, Arvo Pärt, Alice Parker, Anton Bruckner, and Maurice Duruflé. Produced by James Whitbourn A stunning new recording from James Jordan and the Westminster Williamson voices. Music opens us to a more radiant and brilliant life through sounds and words. There is music that, by its very nature, “tears a hole in the sky”—the “sky” of our spirits and souls. Certain music, certain composers, and certain performances have a way of “tearing a hole” into us perhaps even bringing new meaning to what we do and how we live. The music of Hole in the Sky has a common thread in that all the pieces, in some way, provide an illuminative hole, through both sound and text, into a deeper understanding of life and living. It explores the many worlds of choral sound. From Ola Gjeilo’s “The Spheres,” to Mendelssohn’s stunning work for women’s choir, “Veni, Domine,” to “She Weeps Over Rahoon” by Eric Whitacre, to the joyful “Jubilate Deo” of Benjamin Britten, this music will touch the depths of your soul. Be bold, take a breath, and dare to fall through. Westminster Williamson Voices under James Jordan is one of the great choirs of the world. Theirs is a sound which can set the soul at rest. James Whitborn.
SKU: CA.4048311
ISBN 9790007218768. Key: E flat major. Language: Latin.
The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.
SKU: CA.4048319
ISBN 9790007137953. Key: E flat major. Language: Latin.
The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.
SKU: BR.CHB-5319-02
ISBN 9790004412459. 7.5 x 10.5 inches. German.
The previously unknown Heilig MWV B 47, which was presumably written in 1844 at about the time of other choral works written by the composer for the Royal Cathedral Choir in Berlin. The choral piece, which is only 25 measures long, was rehearsed several times back then, but not performed in public. The autograph soon disappeared into the album of a Viennese collector. Although Mendelssohn, upon sending him the piece, insisted that it was not intended for the public, he wanted above all to block a publication that he would not have been able to control. Today, Heilig expands our knowledge of the composer's artistic personality during his last period of creativity while at the same time adding a rewarding little a cappella piece to the repertoire.One little first edition shared the limelight with some of the more spectacular releases.
SKU: CA.4048314
ISBN 9790007218799. Key: E flat major. Language: Latin.
SKU: CA.4048313
ISBN 9790007218782. Key: E flat major. Language: Latin.
SKU: CA.4048309
ISBN 9790007218751. Key: E flat major. Language: Latin.
SKU: CA.4048307
ISBN 9790007092597. Key: E flat major. Language: Latin.
The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score available separately - see item CA.4048300.
