SKU: HP.8524
UPC: 763628185244. Daniel Charles Damon.
Dan Damon is known as one of a few persons who are gifted both in crafting texts and composing tunes, and he constantly strives to build on these gifts. In this collection of 35 new hymns and songs, Dan's texts continue to break new ground, exploring new themes. The tunes, also, have a modern tonality, with echoes of the jazz music Dan performs publicly.
SKU: HP.C6057C
UPC: 763628960575. Susan Naus Dengler. Luke 2:8, Luke 2:9, Luke 2:10, Luke 2:11, Luke 2:12, Luke 2:13, Luke 2:14, Psalms 85:8, Psalms 85:9, Psalms 85:10, Psalms 85:11, Psalms 85:12, Psalms 85:13, Psalms 96:1, Psalms 96:2, Psalms 96:3, Psalms 96:4, Psalms 96:5, Psalms 96:6.
Original Christmas anthem We praise you, we bless you, we worship you, we glorify you are presented in antiphonal effect using both Latin and English exchanged between men and women's voices. The middle section echoes the message of the angels singing, Glory to God. Memorable melodies, lush part writing, and accessible vocal ranges all combine with a flowing piano accompaniment calling for all the world to bring their praise to God at this holy season.
SKU: WD.080689663239
UPC: 080689663239.
Begin ning with peaceful echoes and building into a bold testament, Is He Worthy is a reminder of just how holy and set apart the Lord is, and yet He still loves us and dwells within us. Arranged and orchestrated by Daniel Semsen, this call and response anthem will allow your congregation to participate in affirming the Father, the Spirit, and the Son as worthy of all blessing, honor, glory, and praise.
SKU: HL.48021234
ISBN 9781458423542. UPC: 884088642037. 6.75x10.5 inches.
Text: in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss.Publisher: Boosey & HawkesDifficulty level: 4 (for chorus)Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts (everything is in the statutory Latin including the titles of the parts - Pars I and Pars II). The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples: Chorale/Alla Rovescio (the theme is given and responded to with the same melody upside down)/Recitativo/Tema seriale con fuga/Canone ed ostinato. There is a good deal of humour here.There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song; another terrific Britten scherzo; and a wonderfully raucous final pair of movements (Canon ed ostinato and Corale con canto) where Britten seems to be aping the Vivat Regina! cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors (top B) which further endorse this feeling. There are real echoes of the Spring Symphony (see separate entry) final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'.This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult, though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun.Duration: 21 minutesPaul Spicer, Lichfield, 2011.
SKU: GI.G-CD-434
Five suites of early American hymns in new settings for a cappella mixed chorus. As modes of worship developed in early America, so too did their song. With Sweet Manna, gifted composer, conductor, and teacher Alice Parker gives us a glimpse into the past with new settings of early American shape-note songs found in songbooks published between 1790 and 1830. From cheerful gathering songs like My God, the Spring of All My Joy and reflective pieces such as From Deep Distress and Troubled Thoughts, to the joyous march of My Soul, Triumphant in the Lord and the familiar strains of Brethren, We Have Met to Worship (HOLY MANNA), Sweet Manna echoes the lives and the faith of early settlers.All songs in this collection keep the original combination of tune and text found in the sourcebooks, and are beautifully arranged by Alice Parker. The majority of texts are hymns of Issac Watts, while tunes are mostly from anonymous sources. Sweet Manna, however, is best described in Alice Parker's own words, Barn dances and laments, love songs and lullabies, [these songs] speak directly to us over the intervening centuries, telling us once again to 'fill our tongues with praise.' .
SKU: WD.080689539237
UPC: 080689539237.
From Chris Tomlin’s worship album Never Lose Sight, Home is a cheerily hopeful, uplifting song anticipating the freedom and unending praise we’ll know in Heaven, our true home…a place where all echoes of sickness, pain and sorrow will be replaced with triumph and joy everlasting! Arranged by David Wise and Orchestrated by David Shipps, come into the loving arms of the Father as you sing, Home!
